Autographed print of Florence Marryat
- MS-5-1, Box 3, Folder 4
- File
- 1885
Part of John Daniel Logan fonds
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Autographed print of Florence Marryat
Part of John Daniel Logan fonds
Battle fatigue : [fourth draft]
Part of Jenny Munday fonds
Part of Mary Vingoe fonds
Bird Cage : [Use of copyrighted material - translation]
Part of Catherine Banks fonds
Bring back Don Messer : [manuscript]
Part of Christopher Heide fonds
Part of Robert Doyle fonds
Part of Mary Vingoe fonds
Canada Council for the Arts Grants to Theatre Artists program application and correspondence
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Banks, Catherine
Certificate of Registration for Sming Productions
Part of Paul Cram fonds
Part of Robert Doyle fonds
Chester Playhouse Summer Festival 2001 program
Part of Christopher Heide fonds
Chris Heide's working copies of scripts for the Port Hawkesbury centennial project
Part of Christopher Heide fonds
Heide, Christopher
Christopher Heide's notes regarding various Mulgrave Theatre Co-op issues
Part of Christopher Heide fonds
Christopher Heide's research notes for Bring Back Don Messer
Part of Christopher Heide fonds
Citizen Ambassador Program information and other documents
Part of Robert Doyle fonds
Clean second draft : July & August (to the 11th) / 80
Part of Christopher Heide fonds
Clippings regarding the LGBT community and the local arts community
Part of Ross Boutilier fonds
Colour coded manuscript draft and key for The Promised Land
Part of Christopher Heide fonds
Part of Mary Vingoe fonds
Contact list for Nightwood Theatre's production of The Herring Gull's Egg
Part of Mary Vingoe fonds
Part of Mary Vingoe fonds
Contract, workshop notes, first-draft planning notes and press release for My Place or Yours?
Part of Christopher Heide fonds
Part of Catherine Banks fonds
File consists of records for various contracts and agreements for Catherine Banks' plays, including It is Solved By Walking, Bone Cage, The Mountain and The Valley, Miss N Me, and the publication "The Man Who Ate the Last Fish" and the monologue entitled "The Big Money."
Records consist of contracts with Playwrights Canada Press, Sarasvati Productions, White Rooster Theatre/HomeFirst Productions, Theatre Yes, McGraw-Hill Ryerson, Broad Minds Productions/Urban Curvz Theatre, letters of agreement for the Banff Playrights Colony, Downstage Performance Society, and Tant per Tant. File also includes agreements for Stratford Shakespeare Festival, Catalan Theatre Festival, the director's and actor's agreement for the Missy and Me workshop at Thorns and Roses Theatre, and rental agreements.
Contracts, correspondence, and other documents from Jenny Munday's residency at Live Bait Theatre
Part of Jenny Munday fonds
Part of Jenny Munday fonds
Part of Jenny Munday fonds
Part of Paul Cram fonds
Part of Christopher Heide fonds
Correspondence and dramaturgy notes from a workshop at the Confederation Centre
Part of Jenny Munday fonds
Correspondence and notes regarding Mulgrave Road's Feeling Yes, Feeling No company crisis
Part of Christopher Heide fonds
Part of Jenny Munday fonds
Correspondence and other documents related to a workshop of "Battle fatigue" at Gallery Connexion
Part of Jenny Munday fonds
Correspondence and reviews about Live Bait Theatre's production of "Relatively Harmless"
Part of Jenny Munday fonds
Correspondence from Anna Frery
Part of John Daniel Logan fonds
Correspondence from Charles F. Towle
Part of John Daniel Logan fonds
Correspondence from Harry Irvine
Part of John Daniel Logan fonds
Correspondence from Julia Marlowe Sothern
Part of John Daniel Logan fonds
Correspondence from Julie Opp Faversham
Part of John Daniel Logan fonds
Correspondence from Percy Haswell
Part of John Daniel Logan fonds
Correspondence regarding Christopher Heide's On the Lee Shore
Part of Christopher Heide fonds