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Robert Doyle fonds Halifax Regional Municipality (N.S.) Costume design
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Newspaper clipping of Dalhousie University Costume Studies project, "The Wedding of the Century."

File contains the Nova Scotian section from the April 12, 1996 issue of the Chronicle Herald. The front page of the section features an article about a Dalhousie University Costume Studies project. The project was a re-enactment of a wedding that took place on December 29, 1764 between Joseph Goreham and Ann Spry. The article is divided between two pages of the newspaper section and features three black and white photographs of the event.

Fraser, Amy Pugsley

Notes with fabric swatches

File contains three pages of notes about costume designs for Dalhousie Theatre's 1990 production of Shakespeare's Women. The notes are written on lined notebook paper. There are several small triangular fabric swatches taped to the notes. The notes are taped inside the cover of a pad of paper which contains all of Doyle's costume sketches from the production.
Only Some Can Take the Strain

Only Some Can Take the Strain

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for a scene (probably scene 2 or 11), "Only Some Can Take the Strain." The sketch shows one figure with a feathered cap and clear visor, another male figure pulling a cart, and a third female figure with spiky hair.

Photocopies

File contains two black and white photocopies of item 15, which is sketch of a costume design for Dalhousie Theatre's 1990 production of Shakespeare's Women. The costumes are for Kent and Malvolio.

Photocopies

File contains 41 black and white photocopies of costume designs for Dalhousie Theatre's production of The Good Woman of Setzuan.
Photocopy of costue design for Two Officers

Photocopy of costue design for Two Officers

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for two officers. The photocopy has some of Doyle's notes about the costume written on it.
Photocopy of costume design for Feste

Photocopy of costume design for Feste

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The photocopy has Doyle's notes about the costume written on it in red.
Photocopy of costume design for Ilse

Photocopy of costume design for Ilse

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.
Photocopy of costume design for Mrs. Bergman

Photocopy of costume design for Mrs. Bergman

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.
Photocopy of costume design for Mrs. Gabor

Photocopy of costume design for Mrs. Gabor

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.
Photocopy of costume design for Olivia

Photocopy of costume design for Olivia

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Olivia. The sketch has some of Doyle's notes about the costume written on it, including sketches of its construction.
Photocopy of costume design for Sea Captain

Photocopy of costume design for Sea Captain

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a sea captain. The photocopy has some of Doyle's notes about the costume written on it.
Photocopy of costume design for Thea and Martha

Photocopy of costume design for Thea and Martha

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.
Photocopy of costume design for Wendla

Photocopy of costume design for Wendla

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.
Photocopy of costume designs for Wendla

Photocopy of costume designs for Wendla

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.

Review of Dalhousie's production of "Love's Labour Lost".

File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.

Barnard, Elissa

Scene 1 : The Weaver's Ecstasy

Scene 1 : The Weaver's Ecstasy

Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Scene 10 : Not Him

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Scene 10 : Not Him

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Scene 2 : Kiss My Hands

Scene 2 : Kiss My Hands

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Scene 3 : Necessity

Scene 3 : Necessity

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Scene 4 : Reasons for the Fall of Emperors

Scene 4 : Reasons for the Fall of Emperors

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Scene 6 : The Dumb Woman's Ecstasy

Scene 6 : The Dumb Woman's Ecstasy

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
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