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Archival Description
Halifax Regional Municipality (N.S.) Exhibitions
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Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Centre for Art Tapes presents the inaugural exhibition for the Centre for Art Tapes local curatorial residency : lies that tell the truth

Item is a poster for The Lies That Tell the Truth, an exhibition presented by the Khyber Institute for Contemporary Arts from July 15 to August 14, 2011. The exhibition was curated by Claire Hodge and Suzanne Caines and featured artists: Adad Hannah; Yam Lau; Alison S. M. Kobayashi; Johanna Householder and b.h. yael; Aoife Collins and Jeanne Ju.

Centre for disease control : collaborative installation and performance in conjunction with InFest

Item consists of two different style of the poster for the same event information. This event was held on February 27, featuring the following artists: Sebnem Koyuncu; Pierre Andre Sonolet; Handan Dogan; Dinka Pignon; Emma Hendrix; Dr. Krisp; Ali Lohan; Andrew Amy; Nimi Langer; Charles Stankievech; Sepideh Sali; Etienne Zack; Paul Wong; Vanessa Richards; Kirk Madison; Dona Szoke; Christa Dahl; Nurse Goo; Ellen Mitchell and Jane Irwin.

Colin Lyons Boom Town

Folder contains a small poster as well as a postcard for the exhibition on November 19 - December 22, 2009.

Contemporary arts society

File consists of records relating to an exhibition of works by the members of the Contemporary Arts Society organized and circulated by the Edmonton Art Gallery. The exhibition was presented at Dalhousie Art Gallery from August 13 to September 13, 1981.

Records consist of correspondence, a list of works, an itinerary, a loan agreement, and an attendance report.

Contemporary German prints

File consists of records related to planning an exhibition entitled "Contemporary German prints" organized and circulated by the Goethe-Institut Montreal and the International Programme of the National Museums of Canada (original title: "Contemporary prints from the Federal Republic of Germany"). The Exhibition was presented at the Dalhousie Art Gallery from June 5 to July 6, 1980.

Records consist mainly of correspondence and proposed tour schedule.

Contemporary prints from the Federal Republic of Germany

Item is a catalogue for an exhibition entitled "Contemporary German prints" organized and circulated by the Goethe-Institut Montreal and the International Programme of the National Museums of Canada (original title: "Contemporary prints from the Federal Republic of Germany"). The Exhibition was presented at the Dalhousie Art Gallery from June 5 to July 6, 1980.
Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.

Daddy you fucked up again

Item is a poster for the Daddy you fucked up again exhibit that was held on June 27 and included artists: Manon De Pauw; Emily Vey Duke; Craig Ferguson; Cathy Lowe; Caralee McLellan; Jess Rowland; Kent Senecal; Troy Strum; Liane Tessier; Trish Woolaver; Jane Zentner.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2014
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Daniel Fowler of Amherst Island 1810-1894

File consists of records related to Daniel Fowler exhibition entitled "Daniel Fowler of Amherst Island 1810-1894." prepared by the Agnes Etherington Art Gallery of Queens University, Kingston. The exhibition was presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.

Records consist of correspondence, newspaper clippings, a list of works (85 watercolours and drawings), news releases, exhibition itinerary, and invitations from the two previous Daniel Fowler exhibitions at other galleries.

Daniel Fowler of Amherst Island 1810-1894

Item is a catalogue for an exhibition "Daniel Fowler of Amherst Island 1810-1894" prepared by the Agnes Etherington Art Gallery of Queens University. The exhibition was presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.

Catalogue contains an exhibition itinerary, list of lenders, acknowledgements, a foreword, notes on the publication, chronology, an introduction, list of artworks with photographs, and "Autobiography or recollections of an artist" (p. 81-183).

D.C. Mackay fonds

  • MS-2-280
  • Fonds
  • 1891-1979
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.

Mackay, D.C.

Decorated Nova Scotia furnishings

File consists of records related to an exhibition of decorated Nova Scotia furnishings, organized and presented by the Dalhousie Art Gallery from July 5 to August 6, 1978.

Note: records are divided into 8 folders (Titles transcribed from original folder labels.); folder 33 - Decorated Nova Scotia furnishings (mainly loan agreements and correspondence); folder 34 - accounts/business; folder 35 - insurance; folder 36 - photographs; folder 37 - photography (correspondence and invoices); folder 38 - lenders; folder 39 - grants; folder 40 - freight/crate/transportation

Double fantasy / left wing tics / nocture

Item is a poster for the Double fantasy / Left wing tics / Nocture exhibition that ran from October 24 to November 25. Double fantasy included artists Willie Brisco; Leah Cameron & Kate O'Connor; Ray Fenwick; Jason Harvey; Jacqueline Lachance; Bridget Moser; Jessie Rainville; Brendan Reed; Vinhtruong & Patrick Vezina; Steve Wiseman. Curated by Danielle St. Amour and Francesca Tallone. The second exhibition "left wing tics" / by Stacy Lundeen.

Douglas Bentham : 'enclosures and opens' 1975-1976

File consists of records related to the Douglas Bentham sculpture exhibition, titled 'Enclosures and Opens', organized by the Art Gallery of York University. The exhibition circulated and was presented at Dalhousie Art Gallery from December 2, 1976 to January 5, 1977.

