Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
Item is a copy of the songs "Die Mädchen mit den verbundenen Augen" and "Sie kam zum Schloß gegangen" for voice and piano, from Zemlinsky's Op. 13. The copy is annotated in pencil by Anthony Pugh.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.
Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
Item is a copy of Après un rêve by Claude Debussy, transcribed for cello and piano by Pablo Casals, with pencil annotations and analysis by Anthony Pugh.
Item also includes a memo, performance information, and a note regarding the composition's publication by Max Eschig. The score was copied by Henrique Martins and is dedicated to Arminda Neves d'Almeida (Mindinha).
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is the 1996 score for "Beyond Benghazi" by Paul Cram, which was first copyright in 1979 and revised in 1996. The score is for flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, 2 trumpets, 2 French horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes & marimba), synthesizer, guitar, piano, electric bass and drums.
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.
Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.
Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.
Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.
Item is a published copy of Gordon Jacob's arrangement of "Brother James' Air," for voice and piano, with pencil annotations and analysis by Anthony Pugh.
Item is an annotated copy of the score for Georges Bizet's opera "Carmen," used and annotated by Pugh in his activities as a researcher and writer of program notes. The annotations are his analysis of various parts from the opera.