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Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre
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Costume design for woman at costume ball

Item is a watercolour sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The costume is for a woman at the costume ball. The sketch shows one female figure wearing a pink and yellow fringed dress and holding a mask.

Costume design for woman in black caped coat

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1986 production of Thieves' Carnival. The costume is for an unidentified woman in a black caped coat. The sketch shows a female figure wearing the costume with balloons in the background. The sketch is cut out and mounted on a dark red matboard.

Costume design for woman in blue dress with mask

Item is a watercolour sketch of a costume design from Dalhousie Theatre's 1990 production of Shakespeare's Women. The sketch shows and unidentified woman wearing a blue and purple gown and holding a mask.

Costume design for woman with bow

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for an unidentified woman with a bow and the sketch shows one female figure wearing the costume.

Costume design for woman with stroller

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1986 production of Thieves' Carnival. The costume is for an unidentified woman with a stroller. The sketch shows a female figure wearing the costume and pushing a stroller with balloons in the background. The sketch is cut out and mounted on a dark red matboard.

Costume design for Wong

Item is a pen sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Wong the water seller and the sketch shows one figure wearing the costume.

Costume design for Yang Sun

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for an air pilot named Yang Sun and the sketch shows one male figure wearing the costume.

Costume design for Yang Sun's mask

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows how Yang Sun's mask is constructed.

Costume design for Zacharie Moirrow

Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a character named Zacharie Moirrow (Moirroiv?). The sketch shows a male figure wearing the costume.

Costume design or Whippett

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1981 production of The Government Inspector. The costume is for a character named Whippett, played by Bob Paisley. The sketch shows a male figure wearing the costume. There are fabric swatches pinned to the sketch.

Costume designs for Dorn and Madvenko

Item is a pencil sketch of costume designs for Dalhousie Theatre's 1979 production of The Sea Gull. The sketch is drawn in pencil on tissue paper. The costumes are for characters named Dorn and Madvenko. The sketch shows a male figure wearing one costume, and the torso and head of a figure wearing the second costume.

Costume designs for Ilse, Thea, and Martha

Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The costumes are for characters named Ilse, Thea, and Martha. The sketch shows three figures wearing the costumes.

Costume designs for Kanickie

Item is a coloured pencil sketch of two costume designs for Dalhousie Theatre's 1984 production of Grease. The costumes are both for a character named Kanickie and the sketch shows two male figures wearing the costumes.

Costume designs for Wendla

Item is a sketch of three costume designs for Dalhousie Theatre's production of Spring Awakening. The sketch is executed in coloured pencil and watercolour. The three costumes are for a character named Wendla. The sketch shows three female figures wearing the costumes.

Costume studies course materials

File contains documents from costume design courses taught by Robert Doyle between 1995 and 1997. The documents include completed assignments written by students, class schedules, photocopied handouts about ancient costumes, and course outlines. The course represented by these documents include History of Costume, The Aesthetics of Ritual Costume, Tailoring, Textile Fabrications, and The Designer's Language, and others.

Costume studies course materials

File contains course outlines, class schedules, mark breakdowns, class supply lists, and student grades for course taught by Robert Doyle between 1991 and 1995. The courses represented in this file include History of the Costume, The Designer's Language, Costume in Performance, Textile Fabrication, Tailoring, and others.

Costume studies course materials and other documents

File contains material from costume studies courses taught by Robert Doyle between 1990 and 1992. The documents include examinations, class lists, grades, student assessments, written assignments completed by students, class handouts, and personal notes. The file also contains a report of the review committee for the Costume Studies program and a program for "The Hand of Creation," a show of costumes put on by costume studies students on April 10th, 1991.

Costume studies course materials and other documents.

File contains a variety of documents related to Robert Doyle's activities at Dalhousie University and the course that he taught in the 1996-1997 academic year. The documents include: class lists; student grades; examination books; course outlines; photocopies of articles; Dalhousie Faculty Association documents; departmental meeting agendas; production notes; several letters to students about whether they were returning to the program; two unopened pay stubs; photographs of a ball gown; a pamphlet about the Costume Studies program; an issue of "Explorer: Research News at Dalhousie"; and an issue of "Focus: on University Teaching and Learning." The courses represented by these documents include History of Costume, The Designer's Language, Tailoring, and Textile Fabrication.

