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Archival Description
Nova Scotia Authors
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Bass, Harold

File contains the typed draft of a letter written by Harold J. Bass (of Tacoma, WA), post-marked November 18, 1972, and submitted to Kenneth Leslie for consideration for inclusion in the publication The New Man. The piece, entitled "Whose mistake?", addresses the horrors and "tragedy of Vietnam", suggesting that George McGovern was barely listened to on the campaign trail "because he declared openly that we have done wrong and we ought to acknowledge and correct that wrong", while Nixon appears to merely want to "cover the wrong and make it seem like a right" with his "peace with honor" promises.

Assorted documents and photographs of Joyce Barkhouse

File includes a letter to children's author Claire MacKay and copies of publications that include stories by Joyce Barkhouse, including Hi Venture magazine and the Canadian Children's Literature journal. The file also includes photographs of Blomidon, King's County, Nova Scotia and the Town of Lunenburg, Nova Scotia, in addition to copies of poems, birthday invitations, an edited biography of Joyce Barkhouse from the Writers' Federation of Nova Scotia website, and family history documents.

Assenat, John

File contains a piece of handwritten correspondence written by John Assenat (of N. Charleroi, PA), on January 29, [1973], and sent to Kenneth Leslie. File acknowledges submitting payment for the December 1972 and January 1973 issues of The New Man, the recent publication of a book by New Man contributor Hugh Hester, as well as wishing Mr Leslie well after his "sick spell".

Ashworth, Joseph

File contains handwritten correspondence sent by Joseph Ashworth (of Calgary, Alberta) to Kenneth Leslie, dated September 5, 1972. File acknowledges a $5.00 payment for the purchase of one of Leslie's publications, as well as confirming a new mailing address.

Ashley, Ruth

File contains handwritten correspondence written by Mrs. Ruth H. Ashley (of Wabash, Indiana), dated January 25, 1963, and sent to Kenneth Leslie. File mentioned Ashley's appreciation of Leslie's contributions to Protestant scholarship in his periodical publications The Protestant and The New Christian, and discusses her discovery of related publications and musings on the "close relationship between the philosophy of Jesus and the economic program of Marxism" as well as contemporary Chinese/Soviet relations.

Andrew Merkel fonds

  • MS-2-326
  • Fonds
  • 1900-1954
Fonds contains records created and collected by Andrew Merkel, including correspondence with friends and associates such as Charles Bruce, Kenneth Leslie, and Robert Norwood; manuscripts; newspaper clippings; and copies of The Song Fishermens’ Song Sheet and The Order of Good Cheer.

Merkel, Andrew Doane

Andover-Harvard Theological Library

File contains typed correspondence from the Andover-Harvard Theological Library (Cambridge, MA), dated 1973, and sent to Kenneth Leslie. The first, dated January 8, 1973, sent by Mrs. John Timoney, expresses appreciation for a donated copy of 'O'Malley to the Reds'. The second, undated and sent by William C. Bourque [?], references the library's not having received issues 25:1 thru 25:3 of New Man (Jan-Mar 1973).

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

Abels, Lydia

File contains two pieces of correspondence, dated January 1973, sent to Kenneth Leslie by Lydia Abels (Mrs Alexander Hamilton Abels), from Boston, Massachusetts. The first piece of correspondence, dated January 5th, discusses Lydia's declining health. The second piece of correspondence, dated January 8th, mentions Lydia's excitement about receiving a copy of Kenneth Leslie's recent anthology of poems, and how the package "looked exactly like your old Protestant" when it arrived.
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