File contains two annotated copies of Paul Cram's composition, "Kickers," in five parts. Each of the five parts is a short phrase. The composition was funded by SOCAN.
File contains the manuscript and four annotated copies of the tone row for "Kafka's Chair" by Paul Cram in prime, retrograde, inversion, retrograde inversion, and transposed forms. The manuscript also includes the "Entree" from Cram's "B-flat Restaurant" at concert pitch.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
File includes an itinerary for the Paul Cram Orchestra's second Canadian Tour, which included concerts at the Marquee Club, Halifax; the National Library of Canada, Ottawa; the Guelph Jazz Festival; Western Front, Vancouver, Meduse Arts Centre, Quebec City; and Cafe Espagnole, Montreal. The file also includes bass and concert parts for "High Ground"; "Immortal Coil"; "Have a Heart"; "Taiwanese Bootleg"; "Dminor Diner"; "Eye of the Storm"; "Life of Crime"; "Trouble in Paradise"; "Kafka's Chair"; "Revolutions"; "Thunder"; "Urban Desperado"; and "Telescope."
Item is a score for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999. The score was written for flutes 1 & 2; oboes 1 & 2; clarinets 1 & 2; bassoons 1 & 2; trumpets 1 & 2; French horns 1 & 2; alto sax; tenor sax; bass clarinet; solo cello; accordion; piano; guitar; electric bass; drums; marimba; timpani; violins 1 & 2; viola, cello; and contrabass.
File contains a score for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, flute, clarinet, violin 1 & 2, viola, cello, bass, timpani, guitar, piano, bass, drums.
Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.
File contains the score for "Into the Ice," a piece composed by Paul Cram and performed by the Upstream Ensemble with Symphony Nova Scotia, as well as loose pages of graphic notation and a sketch of the stage arrangement.
Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.
File contains G. Schimer's Secular Choruses for Mixed Voiced's "In the Luxembourg Gardens." Words and music by Kathleen Lockhart Manning, and arranged by Wallingford Riegger.
Item is a manuscript of "In Flanders Fields" by Edith J. Archibald, which sets the words of the poem of the same name by Colonel John McCrae. The piece is for solo voice and piano in F Major and was written at Archibald's home on Inglis Street in Halifax, Nova Scotia. The piece is 5 pages long with extra blank pages.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
Item is a conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. The score includes a title page and an instrumentation list, which includes trumpet, clarinet, tenor saxophone, alto saxophone, harp or synthesizer, guitar, synthesizer, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The score contains annotations in pen and pencil. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
File includes the score and parts for Paul Cram's "High Ground," composed for the Paul Cram Orchestra and performed on their May 2000 concert tour in Halifax, Toronto, Victoriaville, Quebec, and Ottawa. Movements 1, 2 and 4 are written in traditional musical notation; movement 4 — "Open Tutti (subito)" — is a page of conductor's notes. Parts include: reed 1; reed 2; reed 3; trumpet; trombone; cello; guitar; keyboards; bass; and drums.
File contains five parts for Paul Cram's "High Ground," including drums; bass clarinet; soprano sax; tenor sax; guitar; and piano. Each part is composed of the same concert part, followed by a page of musical notation, followed by a page of graphic notation containing all the parts.