Costume studies course materials and other documents

File includes a variety of documents related to Robert Doyle's activities at Dalhousie University and the costume studies courses that he taught. The documents include photocopies of articles, course descriptions, student assessments, personal notes, memos, brochures for the theatre department, a booklet called "A Guide to Academic Procedures," agendas for departmental meetings, and production meeting minutes.

Daily plan and record book

File contains Robert Doyle's daily plan and record book from 1995 to 1996. The book is a spiral bound notebook with lined paper. The notebook is mostly full but most pages of notes are undated. The notebook has four dividers, each labeled with the name of a course: Designer's Language, Tailoring, History of Costume, and Textile Fabric. There are several other sheets of paper tucked between pages of the notebook, such as course outlines, class schedules, and a memorandum.

Daily plan and record book

File contains Robert Doyle's daily plan and record book for the 1992-1993 school year. The book is a spiral bound notebook with lined paper, designed to by used as a daily plan book by teachers. The notebook is mostly full but most pages of notes are undated. There are several other sheets of paper tucked between pages of the notebook, such as course handouts, class schedules, student grades, correspondence, and contact information.

Daily plan and record book

File contains Robert Doyle's daily plan and record book from 1990-1992. The book is a spiral bound notebook with lined paper, designed to by used as a daily plan book by teachers. The notebook is mostly full but most pages of notes are undated. There are several other sheets of paper tucked between pages of the notebook, such as student grades,assignment descriptions, and pamphlets.

Daily plan and record book

File contains Robert Doyle's daily plan and record book from 1994 to 1995. The book is a spiral bound notebook with lined paper. The notebook is mostly full but most pages of notes are undated. There are several other sheets of paper tucked between pages of the notebook, such as an examination booklet, a thank you card, class project time sheets, and student grades.

Dalhousie : the alumni magazine, fall 1990

  • MS-1-Ref, Box 22, Folder 10, Item 3
  • Item
  • 1990
  • Part of Dal Magazine

Item is a copy of Dalhousie Magazine (Volume 7, Number 3), the official periodical of the Dalhousie Alumni Association. Issue features articles about the twentieth anniversary of Dalhousie Theatre Department and the state of campus sport and recreation.

Dalhousie correspondence and appointment letters

File contains appointment letters, contracts, and other correspondence related to Robert Doyle's activities at Dalhousie University. The file contains correspondence between Robert Doyle and Bonnie Best-Fleming (Reserve Assistant, Dalhousie University Library); Donald D. Betts (Dean, Faculty of Arts and Science); Dr. Howard Clark (President); Basil Cohen; Brian C. Crocker (University Secretary and Legal Counsel); Leland Crowell (Co-ordinator, Employee Benefits); Henry Hicks (President); James Grey (Dean); D. Johnson (Officer); L. H. Lawrence (Chair, Department of Theatre); W. Andrew MacKay (President); Oriel C. L. MacLennan (Information Services, Dalhousie University Library); Susie Manthey; Dr. Overton; Peter Perina; Richard Roy (Director, Paris American Academy); Cindy Russel; Alasdair M. Sinclair (Vice President, Academic & Research); Rowland Smith (Dean, Faculty of Arts and Social Sciences); Lynn Sorge; Graham D. Taylor (Dean, Faculty of Arts and Social Sciences); and Patrick Vallee.

Dalhousie Faculty Association documents and other items

File contains various documents related to the Faculty of Arts and Social Sciences and the Dalhousie Faculty Assocaiton. The file contains a spiral bound book called "A Collective Agreement between the Board of Governors of Dalhousie College and University and the Dalhousie Faculty Association. The file also contains several memorandums to the Faculty of Arts and Social Sciences. Lastly, the file contains Robert Doyle's membership card to the Dalhousie Faculty Club.

Dalhousie Theatre : Cloud Nine

File contains 14 costume designs for Dalhousie Theatre's 1989 production of Cloud Nine. The designs are pencil sketches on heavyweight paper. The sketches have been torn from a spiral bound sketchbook and some of the torn edges have not been cut off. The file also contains nine black and white photocopies of some of the sketches.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : Love for Love

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Mary Stuart

File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.

Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.

Dalhousie Theatre : Rose

File contains two costume designs for Dalhousie Theatre's 1984 production of Rose. The designs are drawn in pencil on grey card.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : Spring Awakening

File contains four drawings and six photocopies of costume designs for Dalhousie Theatre's 1977 production of Spring Awakening. Several of the items have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.
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