File contains clippings collected by Ross Boutilier relating to intersections between the LGBT and arts communities in Halifax. File consists of reviews on the theatre productions of the "Hanging garden"; "Angels among us" and "Lion in the winter". Also included are articles on female impersonator Laura Smith and musician Ashley MacIsaac.
File contains posters for the "1864" Historical Costume Showcase, a letter about the 1864 Costume Workshop, a schedule for Charlottetown Heritage and History Day, a paper called "Re-creating our Heritage: A paper, presented to the Charlottetown Confederation Players on the merits of recreating an image of the island historical heritage," other correspondence with the Charlottetown Confederation Players and the Historical Costume Initiative, correspondence with the Capital Commission, several fabric samples, and photocopies of a notebook with notes about the construction of various objects (possibly set pieces). The file also contains documents related to Doyle's participation in the Citizen Ambassador Program Theatre Education Delegation to the People's Republic of China, including an application for life and disability insurance and information about a short term travel grant from the Canada Council.
File also contains a 2001 certificate of reinstatement and a 1984 letter of declaration that the name "The Kings of Sming" was the sole creative property of Paul Cram.
File contains records relating to Mary Vingoe's unsuccessful grant application in support of writing the first draft of Partridge Island Tempest (renamed The Panmure Island Tempest).
File contains a letter from Catherine Banks to William Toye (Literary Executor) in 2004 asking permission to use a poem titled "Bird Cage" in the stage presentations of Catherine Banks' play, "Bone Cage" and a follow-up letter regarding the contract with Playwrights Canada Press for an April 2008 release. File also includes handwritten notes regarding "Bird Cage."
File contains a program and two playbills for a pair of Samuel Beckett plays performed at Toronto's The Theatre Centre as part of a nuclear disarmament benefit. Happy Days was directed by Mary Vingoe.
File contains two copies of the fourth draft of "Battle Fatigue" by Jenny Munday. The draft was written in Guysborough and Montreal from August to October 1989, with re-writes in March 1990.
File contains two autographed photographs of the English actor John Martin-Harvey, signed for John Daniel Logan following a performance in Halifax on May 19, 1921. One of the photographs shows him in costume for a role.
File includes correspondence from the granting agency and a copy of Mary Vingo's final report on her residency project for her play The Panmure Island Tempest (renamed The Putmore Island Tempest).
File contains a draft submission to Canadian Theatre Review and correspondence between Mary Vingoe and Deborah Cottreau, guest editor. The publication solicited a 1,500 word article on the Eastern Front Theatre's recent and past work in the areas of dramaturgy in the Maritimes. Vingoe wrote an article that describes her personal approach to dramaturgy. File also includes a b&w promotional photograph of Mary Vingoe.
File contains annotated copies of scripts largely written or co-written by Christopher Heide for Under the Map theatre group's Port Hawkesbury centennial project.
File contains four heavily annotated spiral-bound workshop playscripts marked with the actors' names: Helen Hughes, Richard Farrow, Katia de Pena and James Kirchner.
File contains the script for the play by Frederick H. Thury, adapted from the children's book of the same name by Joyce Barkhouse and Margaret Atwood. The file also contains newspaper clippings and correspondence related to the play.
File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.
File contains set designs for Neptune Theatre's production of "A Midsummer Night's Dream," directed by Ouzounian and designed by Chesney. The file includes Chesney's original drawings and some annotated copies.
File contains drafts of a series of monologues or one woman shows called "A Journey to the Centre of the Universe," written and performed by Jenny Munday. The drafts include two drafts of "A Journey to the Centre of the Universe" by Jenny Munday, completed in November 1986 in Fredericton, New Brunswick and performed for the 40th Anniversary of Credit Union; "A Journey to the Centre of the Universe - Part Two" by Jenny Munday, completed on December 31, 1987 and originally performed as part of First Night Celebrations in Fredericton, New Brunswick; a draft and photocopy of "A Journey to the Centre of the Universe Part II" by Jenny Munday, performed for the York Sunbury Queens Medical Society on February 12, 1988; "A Journey to the Centre of the University Part 3" or "I'm a Victim of Fashion and Accessories" by Jenny Munday, performed at the Annual Fur Dinner on February 8, 1988 in Fredericton, New Brunswick; "A Journey to the Centre of the Universe - Part 5?" by Jenny Munday, performed on December 31, 1989 at First Night in Fredericton, New Brunswick; "A Journey to the Centre of the Universe" by Jenny Munday, completed in February 1987; and an unidentified monologue about life in the Maritimes.
File contains tech schedules; production correspondence; an annotated job description for a production manager; a projected budget; and two copies of the stage plan (Scène du Liverpool Astor).
