File consists of records related to planning the exhibition "19th century European Landscape" organized and circulated by the Winnipeg Art Gallery. The Exhibition was presented at the Dalhousie Art Gallery from May 9 to June 8, 1980.
Records consist mainly of correspondence with the Winnipeg Art Gallery. File also includes a shipping list, biographies, a booking form, and condition reports.
File consists of records related to the planning of the twenty-fourth Annual Dalhousie Student, Staff, and Alumni exhibition, held at Dalhousie Art Gallery from February 1-15. 1978.
Records consist of lists of artwork, newspaper clipping, copies of invitations, an invitation card, correspondence, interdepartmental memos and other administrative records.
File consists of records related to the twenty-fifth annual student, staff and alumni exhibition, held at Dalhousie Art Gallery from January 18 to February 11, 1979.
Records consist of clippings, administrative documents, a list of artworks, a blank exhibition entry form and an invitation to the opening.
File consists of records related to the twenty-sixth annual student, staff and alumni exhibition, held at Dalhousie Art Gallery from January 10 to January 27, 1980.
Records consist of an exhibition report, clippings, a press release draft, a list of artworks, a blank exhibition entry form, and exhibit photographs.
File consists of records relating to the 27th Annual Dalhousie Student, Staff and Alumni Award Exhibition, organized and presernted by Dalhousie Art Gallery from February 12 to March 8, 1981.
Records consist of a list of artworks, a poster draft with notes, a program for the National Association of Women and the Law Conference 1981.
Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.
Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.
File contains a poster for an exhibition featuring works by Ryan Arnott, Gary Conway, Michael Fernandes, John Greer, Donald Lindblad, Susanne Paquette, Felicity Redgrave, Roger Savage, and Julia Schmitt-Healy. The exhibition opened Eye Level Gallery's 1977/78 season of exhibitions, performances, and events.
File consists of records related to the exhibition of works by sculptor Andrew Bodor, funded by the Canada Council, presented at the Dalhousie Art Gallery from September 18 to October 19, 1980.
Records consist of correspondence and administrative documents (business office correspondence) regarding grant applications and budgets, exhibition text including introduction and biography, and postcards.
The file consists of records related to the exhibition "Architectural Concepts for a New National Gallery," organized and circulated by the National Programme, the National Gallery of Canada. The exhibition was shown at the Dalhousie Art Gallery from December 1 -23, 1977.
Records consist of correspondence, press release, a loan agreement, the exhibition itinerary, and other administrative records. Also includes a report entitled "Board of assessors' report" dated March 11, 1977 and photographs of design for a new National Gallery.
File consists of records related to the planning of an exhibition entitled "Art & Correspondence from the Western Front," organized and circulated by the Western Front Society in Vancouver and presented at the Dalhousie Art Gallery from December 13, 1979, to January 6, 1980.
Records consist of correspondence, photocopies of magazine and newspaper clippings, exhibition introduction, press release drafts, a floor plan, exhibition report, and five photographs of works.
File contains artist statement by Nora Hutchinson for Go Away Heart, Plus Three Other Videotapes, an exhibition of Hutchinson's video works presented by the Centre for Art Tapes. File also contains poster and program for exhibition.
File contains artist statement for The Glass Bead Game by Timothy Watters presented at Centre for Art Tapes as part of the First Annual Audio by Artists Festival.
File consists of records related to the exhibition "Artist's Books," organized by the Independent Curators Incorporated, Washington D.C. and presented at the Dalhousie Art Gallery from August 15 to September 10, 1978.
Records consist of correspondence, news releases, clippings, a condition report, a booking contract form, and other administrative documents.
The file consists of records related to the planning of the exhibition " Aspects of Realism," held at the Dalhousie Art Gallery from August 18 to September 18, 1977. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.
Records consist of correspondence, newspaper clippings, a tour schedule, a floor plan, interdepartmental memos, invoices and and other administrative documents. Also includes photographs of the opening of the exhibition and invitation cards.
File consists of records related to the exhibition 'Aspects of the permanent collection', held at the Dalhousie Art Gallery from September 15 to October 22, 1978.
Records include lists of artworks, an invoice, and an invitation to a reception.
Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.
Item is a poster for Audio By Artists Festival 1985, held from March - April 1985. The Audio By Artists Festival 1985 was organized and administrated by David Craig, Andy Dowden, Paula Fairfield, Gordon Laurin, and Micah Lexier.
Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.
Item consists of biographical information, curriculum vitae, and canvas information related to the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
Item is a poster for Black Wimmin: When And Where We Enter, a group exhibition presented by the Diasporic African Women's Art collective. The exhibition toured Canada in 1989 and was presented in Halifax, Nova Scotia by Eyelevel Gallery from September 6 - 23, 1989.
File consists of records relating to the 'Carl Schaefer in Hanover' exhibition organized by the Edmonton Art Gallery. The exhibition was presented at Dalhousie Art Gallery from October 23, 1980, to January 4, 1981.
