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The file consists of records related to the planning of the prints exhibition "WPA/FAP graphics," organized and circulated by the Smithsonian Institution, and was presented at the Dalhousie Art Gallery from July 19 to August 14, 1977.

Records consist of correspondence with the Smithsonian Institution Travelling Exhibition Service, press releases (exhibition description), a photocopy of a clipping, an exhibition itinerary, invoices, a shipping contract, and a condition report.

File consists of records relating to the Exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and handwritten letters from William Townsend and Charlotte Townsend (the daughter of William Townsend). Additional records include shipping receipts, insurance certificates, newspaper clippings, a photograph of the painting 'Cascade VIII' and condition reports.

File consists of records related to the planning of an exhibition of works by William Kohn, organized by the Dalhousie art Gallery through Kohn's gallery representative, The Graphics Gallery, san Francisco. The exhibition was presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between The Dalhousie Art Gallery, Kohn, and The Graphics Gallery. Additional records consist of a new release from the Oakland Museum, press about the Graphics Gallery, a loan agreement form, a C.V., biography, and list of artworks for Kohn, a photocopy of a newspaper article titled 'Austere Forms at the Graphics' about Kohn's artwork, and a copy of a review of Kohn's work by Lucian Krukowski.

File consists of records related to the exhibition of artwork by Willam Hogarth, organized and circulated by the Western Association of Art Museums at Mills College in Oakland, California. The exhibition was presented at the Dalhousie Art Gallery from June 16 to July 11, 1976.

Records consist mainly of contractual documents between Dalhousie Art Gallery and the Western Association of Art Museums, including condition report, inventory, packing and handling instructions, a floor plan, correspondence, and a news release.

File consists of records relating to the planning, and organizing of the exhibition 'William Blake 1757-1827', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1970.

Records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), a photocopy of two newspaper clippings regarding the exhibition, and exhibition materials including a list of artworks, bibliography, exhibition description, biography of Blake, packing lists, an exhibition contract, a condition report, and a publicity draft.

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.

The file consists of records related to the exhibition of drawings by Virgil Hammock, circulated by the National Programme, the National Gallery of Canada and presented at the Dalhousie Art Gallery from December 1-23, 1977.

Records consist mainly of correspondence between Virgil Hammock and Bruce Ferguson (Director, Dalhousie Art Gallery) regarding scheduling and planning exhibition, an invitation card, invoices, and other administrative records. Also includes photographs of two of Hammock's drawings.

File consists of records related to the exhibition 'Vera Frenkel: Printmaking Plus', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 6-30, 1972

Records consist of exhibition loan agreement forms, a newsletter and announcement from the National Gallery of Canada, a box list, C.V. for Frenkel, condition report, and correspondence between Dalhousie Art Gallery and the National Gallery.

File consists of records related to the Unicef Children's Art Exhibit, held at Dalhousie Art Gallery in August 1974.

Records consist of shipping receipts, letters from the Unicef Nova Scotia and the Canadian Unicef Committee, a list of dimensions, invoices, and a folded card.

File consists of records related to the photograph exhibition "Transparent Things," circulated by the Canada Coucil Art Bank and was presented at Dalhousie Art gallery from May 22 to July 1, 1978.

Records consist of correspondence between staff of the Art Bank and Bruce Ferguson (Director, Dalhousie Art Gallery) about schedules, catalogues, and expenses , condition reports, installation requirements, and newspaper clippings.

File consists of records related to the exhibition 'Traditional Landscape Painting in Canada' organized and loaned by the National Gallery of Canada. The exhibition showed at Dalhousie Art Gallery in March 1969.

Records consist of exhibition documents including biographies for the included artists, a packing list, exhibition loan agreement, condition report, and list of artworks. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).

File consists of records related to the Tradition Plus One: Quilts from Eastern Ontario Exhibition, circulated by the Agnes Etherington Art Gallery, Queen's University, Kingston. The exhibition was presented at Dalhousie Art Gallery from August 15 to September 15, 1975.

