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File consists of records related to the Models and Michelangelo exhibition, held at the Dalhousie Art Gallery from August 9 to 31, 1973. The exhibition was sponsored by Rothman's of Pall Mall Canada Ltd.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of Halifax School for the Blind regarding the sale of the art catalogues and staff of Maritime Telegraph and Telephone Co., Ltd. regarding the opening ceremony, and staff of Rothman's of Pall Mall Canada Ltd. regarding installation and security arrangement for the exhibition. In addition records include a tour schedule, historical background to the collection of models in the exhibition, media release, exhibition invitation list, newspaper clippings, and a floor plan designed by Golden Miller at the Vancouver centennial museum in November 1972. Records also contain a copy of an Impetus magazine, published in April 1973, and photographic prints of the three terracotta models of the right hand, torso, lower back and left thigh.

File consists of a catalogue for the exhibition 'Models & Michelangelo' presented by Rothmans of Pall Mall Canada Limited. The exhibition was presented at Dalhousie Art Gallery in 1973.

Catalogue contains colour photographs of terracotta models by Michelangelo, a note written by John H. Devlin (Board Chairman, Rothmans), accompanying exhibition text, and a tour schedule.

The file consists of records related to the exhibition 'Miserere by Rouault' organized and circulated by the National Gallery of Canada and shown at Dalhousie Art Gallery from January 4-28, 1968.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including packing and mounting instructions, floor plans, packing lists, agreement forms, exhibition text, and a list of accompanying slides (not included in the file).

Item is a catalogue for an exhibition of paintings by Mira Schor, organized by and presented at Dalhousie Art Gallery from December 9,1975-January 4, 1976.

Catalogue contains a resume, images of Schor's paintings, an essay by Schor, and a list of artworks.

File consists of records related to the Mira Schor exhibition, held at Dalhousie Art Gallery from December 9, 1975 to January 4, 1976.

Records consist of a short bio of Mira Schor, a handwritten essay, a list of artworks with handwritten notes, lists of expenses, an opening invitation, and correspondence between Bruce. W. Ferguson (Director, Dalhousie Art Gallery) and Mira Schor.

File consists of records related to the exhibition 'Household' of works by Minna Zielonka. The exhibition was shown in the music resource center at the Killam Library from December 9, 1975, to January 20, 1976.

Records consist of installation guidelines, order forms and opening invitations.

File consists of records related to the exhibition of works by Michael Fernandes, part of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from September 4 to September 28, 1975.

Records consist of a list of expenses, a list of artworks, interdepartmental memos, a floor plan, and draft invitations.

File consists of records related to Florence Vale's exhibition "Metamorphosis - Memories, Dreams and Reflections," circulated by the Agnes Etherington Art Centre, Queen's University, Kingston. The exhibition was presented at the Dalhousie Art Gallery from May 7 to June 7, 1981.

Records consist of correspondence with the Agnes Etherington Art Centre, a shipping contract, a list of works, invoices, and administrative documents.

Item is a catalogue for an exhibition of artworks by four ceramicists based on Saskatchewan: Victor Cicansky, Joe Fafard, David Thauberger, and Russell M. Yuristy. The Exhibition was organized and presented by the Dalhousie Art Gallery from August 2 to September 7, 1976.

Catalogue contains an introduction from B.W. Ferguson (Director, Dalhousie Art Gallery), biographies of each artist, and photographs and a list of the artists works.

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

File consists of records relating to planning an exhibition of artworks by Max Lyle at the Dalhousie Art Gallery in October 1971.

Records consist of an exhibition catalogue containing Lyles work from the 1970 Comalco Invitation Award for Sculpture in Aluminum, as well as correspondence between Lyle and Ernest Smith (Director, Dalhousie Art Gallery).

File consists of two catalogues for the exhibition 'Massey Medals for Architecture 1970', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1971.

Catalogues contain photographs of the Massey Award Competition jurors and the winning architectural buildings and designs, a jury report, and a list of the finalists

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

File consists of records related to the exhibition 'Massey Collection: Landscapes', organized an circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1966.

Records consist of an exhibition catalogue, box list, contractual documents, invoices, and correspondence.

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

File consists of catalogues for the exhibition of African masks titled 'masks without masquerades', organized and presented by The Dalhousie Art Gallery, and sponsored by the Canadian Association of African Studies. The exhibition was presented from February 6 to March 2, 1974.

Catalogues contain b&w images of works in the exhibition, an introduction by Jaqueline Fry (Department of Anthropology, University of Montreal), visual descriptions, and a bibliography.

Item is a catalogue for an exhibition of paintings and drawings by Mary Pratt, organized by the Art Gallery of Memorial University, Newfoundland, and presented at Dalhousie Art Gallery in June 1975.

Catalogue contains a list of artworks, artist statement, and biography.

File consists of records related to an exhibition of works by a Newfoundland painter, Mary Pratt, organized by the Memorial Art Gallery. The exhibition was presented at Dalhousie Art Gallery from December 9, 1975, to January 4, 1976.

Records consist of a condition report, correspondence, a floor plan, a list of exhibition expenses, invoices, interdepartmental memos, newspaper clipping, and an opening invitation.

File consists of records related to an exhibition of works by sculptor Mark Gomes, held at the Dalhousie Art Gallery from 12 March to 12 April 1981.

Records consist of correspondence with other galleries regarding exhibition proposals, letters to/from Mark Gomes, grant applications, exhibition agreement, biography, clippings, research notes, invoices, and other administrative documents(business office).

