Archives Catalogue

MS-2-8
Fonds
1973-2023

Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.

Banks, Catherine

Bring back Don Messer : [manuscript]

MS-2-838, Box 4, Folder 3
File
1980

Part of Christopher Heide fonds

File contains two copies of the manuscript: one with cut-and-pasted text and the other a photocopy.

Annotated manuscript draft of The Promised Land with song lyrics and a list of important dates

MS-2-838, Box 1, Folder 10
File
[ca. 1988]

Part of Christopher Heide fonds

File contains a manuscript draft with cast list: Jo-Anne Rolls as Sarah, Jenny Munday as Anna/Ev/Ethel; and Sheldon Davis as Michael/Sumner/Freeman.

Annotated manuscript draft of The Promised Land

MS-2-838, Box 2, Folder 1
Item
[ca. 1988]

Part of Christopher Heide fonds

Item is a heavily annotated manuscript.

Annotated manuscript copies from the Port Hawkesbury centennial project

MS-2-838, Box 3, Folder 3
File
1989

Part of Christopher Heide fonds

File contains annotated copies of scripts largely written or co-written by Christopher Heide for Under the Map theatre group's Port Hawkesbury centennial project.

Annotated actors' scripts for On the Lee Shore

MS-2-838, Box 11, Folders 8 & 9
File
1977

Part of Christopher Heide fonds

File contains four heavily annotated spiral-bound workshop playscripts marked with the actors' names: Helen Hughes, Richard Farrow, Katia de Pena and James Kirchner.

Administrative and publicity records for Pogie, by Christopher Heide and Al MacDonald

MS-2-838, Box 5, Folder 16 and Box 7, Folder 4
File
1980 - 1997

Part of Christopher Heide fonds

File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.

6th draft — On the Lee Shore workshop copy (Tarragon)

MS-2-838, Box 12, Folder 4
Item
1977

Part of Christopher Heide fonds

Item is the original draft 6(c) incorporating all changes made in the Tarragon workshop.

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