- MS-2-26, Box 8, Folder 1
- Item
- 1962
Part of Anthony Pugh fonds
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Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Sonate pour violoncelle et piano
Part of Anthony Pugh fonds
Part of Upstream Music Association fonds
Moore, Sandy
Spectacles : [performance instructions]
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
String quartet no. 15, op. 144
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
MacLean, Alasdair
String Quartet no. 3 in E-flat major, op. 30
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Paul Cram fonds
Suitesonata for Bb tenor saxophone (and Paul Cram)
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Symphony No. 2 in E-flat for full orchestra, op. 63
Part of Anthony Pugh fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Anthony Pugh fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Terceiro concerto de piano e orquestra : redução para dois pianos
Part of Ellen Ballon fonds
Villa-Lobos, Heitor
The Arts and Letters Club Constitution : [choral score]
Part of John Daniel Logan fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
The gentle airs / Stephen Pedersen : [score]
Part of Stephen Pedersen fonds
The holy boy : a carol of the nativity
Part of Anthony Pugh fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.
The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
The point of sympathy : [score]
Part of Paul Cram fonds
The point of sympathy : [score]
Part of Paul Cram fonds
The point of sympathy : [score]
Part of Paul Cram fonds
The point of sympathy / by Paul Cram
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds