File contains the studio mastering tape for "Winds of Lyra" by Sandy Moore, completed at Solar Audio Recording studio in Halifax, Nova Scotia. The recordings are on Upstream's CD, "Open Water" (track 4, 9 min., 6 sec.). Audio reel box includes track sheet.
File contains an audio cassette of live recordings from Upstream's performances at St. Mary's University Art Gallery between May 13, 1990 and March 17, 1991. The cassette features Steve Tittle (trumpet and Flugel horn); Sandy Moore (Irish harp and synthesizers); Jeff Reilly (clarinet, bass clarinet, and alto saxophone); Don Palmer (saxophone and flute); Bob Bauer (guitar); Tom Roach (drums and percussion); Steven Naylor (keyboards); and Paul Cram (saxophone and clarinet). The pieces include: "Don't Hold Back" by Jeff Reilly; "Nocturne" by Steve Naylor; "Change is a Time for Celebration" by Sandy Moore; "Pluckstucke" by Paul Cram; "Sunrise for a Mad Afternoon" by Jeff Reilly; "Below the Surface" by Steve Naylor; "Valse Triste" by Bob Bauer; "Available Light" by Steve Tittle; "Standing in the Light" by Steve Tittle; "Entangold" by Bob Bauer; and "Immortal Coil" by Paul Cram. All compositions were funded by SOCAN.
Item is a manuscript that includes a component list indicating originals and compiled materials by Christopher Heide. The revue was sponsored by the Nova Scotia Department of Culture, Recreation and Fitness in cooperation with the Old Home Summer Commission, a 1982 revival of a festival incorporated by the province in 1920 to encourage tourism. The revue was directed by Don Allison and featured Nicola Lipman, Barrie Dunn, Gay Haliser and Robbie O'Neill, with musicians Sandy Moore and Nathan Currie.
Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.
File contains correspondence regarding the agreement and a draft of the agreement between the Association and the artists on the Open Waters CD (Bob Bauer, Paul Cram, Sandy Moore, Steve Naylor, Don Palmer, Jeff Reilly, Tom Roach, and Steve Tittle).
File contains the final report submitted by Sandy Moore, Bob Bauer, and Jeff Reilly to Anne-Marie Hogue of the Japan-Canada Fund. This grant supported Upstream Ensemble's collaboration with two Japanese artists, Akikazu Nakamura and Miwa Inaba, which included a concert on November 27, 1992 and a video project.
File includes draft programs, press releases, receipts, correspondence, a comment card, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, Bob Bauer, and Chris Mitchell).
File includes draft programs and posters, a promotional photograph of the ensemble, press releases, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes draft programs, ticket stubs, budgets, speaking notes about each composition, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes draft programs, press releases, receipts, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes a media release; program; digital tape cue sheet; notes on musician's contracts and publicity; notes on the concert budget; ticket stubs; draft poster; and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes draft programs, press releases, diagram of stage set-up and effects mix, speaking notes about each composition, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Tom Roach, Paul Cram, and Bob Bauer).
File includes draft programs, a promotional photograph of the ensemble, press releases, correspondence, draft posters, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes draft programs, press releases, budgets, a rehearsal schedule, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, Bob Bauer, and Jerry Granelli).
File includes draft programs and posters, press releases, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).
File includes a concert program, poster, press release, and copies of newspaper clippings. For this concert, the Upstream Ensemble (Bob Bauer, Paul Cram, Steve Tittle, Sandy Moore, Jeff Reilly, Don Palmer, and Tom Roach) performed with members of Symphony Nova Scotia (George Maxmann, Kent Forman, Susan Sayle, Norman Adams, Max Kasper, Suzanne Lemieux, and Christopher Palmer).
File includes a concert program, stage layout diagram, rehearsal schedule, press releases, and posters. For this concert, Upstream musicians (Bob Bauer, Paul Cram, Sandy Moore, Steve Naylor, Don Palmer, Jeff Reilly, and Steve Tittle) performed with visual artists Leighton Davis, Gordon Laurin, Richard Robertson, and Chris Woods.
File contains photographs of the Upstream Ensemble (Paul Cram, Steven Naylor, Tom Roach, Steve Tittle, Bob Bauer, Sandy Moore, Jeff Reilly, and Don Palmer) and their instruments.
