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Costume design
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Set design for The Taming of the Shrew

Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.

Scene 9 : The Philosophical Lieutenant

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.

Scene 8 : The Unforseen Consequences

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.

Scene 7 : She Sees the Argument, But

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.

Scene 6 : The Dumb Woman's Ecstasy

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."

Scene 4 : Reasons for the Fall of Emperors

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.

Scene 3 : Necessity

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.

Scene 2 : Kiss My Hands

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.

Scene 10 : Not Him

Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.

Scene 1 : The Weaver's Ecstasy

Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.

Robert Doyle fonds

  • MS-3-18
  • Fonds
  • 1964 - 2019
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.

Doyle, Robert

Review of Dalhousie's production of "Love's Labour Lost".

File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.

Barnard, Elissa

Research for Anne of Green Gables set design

File contains a tourism booklet for Green Gables at the Prince Edward Island National Park. The booklet contains photographs of the interior and exterior of Green Gables, as well as the surrounding area. The booklet is research material for a production of Anne of Green Gables.

Parks & People Association Inc.

Red Deer College : The Bundle

Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.

Promotional postcard for Waisted Efforts

Item is a promotional postcard for "Waisted Efforts: An Illustrated Guide to Corset Making", a book by Robert Doyle. The book was published by Sartorial Press in 1997. The front of the postcard features a picture of a woman wearing a corset. The back of the postcard has an order form for the book.

Program from The Hobbit

Item is a program from Theatre New Brunswick's production of The Hobbit. The production was part of Theatre New Bunswick's 2003-2004 season. Robert Doyle was the set and costume designer for this production.

Program from Dear Santa

Item is a program from Theatre New Brunswick's production of Dear Santa. The production was part of their 2003-2004 season. Robert Doyle designed the set and costumes for this production. The cover of the program features an illustration by Robert Doyle.

Program from Ain't Misbehavin'

Item is a program from a production of Ain't Misbehavin' that was put by The Grand Theatre in London, Ontario in 2001. Robert Doyle designed the costumes for the production.

Production poster for The Rover

File contains two copies of a production poster for Brock University's production of The Rover.

Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre

Photocopy of costume designs for Wendla

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.

Photocopy of costume design for Wendla

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.

Photocopy of costume design for Thea and Martha

Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.

Photocopy of costume design for Sea Captain

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a sea captain. The photocopy has some of Doyle's notes about the costume written on it.

Photocopy of costume design for Olivia

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Olivia. The sketch has some of Doyle's notes about the costume written on it, including sketches of its construction.

Photocopy of costume design for Mrs. Gabor

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.

Photocopy of costume design for Mrs. Bergman

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.

Photocopy of costume design for Ilse

Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.

Photocopy of costume design for Feste

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The photocopy has Doyle's notes about the costume written on it in red.

Photocopy of costue design for Two Officers

Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for two officers. The photocopy has some of Doyle's notes about the costume written on it.

Photocopies

File contains two black and white photocopies of item 15, which is sketch of a costume design for Dalhousie Theatre's 1990 production of Shakespeare's Women. The costumes are for Kent and Malvolio.

Photocopies

File contains 41 black and white photocopies of costume designs for Dalhousie Theatre's production of The Good Woman of Setzuan.
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