Showing 522 results

File consists of records related to a poetry reading by John Ditsky, a professor in the Department of English at the University of Windsor, held at Dalhousie Art Gallery on October 6, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and John Ditsky. Many letters are handwritten. File also includes invoices and purchase orders, interdepartmental memos, an invitation card, and a blank form of a report to The Canada Council on the Public Reading.

File consists of records related to the John Ettlinger print exhibition "Etchings and engravings of the 16th, 17th, and 18th centuries," held at the Dalhousie Art Gallery from October 26 to November 26, 1978.

Records consist of a list of works, correspondence, newspaper clippings, exhibition description, a floor plan, and a list of expenses.

File consists of records related to John Greer's sculpture exhibition planned in conjunction with Dennis Gill's exhibition, which was presented at the Dalhousie Art Gallery from September 14 to October 3, 1976.

Records consist of correspondence, invoices, a biography of Greer, and opening invitation card.

File consists of records related to the exhibition by John Greer, part of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from April 17 to May 19, 1974.

Records consist of correspondence between Dalhousie Art Gallery and Greer, newspaper clippings, insurance papers, list and pricelist of artworks, booklet orders, and a handwritten list of awards, solo and group exhibitions between 1964 and 1971, and descriptions of Greer's visual puns. File also contains postcard invitations to exhibition; photo of 'sceptical spectacles' used for a postcard invitation.

Item is a catalogue for a joint exhibition of artworks by John and Joice Hall, titled John Hall: Paintings, and Joice Hall: Celebration Landscapes. The exhibition was organized by and presented at Dalhousie Art Gallery from July 5-31, 1976.

Catalogue contains photographs of the Halls' artworks, biography and list of works for each artist, an artist statement for Joice Hall, and two essays: one written by Ron Moppett (curator, Alberta College of Art) about John Hall, and the second written by Carol A. Phillips (Curator of Exhibitions, Norman Mackenzie Art Gallery) and Joice Hall.

File consists of records related to the Joan House Exhibition, held at Dalhousie Art Gallery in April 1974.

Records consist of lists and pricelists of artworks, insurance documents, and a handwritten invitation lists.

File consists of three catalogues for the exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Catalogues contain a biography, exhibition description, and C.V.

File consists of records related to the planning and presentation of an exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between the Dalhousie Art Gallery and John Pearson, as well as a biography of Pearson, an artist statement, C.V., and a draft press release.

The file consists of records related to an exhibition of photography by John Taylor, "Dreams are Real," held at the Dalhousie Art Gallery from February 15 - 28, 1978.

Note: records are divided between 3 folders (Titles transcribed from original folder labels.); folder 25 - Dreams are real ; folder 26 - insurance file; folder 27 - photographs
Folder 25 contains correspondence, photocopies of clippings, handwritten letters and postcards from John Taylor to Bruce Ferguson (Director, Dalhousie Art Gallery), interdepartmental memos, invoices, and other administrative records.

Item is a catalogue for an exhibition of artwork by John Taylor, organized and presented by the Dalhousie Art Gallery in February 1978.

Catalogue includes poetry and prose, and photographs of Taylor's work.

Item is a catalogue for a joint exhibition of artwork by John Will and Marvin Jones, organized and circulated by the Glenbow-Alberta Institute and presented at Dalhousie Art Gallery in September 1975.

Catalogue contains biographies, artist statements, and curriculum vitae for both artists, as well as images other artworks, list of works, and an essay by Clyde McConnel (Assistant Professor, Department of Art, University of Calgary; Exhibition Curator).

File consists of records related to the planning of a joint exhibition of works by John Will and Marvin Jones, organized and circulated by Glenbow-Alberta Institute and presented at Dalhousie Art Gallery from September 4-28, 1975.

Records consist of correspondence with other galleries, a floor plan, a list of expenses, and a loan agreement form.

File consists of records related to 'Paintings and Drawings by Joseph Kashetsky' organized by the Department of Art of the New Brunswick Museum for the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in January 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, a condition report, and a list of sold artworks.

File consists of records related to the exhibition of paintings by Joseph Sleep, held at Dalhousie Art Gallery from September 16 to October 2, 1975.

Records consist of a loan agreement, a biography, a list of expenses, a price list of artworks, a newspaper clipping, interdepartmental memo, a floor plan, and draft letter-size poster and poster order form.