Records consist mainly of correspondence between Dalhousie Art Gallery and Agnes Etherington Art Gallery regarding the tour schedule and arranging the shipping and dry cleaning of the quilts from the exhibition. File also includes condition reports, a checklist of works, invoices, a list of expenses, a floor plan, newspaper and magazine clippings, packing and unpacking instructions, receipts of catalogue orders, exhibition itinerary, press releases and shipment documents.

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

File consists of records related to the exhibition 'Welded Steel Sculptures by Tom Forrestall', organized by the University of New Brunswick Art Centre for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in December 1969.

Records consist of a condition report, a newspaper clipping, a publicity sheet from the University of New Brunswick, and correspondence between Evelyn Holmes and curators of APAC member galleries.

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

File consists of records related to the third annual Dalhousie drawing exhibition, held at Dalhousie Art Gallery from January 3 - 29, 1978.

Note: records are divided between 10 folders. (Titles transcribed from original folder labels.)
Folder 13 - grant; Folder 14 - acquisitions; Folder 15 - business office; Folder 16 - catalogue(correspondence); Folder 17 - budget; Folder 18 - photographs; Folder 19 - press releases; Folder 20 -proposal; Folder 21 - selection of participants; Folder 22 - trasportation

File consists of records related to the exhibition 'The Rothman's Collection of Christmas Ornaments' organized by the Art Gallery of Ontario and presented at the Dalhousie Art Gallery in January 1969.

Records consist of an information bulletin released by Rothmans of Pall Mall Canada Limited, a condition report, a guest list, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Rothmans representatives, and a photograph of the artwork display. The condition report is accompanied by an attached copy of the exhibition catalogue with notes regarding the condition of each sculpture.

File consists of records related to an exhibition of "The Queen comes to New Brunswick : paintings and drawings by Molly Lamb Bobak," organized and circulated by the Beaverbrook Art Gallery in Fredericton, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from November 30 to December 18, 1978.

Records consist of correspondence with the Beaverbrook Art Gallery, a list of expenses, newspaper clippings, a condition report, a list of work, invoices, and other administrative documents.

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

File consists of records related to planning an exhibition entitled "The magic eye : definitions of photography" organized and circulated by the National Gallery of Canada (original title: "Photography: A Celebration"). The Exhibition was presented at the Dalhousie Art Gallery from July 10 to August 10, 1980.

Records consist mainly of correspondence with the National Gallery of Canada. The file also includes a condition report, packing instructions, and press releases.

File consists of records related to the planning of the 4th Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

Records are divided between 12 folders (Titles transcribed from original folder labels.) and photographs of drawings are included in each artist file; folder 50 - Alex Colville; folder 51 - Charlotte Hammond; folder 52 - Graham Metson; folder 53 - Brian Porter; folder 54 - Roger Savage; folder 55 - Ruth Wainwright; folder 56 - budget; folder 57 - publicity; folder 58 - misc. (correspondence and slides); folder 59 - insurance; folder 60 - price list; folder 61 - Canada Council.

File consists of records related to the planning of the 5th Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from April 4 to May 4, 1980.

Records are divided between 8 folders: Folder 2 - loan agreements; Folder 3 - grants; Folder 4 - administrative files; Folder 5 - curriculum vitae-originals; Folder 6 - general correspondence; Folder 7 - exhibition catalogues; Folder 8 - financial; Folder 9 - Maxwell Bates

Note:
- Folder 3 'grants' contains grant worksheet, original grant application, and Canada Council visiting artists programme.
- Folder 4 'administrative files' contains contract for guest curator, transport correspondence, packing instructions, and opening preparation.
- Folder 6 'misc. 'correspondence' contains general correspondence and one photograph
- Folder 7 'exhibition catalogues' contains draft preface, exhibition texts (biographical information), catalogue quotation, and related correspondence.
- Folder 8 'financial' contains insurance, printing estimates, and payments.
- Folder 9 'Maxwell Bates' contains photographs, correspondence, and biography.

File consists of records related to planning an exhibition of works by Christiane Pflug, organized and circulated by the Winnipeg Art Gallery. The Exhibition was presented at the Dalhousie Art Gallery from May 9 to June 8, 1980.

Records consist mainly of correspondence with the Winnipeg Art Gallery and Michael Pflug. The file also includes a list of works, a booking form, and a news release.