The file consists of records related to an exhibition of photographs by Mario Giacomelli organized by George Eastman House of Photography and presented at Dalhousie Art Gallery from October 8-25, 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of George Eastman House, an exhibition report form, descriptive text for the exhibition, and a list of artworks.

File consists of records related to the Marina Stewart exhibition, held at Dalhousie Art Gallery in September 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Stewart, a shipping insurance letter, a press release draft, and a newspaper clipping titled 'Marina Stewart - a supernatural quality' by Ernest Smith.

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

File consists of records related to the exhibition, 'Mansaram Panchal' organized and circulated by the Art Gallery, Memorial University through the Atlantic Provinces Art Circuit. The exhibition was meant to be presented at Dalhousie Art Gallery in March 1972, however it was not mounted due to time constraints resulting from receiving the artworks by mail too late in the exhibition period.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Art Gallery, Memorial University. Additional records consist of shipment receipts from the Confederation Art Gallery.

File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.

Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

Item is a catalogue for an exhibition of artwork by Michael Fernandes, organized by and presented at Dalhousie Art Gallery as a part of the Know Your Artist exhibition series. The exhibition was presented from September 4-28, 1975.

Catalogue contains a chronological biography of Fernandes, images of Fernandes' work, poetry and prose.

File consists of records related to the exhibition of works by sculptor Louis Stokes entitled "Alchemy Spirals," presented at the Dalhousie Art Gallery from January 31 to February 24, 1980.

Records are divided into 6 folders: folder 9 - administrative files; folder 10 - grant application; folder 11 - report; folder 12 - publicity and advertising; folder 13 - financial; folder 14 - photographs.

Note:
- foler 9 'administrative files' contains proposed outline, biography, resume, exhibit agreement, correspondence, packing instruction, and transportation.
- folder 12 'publicity and advertising' contains advertising, clippings, reviews, exhibition texts, exhibition pamphlet, and catalogue order.
- folder 13 'financial' contains insurance, budget, payment, invoices, expenses (business records), final expense report.

File consists of records related to a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, Oshawa. The exhibition was presented at Dalhousie Art Gallery from December 21 to January 14, 1979.

Records consist of clippings, media releases, exhibition itineraries, correspondence, and other administrative documents.

Item is a catalogue for a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, and edited by Joan Murray, Meg Hardman, and Jennifer C. Watson. Th exhibition was presented at Dalhousie Art Gallery from December 18, 1978 to January 12, 1979.

Catalogue contains a list of lenders to he exhibition, acknowledgements and an essay by Joan Murray, an exhibition itinerary, an essay by Gary Michael Dault, an essay and commentary by Louis de Niverville, b&w and colour images, and a bibliography.

File consists of records related to the planning of the exhibition of paintings by Louis Comtois, organized by the Curatorial Department, Art Gallery of Ontario, and circulated by nationally by Extension Services. The exhibition showed at Dalhousie from August 14 to September 21, 1980.

Records consist of correspondence with Art Gallery of Ontario, crate lists, tour schedule, news releases, clippings, catalogue order, grant applications, and administrative documents (business office correspondence).

Item is a catalogue for an exhibition of Mayan art organized and circulated by Rothmans of Pall Mall Canada Ltd. Th exhibition was presented at Dalhousie Art Gallery from April 15 to May 13, 1979.

Catalogue contains an exhibition itinerary, statement by Miguel Alemán (Presidente, Consejo Nacional de Turismo, Estados Unidos Mexicanos), an introduction by Agustin Barrios Gomez (Ambassador of México), and a statement by Manuel Barbachano Ponce, b&w and colour photographs of pottery, sculpture, objects, and other artworks, and a glossary and acknowledgements. Catalogue also contains text describing Mayan culture, history, and crafting techniques.

File consists of records related to the planning of an exhibition of Mayan sculptures and ceramics, "Los Mayas," organized and circulated by Rothmans of Pall Mall Canada Limited. Ontario. The exhibition was presented at the Dalhousie Art Gallery from April 19 to May 13, 1979.

Records consist of newspaper clippings, correspondence, lists of works, gallery talk schedules during the Los Mayas exhibition, news releases, photographs, a list of exhibition expenses and other administrative documents.

File consists of records related to the L. L. (Lionel Lemoine) Fitzgerald exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in March 1967.

Records consist of lists of works, contractual documents, a condition report, and a letter to Evelyn Holmes regarding exhibition fees.

File consists of a publication to accompany the exhibition of work by semaja, titled 'light morning of the body'. The exhibition was organized by and presented at Dalhousie Art Gallery in 1974.

Item contains poetry and prose by the artist.

File consists of a catalogue for the Libero Badii exhibition presented at the National Library, Ottawa, from October 16-30, 1973.

Catalogue contains a list of artworks and biography.

File consists of two catalogues for the exhibition 'Leonardo da Vinci: Engineer' sponsored by IBM.

catalogues contain an essay, image of da Vinci's 'Self Portrait (red chalk)', and photographs and descriptions of models from the exhibition.

File consists of records related to a poetry reading by Leona Gom, held at Dalhousie Art Gallery on October 27, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Leona Gom. File also includes interdepartmental memos, invitation cards, and a copy of a report to The Canada Council on the Public Reading.

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

File consists of records related to the planning of lectures connected to the Dalhousie Art Gallery for the 1964-1965 academic year.

Records consist of correspondence of Dr. Mirko Usmiami (Curaotr, Dalhousie art Gallery), press for lectures by Francis Haskell and Helmut Becker, and biographical information and lecture summaries for John Steegman.