Showing 284 results

File consists of records related to the exhibition 'Cartoons of the 60's by Robert William Chambers'. The exhibition was presented at Dalhousie Art Gallery in October 1969.

Records consist of publicity for the exhibition in the form of a Dalhousie newsletter and news release from the New Brunswick Museum, an invitation, a list of artworks, and a biography of Chambers.

File consists of records related to the Chambers' Cartoons Exhibition, held at the Dalhousie Art Gallery in May 1973.

Records consist of newspaper clippings, invitation letters, lists of cartoons, a loan agreement from Art Gallery of Ontario, correspondence between Ernest Smith (Director, Dalhousie Art Gallery), Robert W. Chambers, and others.

File consists of records related to an exhibition of artworks by children from Halifax schools, held at Dalhousie Art Gallery in February 1966.

Records consist of newspaper clippings, a list of artworks, a Dalhousie newsletter, and a press release draft.

File consists of records related to the exhibition 'Christian Gaudernack Jewellery,' held at the Dalhousie Art Gallery in October 1972.

Records consist of biography, lists of jewellery, newspaper clipping, and an invitation.

File consists of records related to the Claude Tousignant exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 1 to March 31, 1974.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the National Gallery of Canada, a letter from Claude, a newspaper regarding the exhibition at the Van Guard Vancouver art gallery in July 1973, postcard invitation, press releases, a condition report, a list of artworks, and packing and unpacking instructions.

File consists of records related to the Clyde McConnell Photo Exhibition, held at Dalhousie Art Gallery from September 4 to September 28, 1975.

Records consist mainly of correspondence between Bruce Ferguson (Director, Dalhousie Art Gallery) and Clyde McConnell (Photographer) regarding plans to have a showing of Clyde's photographs and drawings at the art gallery in 1975. File also includes a floor plan, a newspaper clipping, and a list of expenses. Many letters from Clyde are handwritten, including notes of artworks and a price list.

File consists of records related to the exhibition 'Contemporary Canadian Paintings' organized by Mount Allison University through the Atlantic Provinces Art Circuit and presented at the Dalhousie Art Gallery in October 1966.

Records consist of a draft press release and exhibition text including list of artists and works.

File consists of records related to the Cozic and Delavale Exhibition, circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1973.

Records consist of an exhibition loan agreement, a condition report, a newspaper clipping, a brief introduction of Yvon Cozic and Jean-Marie Delavale and their sculptures, and other documents. File additionally contains 6 photographic prints of Cozic's sculptures; 2 copies of Surfaces à toucher 1971, 2 copies of Surface to be Caressed, 2 copies of Wearable.

File consists of records related to the Craig Wright jewellery exhibition, held at Dalhousie Art Gallery from January 24 to March 6, 1976.

Records consist of invoices, insurance documents, a list of works and prices, interdepartmental memos, artist's statement, correspondence regarding insurance, a pamphlet, and handwritten thank you letters from Craig Wright to Mary Meagher (secretary, Dalhousie Art Gallery) and Bruce W. Ferguson (Director, Dalhousie Art Gallery). Also included are photographs and slides of a few items exhibited; envelope annotated "Wright 263-9021 for Friday 19th" and date stamped December 11, 1975.

File consists of records related to the exhibition 'Silverberg: A Canadian in Japan', an exhibition of batik prints and sketches by David Silverberg organized through the Atlantic Provinces Art Circuit (APAC) and presented at Dalhousie Art Gallery in October 1968.

Records consist mainly of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and David Silverberg (Artist, Professor, Department of Fine Arts, Mount Allison University), as well as correspondence with other curators in the APAC membership. Additional records consist of a list of artworks, a condition report, room booking confirmation for a lecture by Silverberg, and a catalogue for Silverberg's exhibition at Waddington Gallery in Montréal.

File consists of records related to the exhibition 'TOYS TOYS TOYS by Denis LePage', organized and circulated by Memorial University Art Gallery. The Exhibition was presented at Dalhousie Art Gallery in April 1972.

Records consist of an exhibition report, exhibition statement, photocopy of a newspaper clipping containing a review title 'Toy exhibition turns art gallery into playhouse' by Gretchen Pierce, correspondence between the Dalhousie Art Gallery and other APAC member galleries, and between Dalhousie Art Gallery and Le Page, and a catalogue for 'High-speed Signals', containing a biography for Le Page.

File consists of records related to the exhibition 'Didactic Prints' organized by the Confederation Art Gallery and presented at Dalhousie Art Gallery in October 1968.

Records consist of a list of artworks including descriptive texts, an exhibition schedule, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Mrs. H. Kennedy (Registrar, Confederation Art Gallery).

File contains documents related to Symphony Nova Scotia stage manager Jimmy Tasco, Sue Taylor, Johnny Theodore, Luvina Thomas, musical group Touch of Hope, Up on the Roof, Helen Vaughan, Pat Watson, Angels of Lightning, Gerry White, Cecily Williams, musical group The Williams Sisters, Eastern Front Theatre's production of Whylah Falls, Anne Marie Woods, David Woods, Woody Woods, and Carolann Wright-Parks.