File consists of records related to the planning of an exhibition entitled "The Decorative Fruit and Flower Arrangements," prepared by the Hunt Institute for Botanical Documentation at Carnegie-Mellon University of Pittsburgh. The exhibition was presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.

Records consist of correspondence, newspaper clippings, insurance files, a loan agreement, and other administrative documents. Also includes a brochure for the Hunt Institute for Botanical Documentation (travel shows) and a pamphlet for the Decorative Fruit and Flower Arrangements.

File consists of records related to 'The Art of Writing', an exhibition organized and prepared by UNESCO and presented at the Dalhousie Art Gallery in March 1966.

Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, correspondence of Evelyn Holmes, a packing list and mounting instructions, and a condition report.

File consists of records related to planning an exhibition of works by Terence Johnson, presented at the Dalhousie Art Gallery from January 8 to February 8, 1981.

Records are divided into 11 folders (Titles transcribed from original folder labels.): Folder 21 - Correspondence Terence Johnson sculpture 1972/73; Folder 22 - Circulation itinerary; Folder 23 - Master(Information kit); Folder 24 - Publicity; Folder 25 - Shipping; Folder 26 - Correspondence (1980-82); Folder 27 - Budget and Insurance files; Folder 28 - Catalogue notes; Folder 29 - Contracts; Folder 30 - Photographs & slides; OS Folder 17 - Installation condition (drawing, oversize)
note: Folders 21, 23, and 30 contain photographs.

File consists of records related to the exhibition of Inuit carvings, presented at Dalhousie Art Gallery from June 12 - 23, 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Are Gallery) and L. Legge (Principal, Halifax School for the Blind) and between Anne Nurse-Richardson and Keith Garwood, a letter from Keith Garwood with an accompanying background note, a letter to L. Legge (Principal, Halifax School for the Blind) from G. Abrahamson (Chief, Social Development Division), and shipping receipt.

File consists of records related to an exhibition of works by sculptor Susan Schelle, held at the Dalhousie Art Gallery from 12 March to 12 April 1981.

Records consist of correspondence, insurance files, an exhibition agreement, a loan agreement, annotated drafts of the catalogue introduction, biography, clippings, invoices, administrative documents(business office), and two pamphlets from Susan Schelle exhibitions held at other galleries.

File consists of records related to the Suburbia exhibition featuring works by photographer Bill Owens, organized and circulated by the Western Association of Art Museum in Oakland. The exhibition was held at Dalhousie Art Gallery from December 9, 1975 - January 4, 1976.

Records consist of draft press releases, reviews, contract documents, correspondence, and a floor plan.

File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 1-31, 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.

Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.

File consists of records related to an exhibition of artwork by Stephen Cruise titled 'Bitsandpieces,' organized by and presented at the Dalhousie Art Gallery from April 27 to May 22, 1976, and later at the Vancouver Art Gallery in 1980.

Records consist mainly of correspondence, financial statements, floor plans, and clippings. Also includes three photographs of Cruise's artworks, two postcards from Stephen Cruise to Bruce Ferguson (Director, Dalhousie Art Gallery), eight photographic slides, and an opening invitation.

File consists of records related to the exhibition 'Graphics of South Africa' shown att he Dalhousie Art Gallery in February 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of the Glenhyrst Arts Council.

File consists of records relating to the 'Six from Halifax' (known as"Six from the Styx") presented at Dalhousie Art Gallery from January 8 to February 8, 1981. The artists that participated in this exhibition were Brad Brace, John Clark, Dennis Gill, John Greer, Colette Urban, and Carol Wainio.

Records consist of insurance files, outgoing letters regarding planning the exhibit, biographies for each artist, and clippings.

File consists of records related to the exhibition 'Adam and Eve Drawings' by Sidney Tillim, organized by the Edmonton Art Gallery, and presented at the Dalhousie Art Gallery from March 3-27, 1977.

Records consist of exhibition documents including correspondence between the Edmonton Art Gallery and the Dalhousie Art Gallery, shipping instructions, special handling, press releases, questionnaires, and receipt and condition reports.

