File contains documents related to an article about dramaturgy and new play development that Jenny Munday wrote for Canadian Theatre Review. The documents include correspondence with Canadian Theatre Review; recommendations for Brave New Worlds 1996 from Munday; a draft of "Brave New Worlds at Theatre New Brunswick" by Jenny Munday; correspondence with Theatre New Brunswick and others; and other documents.
File contains documents related to Jenny Munday's roles as peer assessor or adjudicator for the Canada Council for the Arts' Canadian Creation Program competition, Production Project Grant competition, Flying Squad Program and Short-Term and Travel Grants in Theatre. The documents include correspondence with the Canada Council; notes; information about grants awarded; and other documents.
File contains documents related to Jenny Munday's participation in the drama jury for the 2003 Governor General's Literary Awards. The documents include correspondence with the Canada Council; lists of plays; printouts of emails; and other documents.
File contains documents related to Jenny Munday's role as a drama juror for the 2006 Governor General's Literary Awards. The documents include correspondence; lists of titles; Munday's reviews of plays; and other documents.
File contains documents related to Jenny Munday's participation in the 1993 Banff Centre for the Arts Playwrights' Colony. The documents include an issue of "The Canadian Voice: A Newsletter Devoted to New Plays and New Play Development"; a contact list; correspondence between Munday and Banff; drafts of "Drowning for Beginners" by Edward Manning and "In Banff There Are Swimmers in the Sky" by Munday; a contract between the Banff and Munday; a travel itinerary; information about the playwrights' colony; and a flyer about Michel Tremblay, recipient of the Banff Centre National Award 1993.
File contains documents related to a workshop of "Battle Fatigue" (previously known as "A Woman's War" and "Mother What Do I Do Now?") by Jenny Munday at Gallery Connexion in Fredericton, New Brunswick. The documents include a poster for the workshop; correspondence between Munday and Edward Leger of Tourism, Recreation, & Heritage New Brunswick; applications for workshop funding; expense reports for the production; notes on the script; related addresses; other correspondence.
File contains photocopies and computer printouts of reviews of Live Bait Theatre's 2005 production of "Relatively Harmless" by Jenny Munday. The file also contains cards and letters congratulating Munday for the production.
File contains printouts of emails between Jenny Munday and Cindy Romano about a possible medical public relations project involving Munday's play, "Relatively Harmless."
File contains correspondence between Mary Vingoe and Joan Craig regarding a request and responding grant for It is Solved by Walking as well as a subsequent letter requesting funds for a production of Wendy Lill's Messenger.
File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.
File contains an advertisement and pamphlet on the plays presented by the Stratford-upon-Avon Players at the Princess Theatre in Toronto as part of their first American Tour. Charles F. Towle was the business director of the tour.
File contains printouts of emails from Don Hannah to Jenny Munday about his play, "New Lights." The file also contains information about the timeline of the play and potential casting.
File contains correspondence between Don Hannah and Jenny Munday about the New Lights Project, a workshop of Hannah's play "There is a Land of Pure Delight." The file also contains an application form for a Canada Council grant; budgets and other support material for the application; letters of support from those involved in the project; and other documents.
File contains three letters from the British actress Florence Glossop-Harris as well as a short resume of her career. One of the letters and the resume are transcribed and typeset. The letters were all written in response to correspondence from Logan on her performance in various plays. Three of the letters are written on letterhead from The Florence Glossop-Harris Company. The file also includes four postcards feature Glossop-Harris, which were sent to Logan.
File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."
File contains a personal greeting card from Hilary Blackmore to Jenny Munday expressing interest in working on one of Munday's plays in a workshop; and a printout of an email from Bruce Klinger to Jenny Munday about a school that is interested in performing Munday's play, "Battle Fatigue."
File contains a letter from Jenny Munday to Daniel Lillford with comments about a script that he submitted to the Playwrights Atlantic Resource Centre Moveable Feast Playwrights Colony and workshops.
File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.
File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.
File contains a letter from the American actress Percy Haswell thanking John Daniel Logan for his newspaper articles on her. The letter is written on letterhead from the R.M.S. Royal Edward.
File contains correspondence from the New Brunswick Arts Board (artsnb) about Jenny Munday's nomination for the 2012 New Brunswick Lieutenant-Governor's Awards for High Achievement in Theatre.
Series contains correspondence sent and received by Jenny Munday, including letters, email printouts, and greeting cards. The correspondence is about theatre companies; theatre awards; workshops that Munday participated in; jobs that Munday applied for; talent agencies; personal correspondence; and other topics.
File contains correspondence with Tarragon Theatre and other theatre directors, a chronology of events documenting the evolution of the script, and a program from the Tarragon workshop performance.
File contains letters and greeting cards sent to Jenny Munday to congratulate or thank her for the production of her play, "The Last Tasmanian," at Theatre New Brunswick in 1999. The file also contains photographs of the exterior of the theatre where the play was performed.
File contains documents related to Jenny Munday's participation in the Spring 2010 Ross Creek Artist Colony at the Ross Creek Centre for the Arts. The documents include correspondence between Munday and the Ross Creek Centre for the Arts; contracts; handwritten notes; artist colony application forms; photographs of set pieces; donation forms; artist colony evaluations; schedules; a document titled "Welcome to the Ross Creek Centre for the Arts"; and other documents. The file also contains reference letters for Munday's application for the New Brunswick Arts Board's Creation Grant.
File contains correspondence between Jenny Munday and Theatre Simple; an appraisal of Theatre Simple by Jenny Munday for a Canada Council grant; project descriptions; budgets; press releases; and other documents about the founding of Theatre Simple.
File contains documents related to Jenny Munday's position as artist in residence at Theatre New Brunswick. The documents include programs; correspondence; the final report on Munday's residency; newspaper articles; a script for a farewell speech; acting contracts; contact information and other documents related to Brave New Worlds.
File contains documents related to a CBC documentary about the Mulgrave Road Co-op Theatre. The documents include correspondence; contracts between Jenny Munday and CBC; and handwritten notes.
File contains documents related to a script development workshop and reading of "Abandon Hope, Mabel Dorothy" by Wayne MacPhail at Rising Tide Theatre. Jenny Munday participated in the workshop and played the role of Beth. The documents include correspondence; payment information; a contract; a flyer; and other documents.
File contains documents related to the Ship's Company Theatre's production of "The Last Tasmanian" by Jenny Munday. The documents include correspondence; contracts; and riders between Munday and Ship's Company Theatre.
File contains documents related to Jenny Munday's residency at Live Bait Theatre, and "Bump," a play that she helped develop there. The documents include newspaper articles; programs; correspondence; notes; press releases; letters of agreement; dramaturgy notes; and other documents.
File contains correspondence, dramaturgy notes, and other documents collected by Jenny Munday during her participation in The Hive, Theatre New Brunswick's playwright group. Munday developed her play "The Bunk Beds" as part of this group. The file also includes a draft of "Fortune of the Wolves" by Ryan Griffith.
File contains documents related to the publishing of the script of Jenny Munday's play, "Relatively Harmless," by Playwrights Canada Press, including the licensing of song lyrics that were used in the play. The documents include correspondence between Munday and Playwrights Canada Press; reproduction permission forms; a copyright agreement; a trade publishing agreement; licensing agreements for songs used in the play; notes about the play; printouts of emails about the publication; reviews of the play; handwritten notes; and other documents.
File contains documents related to Jenny Munday's participation in the President's Advisory Committee for Theatre at St. Thomas University. The documents include correspondence; meeting minutes; proposals; information about events at STU, Black Box Theatre, and other theatre organizations; and other documents.