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

File consists of records related to the exhibition 'Julia Schmitt Healy: Recent Work,' held at Dalhousie Art Gallery from February 24 - March 14, 1976.

Records consist mainly of photographs of Healy's artworks. They also contain a list of expenses and two colour postcards showing one of Healy's paintings.

Item is a catalogue for an exhibition of recent artworks by Julia Schmitt Healy, organized by and presented at the Dalhousie Art Gallery from February 24 to March 12, 1976.

Catalogue contains full-page photographs of Healy's artworks and a biography. Catalogues also contain a sleeve inside the back cover holding a list of recent works and a colour postcard showing one of Healy's paintings.

File consists of records related to the Kaethe Kollwitz exhibition organized and circulated by the Western Association of Art Museums at Mills College in Oakland, California. The exhibition was presented at the Dalhousie Art Gallery from August 15 to September 15, 1976.

Records consist of correspondence, packing lists, a floor plan, the exhibit background materials, sample press releases, inventory, bibliographies, the artist's biography and a chronology. Also includes two photographs of a self-portrait lithograph (1934) and a self-portrait drawing (1933).

File consists of records related to the planning and presentation of an exhibition of works by Karl Douglas McKeeman, presented by the Dalhousie Art Gallery from September 4-28, 1975. The works are photo engravings of sections of 19th-century American luminist's paintings.

Records consist of correspondence, a floor plan, a list of expenses, interdepartmental memos, a biography of McKeeman, a bibliography, an art critic and writer, and a photocopied image of Karl McKeeman with three individuals at the opening night reception at the art gallery. File also includes invitation cards, Karl's notes, and photographic prints of 'The Heart of the Andes.'

File consists of records related to the exhibition 'Kathy Hooper: Painting and Sculpture', organized by the Beaverbrook Art Gallery for the Atlantic Provinces Art Circuit (APAC) schedule of 1969-1970. The exhibition was presented at Dalhousie Art Gallery in March 1970.

Records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) with curators of other APAC member galleries, a condition report, and artwork handling instructions.

File consists of catalogues for the exhibition 'kim ondaatje', presented at Dalhousie Art Gallery in November 1973.

Catalogue contains an exhibition itinerary, b&w images of kim and her paintings, a biography, list of artworks, and a full-size fold-out colour poster. Folder 2 contains the catalogue in it's foldered format while OS Folder 8 contains the flat-lay poster.

File consists of records related to the Kim Ondaatje exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of correspondence requesting exhibition loan from the Confederation of Art Gallery and Museum, handwritten letters from Kim Ondaatje, press release, condition report, and a copy of a paper titled 'Ondaatje's paintings scary' written by Lenore Crawford. Records also include two postcards.

The file consists of records related to Klaus Staeck's poster exhibition, held at the Dalhousie Art Gallery from February 15 to 25, 1979.

Records consist of correspondence regarding gallery lectures, newspaper and magazine clippings, media releases, exhibition display drafts/guidelines, a list of expenses, and other administrative documents. It also includes a photograph of the exhibition display.

File consists of records related to the "Know Your Artist Series" exhibitions held at Dalhousie Art Gallery from April to September 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Are Gallery) and Philip Fry (Program of Assistant, Canada Council) regarding grant approval, exhibition schedule, a handwritten letter from Michael Fernandes and a copy of his biography, a letter from Ronald Shuebrook.

File consists of catalogues for the travelling exhibition of artworks by Ron Kostyniuk titled 'kostyniuk - relief structures 1969-1972'. The exhibition was presented at Dalhousie Art Gallery in April 1973.

Catalogue contains a biography and C.V., an introduction essay by Michael Greenwood, and 16 photographs of Kostyniuk's artworks, some in colour.

File consists of records related to an exhibition of works by Lawrence (Larry) Weissmann organized and presented by the Dalhousie Art Gallery in October 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Weissmann. Additional records consist of a news release for a show of Weissmann's work at George Eastman House, a C.V. and a biography.

File consists of catalogues for the exhibition 'Lawren P. Harris 37/72', organized and circulated by the Dalhousie Art Gallery. The exhibition was presented at Dalhousie in 1972.

Catalogues contain a portrait photograph of Harris, an introduction by Ernest W. Smith (Director, Dalhousie Art Gallery), catalogue of works in the exhibition, 21 p. of b&w image plates, and C.V.