Drawings by contemporary sculptors

File consists of records relating to the exhibition 'Drawings by Contemporary Sculptors,' produced and circulated by the Surrey Art Gallery with the assistance of the Museums Assistance Programmes of the National Museums of Canada. The exhibition was presented at the Dalhousie Art Gallery from June 9 to July 31, 1983.

Records consist mainly of correspondence with the Surrey Art Gallery regarding transportation. The file also includes condition report instruction, a list of slides accompanying the exhibition, photographs and slides.

Drawings by Jack Weldon Humphrey

Item is a catalogue for a travelling exhibition of 100 drawings by Jack Weldon Humphrey, organized by the Beaverbrook Art Gallery and presented at the Dalhousie Art Gallery from August 16 to September 16, 1979.

Drawings by Jack Weldon Humphrey

File consists of records related to an exhibition of 100 drawings by Jack Weldon Humphrey, organized by the Beaverbrook Art Gallery and presented at the Dalhousie Art Gallery from August 16 to September 16, 1979.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Beaverbrook Art Gallery. The file also includes press clippings, reviews, press releases, a list of exhibition expenses, and other administrative documents.

Dreams Come True Art Auction

Dreams Come True Art Auction

Item is a poster for Dreams Come True, an art auction held in support of Eye Level Gallery on November 27, 1987. Chris Huntington was auctioneer and donating artists included Brent Ash, Bruce Barber, Beth Biggs, Robert Bean, Reith Blake, Wayne Boucher, Bruce Campbell, John Clark, Gerard Collins, Alvin Comiter, David Craig, Jane Donovan, Nancy Edell, Leya Evelyn, Cliff Eyland, Gerald Ferguson, Michael Fernandes, Tom Forrestall, Dawna Gallagher Susan Gibson, Martha Glenny, John Greer, Stephen Horne, Alexander Irving, Garry Neill Kennedy, Gordon Laurin, Peter Lawrence, Janice Leonard, Vera Lemecha, Alex Livingston, Barbara Lounder, Glen MacKinnon, Rita McKeough, Robin E. Muller, John Murchie, Wilma Needham, Jane Plant, Vita Plume, Robert Pope, Ed Porter, Bernice Purdy, Felicity Redgrave, Pam Ritchie, Robert Rogers, Leslie Sampson, Rick Sanderson, Roger Savage, Ruth Scheuing, Kristen L. Scholfield-Sweet, Ron Shuebrook, Jim Smith, George Steeves, Kim Truchan, Nicholas Wade, Eric Walker, Ken Ward, Brenda Webster, Gary Wilson, and Chris Woods.

Early Nova Scotia quilts and coverlets

File consists of records related to the exhibition 'Early Nova Scotia quilts and coverlets' presented at Dalhousie Art Gallery from November 26, 1981, to January 3, 1982.

Records are divided into 14 folders (Titles transcribed from original folder labels.):
Box 34
Folder 53 - South Shore loan agreements
Folder 54 - New Glasgow loan agreements
Folder 55 - Wolfville loan agreements
Folder 56 - French Shora loan agreements
Folder 57 - Glenwood, Yarmouth loan agreements
Folder 58 - Eastern Shore loan agreements
Folder 59 - Insurance and catalogue estimates
Folder 60 - Galley proofs and old proofs (includes photographs)
Folder 61 - Early script and final script
Folder 62 - Catalogue orders
Folder 63 - Mailing list
Box 35
Folder 1 - Correspondence
Folder 2 - Administrative files (includes photographs: slides)
Folder 3 - Photographs

Elizabeth S. Nutt : heart and head and hand

File consists of records relating to an exhibition of works by Elizabeth Styring Nutt entitled 'Elizabeth S. Nutt: Heart and Head and Hand' presented at Dalhousie Art Gallery from November 27, 1980, to January 4, 1981.

Records consist mainly of correspondence. The file includes loan agreement forms, insurance files, clippings, and an invitation.

Elizabeth S. Nutt: Heart and Head and Hand

Item consists of two catalogues for an exhibition of works by Elizabeth Styring Nutt entitled 'Elizabeth S. Nutt: Heart and Head and Hand' presented at Dalhousie Art Gallery from November 27, 1980, to January 4, 1981.

The catalogue in Folder 20 has handwritten notes and corrections.

Ernest Lawson (1873-1939) from Nova Scotia collections

File consists of records relating to the exhibition Ernest Lawson (1873-1939) from Nova Scotia collections, which was presented at the Dalhousie Art Gallery from August 12 to October 30, 1983.

Records consist of correspondence, clippings, a news release and handwritten notes/script regarding the preparation of the lecture/slideshow held on November 18.

European drawings in Canadian collection 1500-1900

File consists of records related to the planning of the exhibition "European Drawings in Canadian Collection 1500-1900," organized and circulated by the National Gallery of Canada. The exhibition was presented at the Dalhousie Art Gallery from May 3 - 31, 1977.

Records consist of correspondence with the National Gallery of Canada regarding shipping arrangements and catalogues, a list of drawings, press releases, and interdepartmental memos and invoices.

Exclusive memory : Sleeping robot variations

Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 4-9-19

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 5-8-16

Item consists of a video recording that is based on excerpts of a six hour monologue by Sherman with a computer-based video sensing robot, created by the artist for an exhibition.

Sherman, Tom, 1947-

Exclusive memory 7-11-12

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

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