File contains multiple copies of parts for Graham Collier's "1. Yellow Hymn," some of them annotated: six concert parts; three Bb parts; and two alto flute parts.
File contains multiple copies of parts for Graham Collier's "2. Above Deep Water," some of them annotated: five concert parts; two Bb horn parts; and two Eb horn parts.
File contains multiple copies of parts for Graham Collier's "3. Jardin d'Amour," some of them annotated: seven concert parts; four Bb parts; and two alto flute parts.
File contains multiple copies of parts for Graham Collier's "4. Blue Monolith," some of them annotated: three concert parts; four guitar parts; two trumpet parts; three trombone parts; two alto baritone part; two tenor/bass clarinet parts; and three bass parts.
File contains multiple copies of parts for Graham Collier's "5. Orchestral Dominances," some of them annotated: two concert parts; two Eb parts; three Bb parts; and one trombone part.
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
Item is a copy of the songs "Die Mädchen mit den verbundenen Augen" and "Sie kam zum Schloß gegangen" for voice and piano, from Zemlinsky's Op. 13. The copy is annotated in pencil by Anthony Pugh.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.
File contains a script and scores for A Titanic Memorial Evening, words compiled by Lorne Elkin Rozovsky and music compiled by Stephen A. Pedersen, presented by the Heritage Trust of Nova Scotia on July 12, 1978 at Saint David's Church, Halifax.
Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
File contains tenor saxophone and clarinet parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil."
File contains Curwen Edition's "An Eriskay Love Lilt (Gradh Geal Mo Chridh)." Melody and text by Mrs. Marjory Kennedy-Fraser, and arranged by Hugh S. Robertson. File also includes a printed page of lyrics by R. MacLeod.
Fonds consists of Anthony Pugh's research notes, program notes, annotated sheet music, and performance programs used in his work as a program note writer.
Item is a copy of Après un rêve by Claude Debussy, transcribed for cello and piano by Pablo Casals, with pencil annotations and analysis by Anthony Pugh.
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
Item also includes a memo, performance information, and a note regarding the composition's publication by Max Eschig. The score was copied by Henrique Martins and is dedicated to Arminda Neves d'Almeida (Mindinha).
File contains a score for Paul Cram's "Back of the House," and printed parts for vocals; concert pitch; Eb alto sax; Bb clarinet; clarinet; and trumpet. There is also a facsimile handwritten trombone part.
File contains annotated bass and concert parts for "Campin' Out"; "Under the Double Standard"; "Heads Up"; "In Murti"; "Monk on Time"; "On the Lam"; "Tango Oreo"; "Telescope"; "Zones"; "Confederation"; "Live it Up"; "Nijinsky's Dancing Shoes." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains bass clarinet parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil." File also contains a tour itinerary and a handwritten note to Jeff from Paul Cram.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
File contains annotated parts for Paul Cram's "Beyond Benghazi," first copyright in 1981 and revised in 1993. Parts include: soprano/flute; tenor/clarinet; bass; oboe; bass clarinet; bassoon; trumpet; violin 1; violin 2; viola; cello; guitar; harp/synthesizer; piano/synthesizer; and drums.
Item is the 1996 score for "Beyond Benghazi" by Paul Cram, which was first copyright in 1979 and revised in 1996. The score is for flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, 2 trumpets, 2 French horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes & marimba), synthesizer, guitar, piano, electric bass and drums.