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Exhibitions 1964-65

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

Exhibitions 1967-68

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1967-1968.

Records consist of notes and drafts for exhibitions schedules, lists of circulating exhibitions available through the National Gallery of Canada and the Maritime Arts Association, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), loan agreements, Dalhousie newsletters, and a programme brochure draft,

First Dalhousie drawing exhibition

File consists of records related to the first annual Dalhousie drawing exhibition, organized and selected by Michael Snow. The show was held at Dalhousie Art Gallery from January 9 - 28, 1976. The artists that participated in this exhibition were Michael Snow, Royden Rabinowitch, Joyce Wieland, John Meredith, Ron Martin and Dennis Burton.

Records consist of a list of works exhibited, biographies of included artists, a floor plan, clippings, interdepartmental memos, insurance documents, lists of expenses, invoices, and correspondence with Michael Snow and other galleries(lenders to the exhibition). Also includes invitation cards and photographs of drawings, including "Musical Chairs" and "Drive #2" by Michael Snow and "Dream" by Joyce Wieland and a picture of "Notebook #42, 1973, pages 69-70" by Dennis Burton.

Flora Rey: embassy of Argentina exhibition

File consists of records related to the Flora Rey exhibition held at Dalhousie Art Gallery in October 1973.

Records consist of two copies of condition report and an article titled 'Rey Poetically Persuasive,' written by Ernest Smith (Director, Dalhousie Art Gallery) of the Dalhousie Gazette published on October 26, 1973. Records also include correspondence from the Embassy of Argentina in Ottawa, a copy of a paper titled 'Exciting exhibition by Argentine artist' of the Ottawa Journal published on October 17, 1973.

Frank Nulf

File consists of records related to the exhibition of drawings by Frank Nulf, held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memos, correspondence, newspaper clipping, a floor plan, catalogue materials including an introduction, biography, list of works, and a copy of an article titled "All art is at once surface and symbol. Those who go beneath the surface do so at their peril." by Ron Shuebrook. File also includes a photographic print of Nulf's drawing (untitled) and an invitation card.

French paintings exhibition

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

Galdston, Iago

File contains correspondence with or about Iago Galdston. Also contains a list of consultants to the New York Academy of Medicine's advisory committee on "panic and morale." Also contains a manuscript for the article "Psychiatric disorder among the Yoruba: a report from the Cornell-Aro Mental Health Research Project in the Western Region, Nigeria."

George Wood

File consists of records related to the exhibition 'Paintings by George Wood' organized by the Atlantic Provinces Art Circuit and presented at Dalhousie Art Gallery in October 1967.

Records consist of correspondence between Evelyn Holmes Acting Curator, Dalhousie Art Gallery) and James Little (Curator, Confederation Art Gallery), and George Wood (Assistant Curator, Alberta College of Art), a biography of Wood, list of artworks, and exhibition contract agreement between Dalhousie Art Gallery and Memorial University of Newfoundland.

George Wood exhibition

File consists of records related to the George Wood Exhibition, held at the Dalhousie Art Gallery from June 5 to 30, 1973.

Records consist of condition reports, a list of paintings, a packing list and instructions, and correspondence between Mark Holton (Curator, Dalhousie Art Gallery) and staff of the Memorial University of Newfoundland Art Gallery regarding transferring the exhibition.

Gerald Ferguson : works 1978-1984

File consists of records relating to an exhibition of works by Halifax artist Gerald Ferguson entitled Gerald Ferguson : works 1978-1984, organized and circulated by the Dalhousie Art Gallery. The exhibition was presented at the Dalhousie Art Gallery from October 4 to November 11, 1984.

Records consist of correspondence with other galleries, floor plan and installation instructions, clippings, publicity material, exhibition agreement, invitation lists, postcard invitations, photographs, and exhibition materials created by Eye Level Gallery.

Gleams of a Remoter World - 18th Century Society exhibition

File consists of records related to the exhibition of prints and drawings from the eighteenth century prepared in conjunction with the 18th Century Society of Canada , entitled "Gleams of a Remoter World," presented at Dalhousie Art Gallery from March 22 - April 14, 1976.

Records consist of lending institutions files, correspondence, insurance documents, lists of works, and lists of expenses, opening invitations, floor plan, and clippings.

Guido Molinari exhibition

File consists of records related to the Molinari exhibition, held at Dalhousie Art Gallery in October 1972. The following year, the exhibition was presented at Memorial University Art Gallery, St. John's, Newfoundland, from January 5 to 29, 1973.

Records consist mainly of correspondence between Mark B. Holton (Assistant curator, Dalhousie Art Gallery) and Guido Molinari, Frank Lapointe (Curator, Memorial University Art Gallery) and Ernest W. Smith (Director, Dalhousie Art Gallery). Records also include biographical information about Guido Molinari, lists and pricelists of paintings, insurance files, shipping notes, a condition report, and newspaper clipping.

Hart House collects 1968-69 exhibitions

File consists of records related to the exhibition 'Hart House Collects: Recent Acquisitions' organized by the National Gallery of Canada and presented at Dalhousie Art Gallery from March 28 - April 20, 1969.

Records consist of a condition report and attached packing list and booking agreement, descriptive exhibition text, and two photocopied journal articles: 'The Hart House Collection' by Donald Buchanan, published in Canadian Art Volume 5, No. 2, and 'The Hart House Collection of Canadian Art' by Ian Montagnes, published in Canadian Art Volume 20, No. 4.

Henry Hicks' Dalhousie University records

Series comprises records created or collected by Henry Hicks in the course of his association and employment with Dalhousie University. Records types include correspondence and memoranda, newspaper clippings, reports, funding campaign materials, convocation programs, and staff lists.

