File contains thank you cards hand drawn and written by students, given to Budge Wilson on her school tours, including those from the Lady Eaton School in Omemee, Ontario.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork includes thank you cards and drawings related to her books, including Mr. John Bertrand Nijinsky and Charlie," and "The Best/Worst Christmas Present Ever." The file also includes thank you letters from elementary school classes, including from the Lady Eaton School in Omemee, Ontario, and a class list for an unidentified class and school.
File contains thank you cards and letters from students and teachers to Budge Wilson relating to various school tours. The letters and cards include those from Lakefield Elementary School in Quispamsis, New Brunswick; Lady Eaton School in Omemee, Ontario; St. Mary' School in Campbellford, Ontario; and Mariposa Elementary School in Mariposa, Ontario. The letters often discuss Wilson's children's books.
File contains letters from students and their teachers from two Grade 2 classes at Harold F. Loughin Public School in Brampton, Ontario. The letters are about Wilson's books "Going Bananas," "Mr. John Bertrand Nijinsky and Charlie," and "Madame Belzile and Ramsay Hitherton-Hobbs," which the classes read.
File contains four annotated drafts of Budge Wilson's short story "The Christmas of the Big Blow," which eventually became "The Christmas that Almost Wasn't." The file also contains a rejection letter from Weekend Magazine.
File contains the first handwritten draft of Budge Wilson's book "The Gift," later published as "The Best / Worst Christmas Present Ever," and a letter to Sandra Bogart, Acquisitions Editor at Scholastic Books.
File contains three annotated drafts of Budge Wilson's short story "Three Voices," which was published in Chatelaine (February 1983), and correspondence about the story.
File contains the final proof of Budge Wilson's book "Trongate Fury," with Wilson's handwritten comments in red ink and letters to the senior production editor at Penguin Group, Sandra Tooze.