File contains promotional materials for a concert that featured the Upstream Ensemble (Bob Bauer, Paul Cram, Sandy Moore, Steven Naylor, Don Palmer, Jeff Reilly, and Tom Roach); members of Symphony Nova Scotia (George Maxmann, Christopher Wilkinson, Susan Sayle, Norman Adas, Max Kasper, Suzanne Lemieux, Christopher Palmer, and Charlie MacKinnon); and friends (Jim Faraday, Jamie Gatti, Barry Campbell, Cheryl Edgett, Charlotte Harper, Lynda Rosborough, Rick Hebb, and Don Roach).
File contains records from a concert entitled "Saturnalia: A Festival of Light" at Saint Mary's University Art Gallery, which featured two silent films: "Teller That You Love Her," film by Glenn Walton, music by Paul Cram; and "Lulu's Back in Town," by Lulu Keating, music by Sandy Moore. The music to both films was provided by the Upstream Ensemble (Bob Bauer, Paul Cram, Sandy Moore, Steven Naylor, Don Palmer, Jeff Reilly, and Jamie Gatti).
File contains the master tape for Upstream Ensemble's "Open Waters" CD, including recordings of the following compositions: "Standing in the Light" by Steve Tittle; "Nocturne" by Steven Naylor; "Pulseight" by Tom Roach; "Winds of Lyra" by Sandy Moore; "Fragments" by Don Palmer; "Sunrise to a Mad Afternoon" by Jeff Reilly; "Immortal Coil" by Paul Cram; " and "On the Wind" by Bob Bauer.
File contains labels for the "Upstream...excerpts" audio cassette. The cassette includes live recordings from Upstream's performance at St. Mary's University Art Gallery between May 13, 1990 and March 17, 1991, featuring Steve Tittle (trumpet and Flugel horn); Sandy Moore (Irish harp and synthesizers); Jeff Reilly (clarinet, bass clarinet, and alto saxophone); Don Palmer (saxophone and flute); Bob Bauer (guitar); Tom Roach (drums and percussion); Steven Naylor (keyboards); and Paul Cram (saxophone and clarinet). The pieces include: "Don't Hold Back" by Jeff Reilly; "Nocturne" by Steve Naylor; "Change is a Time for Celebration" by Sandy Moore; "Pluckstucke" by Paul Cram; "Sunrise for a Mad Afternoon" by Jeff Reilly; "Below the Surface" by Steve Naylor; "Valse Triste" by Bob Bauer; "Available Light" by Steve Tittle; "Standing in the Light" by Steve Tittle; "Entangold" by Bob Bauer; and "Immortal Coil" by Paul Cram. All compositions were funded by SOCAN.
File includes photographs of the musicians and their instruments. The musicians were visiting artists, Akikazu Nakamura and Michiyo Yagi, and the Upstream Ensemble (Bob Bauer, Jeff Reilly, Paul Cram, Don Palmer, Steven Naylor, Sandy Moore, and Tom Roach).
File contains records from an Upstream performance that included compositions by Bob Bauer, Jeff Reilly, Steven Naylor, Steve Tittle, and Sandy Moore. The date of the concert is not identified.
File contains biographies and CVs for the following musicians who performed with, or were part of, the Upstream Ensemble: Karen Young, Bob (Robert) Bauer, Jeff Reilly, Paul Cram, Don (Donald Charles) Palmer, Steven Naylor, Sandy Moore, Tom Roach, Norman Adams, Steve Tittle, and Jerry Granelli.
File contains a copy of the grant application and supporting documents sent to Canada Council by the Upstream Music Association for funding to record a CD. The proposed works for the CD were: "Nocturne" by Steven Naylor; "Don't Hold Back" by Jeff Reilly; "Chipper" by Don Palmer; "Immortal Coil" by Paul Cram; "Change is a Time for Celebration" by Sandy Moore; "Valse Triste" by Robert Bauer; and "Available Light" by Steve Tittle. At the point of application, the Undercurrent Recording label did not exist, but Steven Naylor, Jeff Reilly, and Paul Cram were discussing its creation.