Records consist mainly of correspondence with the Edmonton Art Gallery. The file includes a loan agreement, a publicity and attendance report, clippings, insurance files, a tour schedule, and budget.
File consists of records related to the planning and organizing of an exhibition of Oriental carpets, organized by and presented at the Dalhousie Art Gallery from September 23 to October 23, 1977.
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.
Item is a poster for The Lies That Tell the Truth, an exhibition presented by the Khyber Institute for Contemporary Arts from July 15 to August 14, 2011. The exhibition was curated by Claire Hodge and Suzanne Caines and featured artists: Adad Hannah; Yam Lau; Alison S. M. Kobayashi; Johanna Householder and b.h. yael; Aoife Collins and Jeanne Ju.
Item is a contact sheet with thirty photographs from The Glass Bead Game installation by Timothy Watters. The installation was presented by the Centre for Art Tapes as part of the Audio by Artists festival.
File consists of records related to planning an exhibition entitled "Contemporary German prints" organized and circulated by the Goethe-Institut Montreal and the International Programme of the National Museums of Canada (original title: "Contemporary prints from the Federal Republic of Germany"). The Exhibition was presented at the Dalhousie Art Gallery from June 5 to July 6, 1980.
Records consist mainly of correspondence and proposed tour schedule.
Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.
File consists of records related to Daniel Fowler exhibition entitled "Daniel Fowler of Amherst Island 1810-1894." prepared by the Agnes Etherington Art Gallery of Queens University, Kingston. The exhibition was presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.
Records consist of correspondence, newspaper clippings, a list of works (85 watercolours and drawings), news releases, exhibition itinerary, and invitations from the two previous Daniel Fowler exhibitions at other galleries.
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.
File consists of records related to an exhibition of decorated Nova Scotia furnishings, organized and presented by the Dalhousie Art Gallery from July 5 to August 6, 1978.
Note: records are divided between 8 folders (Titles transcribed from original folder labels.); folder 33 - Decorated Nova Scotia furnishings (mainly loan agreements and correspondence); folder 34 - accounts/business; folder 35 - insurance; folder 36 - photographs; folder 37 - photography (correspondence and invoices); folder 38 - lenders; folder 39 - grants; folder 40 - freight/crate/transportation
File consists of records related to the Douglas Bentham sculpture exhibition, titled 'Enclosures and Opens', organized by the Art Gallery of York University. The exhibition circulated and was presented at Dalhousie Art Gallery from December 2, 1976 to January 5, 1977.
File consists of records related to an exhibition of 100 drawings by Jack Weldon Humphrey, organized by the Beaverbrook Art Gallery and presented at the Dalhousie Art Gallery from August 16 to September 16, 1979.
Records consist mainly of correspondence between the Dalhousie Art Gallery and the Beaverbrook Art Gallery. The file also includes press clippings, reviews, press releases, a list of exhibition expenses, and other administrative documents.
Item is a poster for Dreams Come True, an art auction held in support of Eye Level Gallery on November 27, 1987. Chris Huntington was auctioneer and donating artists included Brent Ash, Bruce Barber, Beth Biggs, Robert Bean, Reith Blake, Wayne Boucher, Bruce Campbell, John Clark, Gerard Collins, Alvin Comiter, David Craig, Jane Donovan, Nancy Edell, Leya Evelyn, Cliff Eyland, Gerald Ferguson, Michael Fernandes, Tom Forrestall, Dawna Gallagher Susan Gibson, Martha Glenny, John Greer, Stephen Horne, Alexander Irving, Garry Neill Kennedy, Gordon Laurin, Peter Lawrence, Janice Leonard, Vera Lemecha, Alex Livingston, Barbara Lounder, Glen MacKinnon, Rita McKeough, Robin E. Muller, John Murchie, Wilma Needham, Jane Plant, Vita Plume, Robert Pope, Ed Porter, Bernice Purdy, Felicity Redgrave, Pam Ritchie, Robert Rogers, Leslie Sampson, Rick Sanderson, Roger Savage, Ruth Scheuing, Kristen L. Scholfield-Sweet, Ron Shuebrook, Jim Smith, George Steeves, Kim Truchan, Nicholas Wade, Eric Walker, Ken Ward, Brenda Webster, Gary Wilson, and Chris Woods.
File consists of records relating to an exhibition of works by Elizabeth Styring Nutt entitled 'Elizabeth S. Nutt: Heart and Head and Hand' presented at Dalhousie Art Gallery from November 27, 1980, to January 4, 1981.
Records consist mainly of correspondence. The file includes loan agreement forms, insurance files, clippings, and an invitation.
File consists of records related to the planning of the exhibition "European Drawings in Canadian Collection 1500-1900," organized and circulated by the National Gallery of Canada. The exhibition was presented at the Dalhousie Art Gallery from May 3 - 31, 1977.
Records consist of correspondence with the National Gallery of Canada regarding shipping arrangements and catalogues, a list of drawings, press releases, and interdepartmental memos and invoices.
Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.
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