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

File consists of three exhibition brochures for 'Lawrence Weissmann: Photographs of Peggy's Cove', organized and presented by Dalhousie Art Gallery in October 1971.

Brochures contain a black and white photograph of Weissmann's, a biography, and a C.V.

File consists of records pertaining to the arrangement of guest lectures to be held at Dalhousie under the auspice of the National Gallery of Canada in 1959-1960.

Records consist mainly of correspondence between Mirko Usmiami and representatives of the National Gallery of Canada, including one telegraph. Additional records consist of a receipt, newspaper mat, and unsigned lecture report.

File consists of records relating to guest lecture evens planned for the 1960-1961 academic year by the Dalhousie Arts Committee.

Records consist of handwritten notes, accompanying text for a lecture by Robert Rowe, M. A. (Director, Leeds City Art Gallery) including a biography, news release, and public notice. Additional records consist of correspondence between dr. Mirko Usmiami (Chairman, Art Committee, Dalhousie University) and National Gallery of Canada staff, contract agreements, and accompanying texts for a lecture from Professor G. Stephen Vickers, which was cancelled due to poor weather affecting travel.

File consists of records relating to the organizing of guest lectures presented under the auspice of the National Gallery of Canada by the Dalhousie Arts Committee for the 1961-1962 academic period.

Records consist of publicity materials for a lecture by Mr. John Woodward (Keeper, Birmingham City Museum and Art Gallery), a letter and illustrated instructions for preparation of a lecture given by Professor W. O. Judkins (Chairman, Fine Arts, McGill University), and correspondence between Mirko Usmiami (Chairman, Arts Committee) and staff of the National Gallery of Canada.

File consists of records related tot he planning of guest lectures under the auspice of the National Gallery of Canada by the Dalhousie Art Committee and Gallery.

Records consist mainly of correspondence between Dr. Mirko Usmiami (Curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada. Additional records consist of publicity materials for a lecture by Professor George Swinton (School of Art, University of Manitoba).

File consists of records related to the planning of guest lectures for the 1963-1964 academic period connected to the Dalhousie art Gallery.

Records consist of correspondence between Dr. Mirko Usmiani (Curator, Dalhousie Art Gallery) and Jean-Paul Morriset (Eastern Representative, National Gallery of Canada) regarding having Morisset give a lecture at the gallery, a memo from the Maritime Art Association to all member groups regarding a lecture tour by Morisset, an itinerary for Mr. Lee Johnson, and a letter from A.S Mowat (Professor of Education, Dalhousie University; prior Chairman of the Dalhousie arts Committee) to Usmiami regarding a lecture series presented by Mowat.

File consists of records related to the planning of lectures connected to the Dalhousie Art Gallery for the 1964-1965 academic year.

Records consist of correspondence of Dr. Mirko Usmiami (Curaotr, Dalhousie art Gallery), press for lectures by Francis Haskell and Helmut Becker, and biographical information and lecture summaries for John Steegman.

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

File consists of records related to a poetry reading by Leona Gom, held at Dalhousie Art Gallery on October 27, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Leona Gom. File also includes interdepartmental memos, invitation cards, and a copy of a report to The Canada Council on the Public Reading.

File consists of two catalogues for the exhibition 'Leonardo da Vinci: Engineer' sponsored by IBM.

catalogues contain an essay, image of da Vinci's 'Self Portrait (red chalk)', and photographs and descriptions of models from the exhibition.

File consists of a publication to accompany the exhibition of work by semaja, titled 'light morning of the body'. The exhibition was organized by and presented at Dalhousie Art Gallery in 1974.

Item contains poetry and prose by the artist.

File consists of records related to the L. L. (Lionel Lemoine) Fitzgerald exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in March 1967.

Records consist of lists of works, contractual documents, a condition report, and a letter to Evelyn Holmes regarding exhibition fees.

File consists of records related to the planning of an exhibition of Mayan sculptures and ceramics, "Los Mayas," organized and circulated by Rothmans of Pall Mall Canada Limited. Ontario. The exhibition was presented at the Dalhousie Art Gallery from April 19 to May 13, 1979.

Records consist of newspaper clippings, correspondence, lists of works, gallery talk schedules during the Los Mayas exhibition, news releases, photographs, a list of exhibition expenses and other administrative documents.