Collection consists of material related to farm and rural life in Atlantic Canada. Including historical accounts of farm life and agricultural management in Atlantic Canada. Series include graphic materials, maps, surveys, and sketches of farms in Nova Scotia, and reports and diaries related to farm and rural life in Atlantic Canada. Series are arranged alphabetically and range between 1851-2004.
One painting entitled Breaking Free Into the Light by painter Reverend Dr. Victor Bruce Holker Pellegrin, PhD. The painting depicts three nude male figures in various poses, surrounded by bars. The painting was produced for Ross Boutilier and his partner, Brian Mombourquette, and was displayed at Safe Harbour Metropolitan Community Church.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
File contains reproductions of Gene Sogioka's paintings of life in the Poston Japanese Internment Camp during the Second World War. Also includes a list of titles for the paintings.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File contains a watercolour painted and signed by Kenneth Leslie, presumably in the late-1930s. The painting depicts a rural setting -- quite likely of somewhere in Pictou County -- with a brown fence in the fore-ground, a narrow peninsula stretching into a river, with low hills in the distance.
Collection contains graphic materials of the students, staff, and faculty of the Nova Scotia Agricultural College. There are also photographs of the campus landscape and buildings and also the School of Agriculture or the College of Agriculture as it was originally known. Subseries' include aerial views, animals, buildings, campus events, students, staff, faculty and principals of the Nova Scotia Agricultural College between 1885-2015, as materials may be associated with the Provincial farm or School of Agriculture (pre-1905).
Item consists of a pencil and watercolour painting by D.C. Mackay in the early 1940s showing two sailors in cold-weather gear performing rope and winch work on an unidentified naval vessel.
Series consists of photographs, slides, paintings, and VHS film cassettes that were taken at the Nova Scotia Agricultural College between 1905-2015. These depict students, faculty, staff, buildings, sports and events like convocation, and other campus activities.
File includes photographs of artwork of the Mary Celeste by Rudolph Ruzicka, Leslie Victor Smith, and John Worsley; a painting of the Amazon ship; and models of the Mary Celeste held at the Atlantic Companies, Mariners Museum, and Mystic Museum.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
File contains an undated and incomplete self-portrait, drawn and painted by Kenneth Leslie, likely from the late-1930s. Leslie's head has been fully painted while the rest of his body and the background remain unpainted, a penciled drawing. On the verso of the painting, Leslie has written the following: "This is a self-portrait of / myself when in misery from / the loss of my family. / Ken". It relates to the collapse of his first marriage, wherein his first wife, Elizabeth Moir, left Leslie, taking their children with her.
Subseries contains 135 photographs and 3 paintings. Some of these photographs have attached newspaper clippings, pamphlets, postcard, or article. Graphic materials depict sheep and lambs of various breeds in various farms, pastures, and exhibition events. Additionally, there are photographs of members of sheep related associations and businesses taken between 1940-2002.
File contains photographs of William Edward Maclellan, Margaret Jane (Mackenzie) Maclellan, Robert William Maclellan, Edward Kirkpatrick Maclellan, Helen Maclellan and other unidentified persons.