File contains a set list, script material, and Paul Cram and other artists' parts and scores for a cabaret/concert in Chester, Nova Scotia. Music includes a concert part for "Y Chromosome"; tenor sax parts for "Holiday in Paradise, "Well You Needn't," "No Call for Mercy," "Come Sunday," "Wonderland," "Stormy Weather," "More" and Moonlight in Rio"; synth parts for "Walking thru Walls" and "Dancing Star"; and the clarinet part for "Send in the Clowns."
File contains bass parts music by Paul Cram and other artists performed in "Cabaret for the End of Time" in Chester, Nova Scotia. Compositions include: for "Holiday in Paradise"; "No Call for Mercy"; "Wonderland"; "Moonlight in Rio"; "Dancing Star"; "Send in the Clowns"; "Walking the Walls"; "More"; "Nightcap"; "All the Things You Are"; "Georgia"; and "Boogie Stop Shuffles."
Item is a published copy of Gordon Jacob's arrangement of "Brother James' Air," for voice and piano, with pencil annotations and analysis by Anthony Pugh.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
File contains concert, Bb instrument, Eb instrument and bass clef instrument parts for Graham Collier's "Bread & Circuses." Folder also contains a program note written by Graham Collier and an enclosure note from Collier to Paul Cram.
Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.
Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.
Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.
Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
Item is the 1996 score for "Beyond Benghazi" by Paul Cram, which was first copyright in 1979 and revised in 1996. The score is for flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, 2 trumpets, 2 French horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes & marimba), synthesizer, guitar, piano, electric bass and drums.
File contains annotated parts for Paul Cram's "Beyond Benghazi," first copyright in 1981 and revised in 1993. Parts include: soprano/flute; tenor/clarinet; bass; oboe; bass clarinet; bassoon; trumpet; violin 1; violin 2; viola; cello; guitar; harp/synthesizer; piano/synthesizer; and drums.
Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
File contains bass clarinet parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil." File also contains a tour itinerary and a handwritten note to Jeff from Paul Cram.
File contains annotated bass and concert parts for "Campin' Out"; "Under the Double Standard"; "Heads Up"; "In Murti"; "Monk on Time"; "On the Lam"; "Tango Oreo"; "Telescope"; "Zones"; "Confederation"; "Live it Up"; "Nijinsky's Dancing Shoes." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains a score for Paul Cram's "Back of the House," and printed parts for vocals; concert pitch; Eb alto sax; Bb clarinet; clarinet; and trumpet. There is also a facsimile handwritten trombone part.
Item also includes a memo, performance information, and a note regarding the composition's publication by Max Eschig. The score was copied by Henrique Martins and is dedicated to Arminda Neves d'Almeida (Mindinha).
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
