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Correspondence between Thomas Head Raddall and Maclean's Magazine

File contains correspondence between Thomas H. Raddall and Maclean's Magazine staff from 1945 to 1949, with correspondence from Noryal Bonisteel, R. Napier Moore, W.A. Irwin, Scott Young, and John Clare. Topics covered include whaling off the coast of Nova Scotia, travels with the Lunenburg fishing fleet, the publication of "Tambour", the Teazer incident and Tancook Island, and others subjects.

Correspondence between Thomas Head Raddall and Maclean's Magazine

File contains correspondence between Thomas H. Raddall and Maclean's Magazine staff, including Murray Chipman, Robert Fulford, and Gayle Winship, from the early 1960s. Includes topics such as a visit to Nova Scotia, and the release of an issue of Maclean's dedicated to the Constitution of Canada.

Correspondence between Thomas Head Raddall and Maclean's Magazine

File contains correspondence between Thomas H. Raddall and Maclean's Magazine dating from 1939 to 1944. Relates to the inclusion of the stories "Eighth Mile House" and "The Odour of Sanctity", and articles "Ready", "North of Vinland", and others, in Maclean's issues in the early 1940s. File also includes active story revisions. Includes correspondence from R. Napier Moore, W.A. Irwin, Jack Paterson, Dorothy Hodgins, Walter Gilhooly, Harry C. Clarke, Noryal Bonisteel, and others.

Correspondence between Thomas Head Raddall and Maclean's Magazine

File contains correspondence between Thomas H. Raddall and Maclean's Magazine staff from the 1950s, from Pierre Berton, Ian Sclanders, Janice Tyrwhitt, Ralph Allen, discussing pieces on the history of Barrington Street in Halifax, Grand Banks fishing, Yousuf Karsh, "Halifax: Warden of the North", and other subjects.

Correspondence between Movie Makers magazine and Alexander Leighton

File contains a series of letters between Arthur Gale and Alexander Leighton regarding his film "Porpoise Oil." The correspondence includes an announcement of its inclusion as an Honorable Mention by Movie Makers staff in the selection of the Ten Best Non-theatrical Films of 1937, as well as letters about an article Gale commissioned from Leighton about the making of his film. There is also correspondence from 1941 with James Moore at The Amateur Cinema League regarding Alexander Leighton's possible submission of his film about Navajo life, "Work for your Own," for a contest in the Special Class.
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