Series contains materials related to Kerslake’s involvement with organizations or events related to her writing. The organizations represented in the series are the Writer’s Federation of Nova Scotia, the Writer’s Council of Nova Scotia, and CBC. The events represented in this series are the Dalhousie Medical School’s Medicine and the Humanities event, the Maritime Writer’s Workshop, and an Arts Festival.
Series contains correspondence to and from Susan Kerslake and includes typed and handwritten letters, form rejection letters and requests for use of work.
Series comprises correspondence regarding Macdonald's professional and academic involvement with institutions including Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series also contains correspondence between Ronald St. John Macdonald and individuals including Joseph Philippe Pierre Yves Elliott Trudeau, Paul E. Martin, Jean Chrétien, Elisabeth Mann Borgese, Wang Tieya, A. Donat Pharand, and others.
Series consists of Robert (Bob) William Maclellan and Delphine Caroline (Wallace) Maclellan's correspondence, photographs, newspaper clippings, birth certificate, and other textual records.
Series consists of Reverend Robert Murray's correspondence and records regarding his involvement with the Navy, Army and Air Force Institutes and his participation in a farewell dinner on the R.M.S. Aurania.
Series comprises Ronald St. John Macdonald's records regarding his academic activities, including his involvement as a faculty member of York University Osgoode Hall, University of Toronto, Dalhousie University, and other institutions. Series also includes records and research materials regarding the development of Macdonald's publications, unpublished papers, and other materials.
Series contains duplicate posters from fonds in the Nova Scotia LGBT Seniors Archive. Materials in series include posters for the Halifax Fetish Ball, Mr. Atlantic Canada Leather [M.A.C. Leather] contests, other LGBT events in Halifax and Montreal, LGBT films, and posters and acetate negatives of posters for events held at Rumours, a bar owned and operated by the Gay and Lesbian Association of Nova Scotia [GALA].
Series consists of photographs of the manufacturing yard of reinforced concrete pipe and of a meeting with members of the Halifax and Saint John (New Brunswick) branches of the Engineering Institute of Canada.
Series consists of several sub-series and contains financial records, meeting minutes, sponsorship documents, bylaws, posters, programs, ephemera, promotional material, and contest notes from Mr. Atlantic Canada Leather [MACLeather].
Series comprises records created and collected by Richard Apostle documenting his work in the Marginal Work World Research Program, an interdisciplinary and long-term examination of employment and work settings in the Maritime provinces carried out through the Institute of Public Affairs, Dalhousie University. Richard Apostle's research focused on two projects: the General Segmentation Survey, which involved the collection and analysis of private sector employment data across the Maritimes; and the longitudinal Morphology Survey, which sampled low-wage establishments across Nova Scotia, New Brunswick and Prince Edward Island, and included managerial personnel and employee interviews. Record types include secondary readings and notes; datasets; agreements; recorded interview and transcripts; manuscripts and published papers; meeting records; and correspondence and memoranda.
Series contains duplicate copies of magazines, periodicals, newsletters, and zines from the Nova Scotia LGBT Seniors Archive. Series primarily contains issues of Gaezette, Wayves, the Wayves literary supplement Punoqun, as well as zines.
Series consists of records regarding correspondence, proposals for research and reports submitted to companies, research centres and government departments by MacLaren Marex Inc.
Series contains materials collected by Al Stewart as part of his involvement with the Halifax-based TightRope leather brotherhood, which was established in the early 1990s, incorporated in 1997, and disbanded in 2007. Series also contains materials related to the Mr. Atlantic Canada Leather [MACLeather] organization, which operated between 1999-2010, and the leather community more broadly. Materials include TightRope administrative and financial records, correspondence, and promotional materials; event cards, flyers, posters, programs, and certificates of participation for TightRope events, MACLeather contests, and leather events across Canada and the United States; photographs of TightRope meet-ups, MACLeather contests, and other leather community events; web print-outs; issues of the Phalia newsletter published by Spearhead leather and denim club in Toronto; erotic gear catalogues; and one copy of the 2002 Men of Pumpjack calendar.
Series contains copies of Gaezette, a publication which was originally published as the newsletter for the Gay Alliance for Equality. It was published by a non-profit collective between 1984-1995, when it changed its name to Wayves. It existed to inform lesbians, gay men, bisexuals and transgender people across Atlantic Canada of activities in their communities, and to promote those activities and support their aims and objectives.
Series contains posters for the 5th and 10th anniversary Diamond Divas Revue annual drag shows, held in Moncton, New Brunswick. Diamond Divas revues served as fundraisers for various LGBTQ+ initiatives in the Maritimes.
Series contains documents related to Jenny Munday's time as Crake Fellow in Drama at Mount Allison University. The series includes correspondence, applications, contracts, and other records from the fellowship. The series also includes records from theatre courses taught by Munday at Mount Allison during her fellowship.
Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.