Henry Moore

File consists of records related to the Henry Moore photographic exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery from April 7-24, 1967.

Records consist of a packing list, loan agreement, condition report, and correspondence of Evelyn Holmes.

Illustrated book in England, 1860-1900

File consists of records related to an exhibition of "Illustrated Book in England, 1860-1900," organized and circulated by the National Gallery of Canada. The exhibition was presented at the Dalhousie Art Gallery from March 1 to April 1, 1979.

correspondence, a list of exhibition expenses, installation instructions, parking and unpacking instructions, an exhibition description, a loan agreement, news release regarding a guest lecture, and insurance file.

In video

File consists of records related to the planning and organizing of the exhibition "In Video," presented at the Dalhousie Art Gallery from November 1 - 30, 1977.

Note: records are divided into 13 folders (Titles transcribed from original folder labels.)
folder 1 - AGO condition report; folder 2 -artist's information; folder 3 - financial; folder 4 - grant; folder 5 - schedules; folder 6 - insurance; folder 7 - mailing list; folder 8 - catalogue(invoices); folder 9 - misc.(general correspondence); folder 10 - photographs; folder 11 - press releases; folder 12 - transportation

J. W. Beatty 1869-1941

File consists of records relating to the J. W. Beatty exhibition organized and circulated by the Agnes Etherington Art Centre. The Exhibition was presented at Dalhousie Art Gallery from September 17 to October 18, 1981.

Records consist of correspondence, a list of works, packing and checklist, exhibition information and control sheet, and publicity material created by the Agnes Etherington Art Centre.

Jacob Jordaens : drawings and prints

File consists of records relating to the Jacob Jordaens exhibition organized and circulated by the Smithsonian Institute, and was presented at Dalhousie Art Gallery from September 17 to October 18, 1981.

Folder 48: Records consist of correspondence, a list of works, a loan agreement, shipping records, biographical information, exhibit script, publicity material created by the Smithsonian Institute Traveling Exhibition Services(SITES) and other administrative documents.
Folder 49 - Item is an audio recording labelled "Antwerp & The Great Age of Flemish painting."
Note: Two posters were removed from this file and placed in the posters series.

James Dinwiddie's notebook

Item is a journal containing lists of materials, expenses and books, and well as miscellaneous notes and diary entries, including copies made by W.J. Proudfoot in 1841 of earlier pencilled notes by Dinwiddie, and a loose letter from Mr Ashton requesting the loan of a book.

James Shirley prints

File consists of records related to the James Shirley Exhibition "Winter Visions," held at Dalhousie Art Gallery from August 15 to September 1, 1975.

Records consist of interdepartmental memos, invoices, cheques, list of expenses, a floor plan, correspondence, a photograph of Jim Shirley with four individuals at the opening night reception, and a list of works and prices. File also includes untitled photographs and an invitation card.

J.F.W. DesBarres : views and profiles

File consists of records related to the Joseph Frederick Wallet DesBarres exhibition entitled ' J.F.W. DesBarres: Views and Profiles' presented at Dalhousie Art Gallery from May 6 to June 20, 1982.

Records are divided into 11 folders (Titles transcribed from original folder labels.):
Folder 14 - Conservation; Folder 15 - Loan agreement forms (yellow carbon copies); Folder 16 - Insurance; Folder 17 - Matting & Framing; Folder 18 - Correspondence; Folder 19 - Loan forms (signed copies) & correspondence; Folder 20 - Xerox; Folder 21 - Catalogue; Folder 22 - Dept. of Culture, Recreation, and Fitness (grant); Folder 23 - Invitation list; Folder 24 - Other administrative files (financial records, curatorial agreement, and news release)

Joe Fitzpatrick exhibition - Toys

File consists of records related to the exhibition of Joe Fitzpatrick's collection of children's toys organized and presented by the Dalhousie Art Gallery from July 15 to August 12, 1976.

Records consist of correspondence, a news release, a list of the toys in the exhibition organized into categories, invoices, and a clipping. Records also include photographic prints of toys and a draft sketch of catalogue arrangement.

John and Joice Hall

File consists of records related to a joint exhibition of artworks by John and Joice Hall, titled John Hall: Paintings, and Joice Hall: Celebration Landscapes. The exhibition was presented at Dalhousie Art Gallery from July 5-31, 1976.

Records consist of correspondence, a news release, a list of artworks, financial statement for exhibition expenses and interdepartmental memos, a floor plan, loan agreements, and clippings. Records also include photographic prints of paintings.

John Ettlinger print exhibition

File consists of records related to the John Ettlinger print exhibition "Etchings and engravings of the 16th, 17th, and 18th centuries," held at the Dalhousie Art Gallery from October 26 to November 26, 1978.

Records consist of a list of works, correspondence, newspaper clippings, exhibition description, a floor plan, and a list of expenses.

John House exhibition

File consists of records related to the Joan House Exhibition, held at Dalhousie Art Gallery in April 1974.

Records consist of lists and pricelists of artworks, insurance documents, and a handwritten invitation lists.

Joseph Sleep

File consists of records related to the exhibition of paintings by Joseph Sleep, held at Dalhousie Art Gallery from September 16 to October 2, 1975.

Records consist of a loan agreement, a biography, a list of expenses, a price list of artworks, a newspaper clipping, interdepartmental memo, a floor plan, and draft letter-size poster and poster order form.

Joseph Svoboda exhibition

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

Judith Mann : paintings and drawings

File consists of records relating to an exhibition of recent paintings and drawings by Judith Mann, presented at the Dalhousie Art Gallery from April 8 - May 2, 1982.

Records consist of correspondence, statement by the artist, news release, newspaper clipping, draft exhibition agreement, insurance files, and a list of works in the exhibition.

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