File consists of records related to the exhibition 'Shiryu Morita' organized by Mr. Tetsuo Yamada, Director of the Yamada Art Gallery, Kyoto, Japan, and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie Art Gallery from October 13 - November 15, 1970.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and National Gallery staff, an exhibition agreement contract, a cumulative condition report, shipment invoice, and a packing list.

File consists of records related to the second annual Dalhousie drawing exhibition, held at Dalhousie Art Gallery from January 7 to February 4, 1977. The artists who participated in this exhibition were Charles Gagnon, Yves Gaucher, Betty Goodwin, Roland Poulin, Marthe Wery, and Irene Whittome.

Records consist of newspaper clippings, insurance files, lists of expenses, interdepartmental memos, invoices, correspondence regarding grants and catalogues, biographies for each artist, and packing instructions. Also includes an invitation card and a photograph.

File consists of records related to the exhibition 'Scrapbook Oddities' organized and circulated by the Confederation Art Gallery and Museum, Charlottetown, P.E.I.. The exhibition was presented at Dalhousie Art Gallery from February 28 to March 20, 1972.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Confederation Center Art Gallery and Museum.

File consists of records related to the Saskatchewan Ceramicists exhibition presented at the Dalhousie Art Gallery from August 2 to September 7, 1976.

Records consist of correspondence, insurance documents, invoices, lists of expenses, a loan agreement, a postcard, and clippings. Records also include photographic prints of artworks and slides.

File consists of records related to the exhibition 'Rorke's Drift: Woven Tapestries' arranged by the Art Gallery, Memorial University, St. John's, in collaboration with Gallery 101, Johannesburg. The exhibition was presented at Dalhousie Art Gallery in November 1969.

Records consist of a photocopy of the article 'Rorke's Drift: A New Fame' published in Fair Lady, April 17, 1968, a list of artworks and an itinerary, a Dalhousie newsletter, and correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and curators of other galleries involved in the presentation of the exhibition.

File consists of records related to the Ronald Shuebrook Exhibition as a part of the "Know Your Artists" series, held at Dalhousie Art Gallery from October 29 to November 17, 1974.

Records consist of correspondence between Shuebrook and staff of Dalhousie Art Gallery, newspaper clippings, a price list, a list of institutions and individuals to receive catalogue, and a letter to Nick Fillmore (Editor) from Shuebrook.

File consists of records related to the Ronald Kostyniuk Exhibition, held at the Dalhousie Art Gallery from April 24 to May 6, 1973.

Records consist mainly of correspondence between R. Kostyniuk, Ernest Smith (Director, Dalhousie Are Gallery), and other galleries. Records also include condition reports, waybills, and damage claims..

File consists of records related to the exhibition 'Rodin and His Contemporaries', sponsored by Rothmans of Pall Mall Canada. The exhibition was presented at Dalhousie Art Gallery from March 15 to April 9, 1972.

Records consist of handwritten condition notes, a condition report, a biographical essay of Rodin, biographies of artists working during the same time period as Rodin, correspondence of the Dalhousie Art Gallery, documents related to the opening event (March 14) and two photographs of Henry D. Hicks (President, Dalhousie University) and unidentified colleagues.

File consists of records related to the planning of the prints exhibition of works by Robert Kirschbaum, held at the Dalhousie Art Gallery from July 12 to August 10, 1977.

Records consist of correspondence, a list of works, a floor plan, insurance file, a photocopy of clipping, invoices, and labels. Records also include photographic prints of works.

File consists of records related to an exhibition of photographs by Robert Frank, organized and circulated by the National Film Board of Canada, and presented at the Dalhousie Art Gallery from September 24 to November 30, 1979.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the National Film Board of Canada, and correspondence with Robert Frank regarding the loans of three of Frank's works from the Yajima Galerie in Quebec. The file also includes biographical information, press clippings, administrative documents, six photographs by Robert Frank and an invitation from the previous exhibition held at the Vancouver Art Gallery in July - August 1979.

File consists of records related to the Nova Scotia Rhododendrons Botanical show "Rhododendrons of Sikkim-Himalaya," presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the National Library of Canada regarding a loan of a copy of an illustrated rare book called "Rhododendrons of Sikkim-Himalaya" by Joeseph Dalton Hooker (1849).

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.