Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.
Item is a copy of Steven Naylor's composition for guitars, accordion, wind instruments, and keyboard. The score is in graphic notation, using coloured symbols in blue, green, and red to indicate duration, pitch, attitude, and stops.
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
File contains parts for "Eye of the Storm," composed by Paul Cram for the Paul Cram Orchestra,and include: alto saxophone (reed 1), tenor saxophone (reed 2), clarinet (reed 2), bass clarinet (reed 3), trombone, cello, trumpet, piano, guitar, bass, and drums.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in C Major entitled "Exiled: A Serbian Lament." A separate author for the lyrics is not indicated, so they are likely also written by Archibald.
File contains a manuscript book containing untitled and titled musical compositions in pencil, including "Counterpoint + Palestrina & the Dissonance"; "Western Wind"; "Weepe You No More"; "What is Beauty"; and "Never More the Wind."
File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
File contains drum parts for Paul Cram compositions for the Paul Cram Orchestra, including "High Ground"; "Walkin' the Wall"; "Zebra Zone"; "Have a Heart"; "Campin Out"; "Life of Crime"; "Trouble in Paradise"; "Immortal Coil"; and "Urban Desperado." There is also a page of handwritten notes for "Kafka's Chair" and loose sheets of manuscript scores for "Side Order from B-flat Restaurant" and "March of the Philistines" for concert-pitch instruments.
File contains drum parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Taiwanese Bootleg"; "Life of Crime"; "Tip of the Iceberg"; "High Ground"; "Have a Heart"; "Walking the Wall"; Eye of the Storm"; "Kafka's Chair"; "Immortal Coil", "Zebra Zone"; "Urban Desperado"; "Thunder"; and "Campin' Out." File also includes a note to Dave from Paul.
File contains parts for "Dminor Diner," written by Paul Cram for the Paul Cram Orchestra. Parts include cello; trombone; trumpet; bass; alto saxophone (reed one); tenor saxophone (reed two); bass clarinet (reed three); drums; and guitar.
File contains a facsimile handwritten score by Paul Cram for voice; violin, viola and cello; soprano, alto, tenor and baritone reeds; piano; electric bass; string bass; and percussion 1 and 2. The first page indicates a running time of 90 minutes. There is also an original handwritten score: Part II, "Spies," pages 34-37.
File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"
File contains the score for "Mail-Order Mantis"; concert, Bb tenor and Eb saxophone parts for John Coltrane's "A Love Upstream/Resolution"; Eb part for "Monk on Time"; Bb score for "Beyond Benghazi"; Bb instrument parts for "Bb Restaurant Redux"; "Free Delivery"; "Silent Movies"; "Telescope"; "Monk on Time"; "Long Distance"; and tenor sax part for "Back of the House."
Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.
File contains two spiral-bound scores; one is marked "old" and the other is annotated and marked "new score." The work was commissioned by Canada Council and written for Upstream Orchestra, which premiered it in the fall of 2000. The score is written for voice; flute 1; oboe 1; clarinet; bassoon; trumpet; alto sax; tenor sax; baritone sax; bass clarinet; accordion; piano 1; guitar; electric bass; drums; marimba; timpani; violin 1; violin 2; viola; cello; and contrabass.
File contains parts for Paul Cram's "Corridors of Power," which was commissioned by Canada Council and written for Upstream Orchestra, who premiered it in the fall of 2000. File includes parts for flute; clarinet; bass clarinet; oboe; bassoon; alto sax; viola; cello; piano; and guitar. The composition is written in both traditional musical and graphic notation.
Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.
File contains two copies of Paul Cram's composition in 12 sections, which combines common music notation and graphic notation. The composition's commission was funded by a SOCAN grant. The piece is for 10-20 performers on flute, oboe, clarinet, bassoon, saxophone, trumpet, percussion, guitar, accordion, tape, violin, viola, violoncello, and double bass.
File contains seven copies of scores for Paul Cram's "Convoy HFX," with printed standard music notation and handwritten formations. Six are copies with handwritten annotations; one is an original handwritten score on tissue with the printed notation parts pasted on.