Documents include programs, ephemera, magazine clippings, and newspaper clippings related to Halifax Comedy Festival, Theatre Art Guild's "Accidental Death of an Anarchist," various Nova Scotia Mass Choir performances and concerts, Natal Day festivals, the Atlantic Fringe Festival, Halifax Public Libraries' African Heritage Month, Eastern Front Theatre's "Whylah Falls," the Prismatic Arts Festival, the Art Gallery of Nova Scotia's exhibit "Mary Lee Blendolph, Gee's Bend Quilts and Beyond," and Black Artists Network of Nova Scotia's exhibit "The Secret Codes: Contemporary African Nova Scotian Narrative and Picture Quilts."

File contains documents related to Karl Falkenham, Jim Faraday, Shelley Fashan, Four the Moment musical group, Four Walls of Blue, Carolyn Fowler, Isaac Fraser, Rosie Fraser, Freedom Festival , Suzy Gangoo Hansen, Marsha Gannon, Neptune Theatre, the Gospel Heirs musical group, Adrien Gough, Judith Virginia Grace, Belinda Grant, and Glen Grant.

Documents include newspaper clippings, posters, programs, and ephemera related to the art exhibit "Mommay's Patches: Traditions and Superstitions" by Letitia Fraser, Four the Moment's final performance, the Gospel Heirs performances, Neptune Theatre's productions of "The Gospel at Colonus" and "To Kill a Mockingbird," and others.

File consists of records related to a photo exhibit of Halifax buildings called "Confectioneries and Other Delights" by Thomas Walter Rishel, held at Dalhousie Art Gallery from October 23 to November 20, 1974.

Records consist of correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and Dr. T.W. Rishel.

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

File consists of records related to the Circles from Semaja exhibition, held at Dalhousie Art Gallery from November 19 to December 15, 1974.

Records consist of correspondence between Samaja and staff of Dalhousie Art Gallery, purchase receipts for frames and postcards invitations, lists of artworks and prices, mailing lists, and an invitation card.

File consists of records related to the exhibition of works by Eric Fischel , held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memo, a floor plan, and an invitation card.

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

File consists of records related to 'exhibition by Members of Faculty: Nova Scotia College of Art' presented at Dalhousie Art Gallery in January 1967.

Records consist of an exhibition pamphlet, an informational brochure about the College's offerings for 1966-1967, entry forms, a price list, and a newspaper clipping of a review by Marion Moore.

File consists of records relating to exhibitions held at the Dalhousie Art Gallery in 1958.

Records include a memo from Alex S. Mowat (Chairman of the Dalhousie Art Committee) calling for submissions for the fifth annual showcase of artworks by students, staff, and alumni of Dalhousie University, held in April 1958; and a list of names and prices of artworks shown in the Canadian Medical Association Annual Convention's 'Exhibition of Paintings by Nova Scotian Artists', hosted by Dalhousie University in June 1958.

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

File consists of records related to an exhibition of artworks owned by members of the Dalhousie Art Gallery Committee, presented at the Dalhousie Art Gallery in May 1968.

Records consist of a review by David Paton, a list of included artworks, and a number of handwritten notes.

File consists of records related to general planning and organizing of exhibitions for the 1971-1972 academic period at the Dalhousie Art Gallery.

Records consist of correspondence, packing lists, insurance slips, and itineraries for various exhibitions including: Sketches by the Group of Seven, Six Paris Artists, The Salvation Army's 90th Year in Canada: National Art Cavalcade, Alex Colville Serigraphs, Roy Kiyooka, and Invitational Photographers.

File consists of records related to the planning, organizing, and presentation of exhibitions at the Dalhousie Art Gallery for the 1968-69 year.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery). Records also include two press releases from the National Film Board's Still Photography Division.

File consists of records related to the planning, organizing, and lending of exhibitions at the Dalhousie Art Gallery for the 1969-1970 period.

Records consist mainly of correspondence of Evelyn Holmes. Records also consist of memorandum to APAC members, and descriptive text for exhibitions available for loan from the George Eastman House, Atlantic Provinces Art Circuit, and the National Gallery of Canada.

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

File consists of exhibition records for the period of 1965-1966.

Records consist of correspondence from Dr. Usmiami, exhibition schedules, a catalogue for 'Canadian Artist Series VIII: Cowley Bobak', organized by the National Gallery of Canada, and handwritten notes for exhibition plans for the Dalhousie Art Gallery.

Files consist of records relating to exhibition planning for the period of 1966-1967.

Records consist mainly of correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada, The National Film Board, Louis Rombout (Acting Curator, Mount Allison University), Bruno Bobak, Carol Fraser, and others. Records also include an exhibition schedule for the Nova Scotia College of Art, and a list of exhibitions available for loan from the National Gallery.