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Canada File Theatre English
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Notes and correspondence about the Playwrights' Workshop Montreal

File contains documents related to Jenny Munday's visit to Playwrights' Workshop Montreal with her play, "Battle Fatigue." The documents include handwritten notes about the trip; a letter from Munday to Paula Dankhurst; and a passenger itinerary and invoice from Fraser and Hoyt Travel.

Mulgrave Road Co-op Theatre : variety benefit performance

File contains documents related to a variety benefit performance in support of the Canso Community Survival Task Force by Mulgrave Road Co-op Theatre. Jenny Munday performed a monologue about smoking. The documents include programs; a greeting card; a newspaper review; and a script for Munday's monologue.

Mentorship forms, letters of agreement, and related records

File consists of mentorship forms, letters of agreement, and related records.

Records consist of a Mentorship consent form for Co-applicants of the Playwrights Resiliency Program, a letter of agreement between PARC (Producer) and Catherine Banks (Artist) to participate in the 2022 PARC Playwrights' Retreat, a letter of agreement between Royal Manitoba Theatre Centre (Theatre) and Catherine Banks (Mentor) for the National Mentorship Program and a payroll information sheet.

Magnetic encounters lunchtime panel : capital concerns : Ottawa's place in English Canadian theatre

File includes a document that provides information on participants in a lunchtime panel held on the Fourth Stage at the National Arts Centre on June 11, 2003. The document includes biographical information on Micheline Chevrier (moderator) and eight panelists: Linda Balduzzi, Ana Estable-Ferrero, Peter Honeywell, Wendy Lill, Gabriele Naumann-Maerten, Catherine O'Grady, Lorne Pardy, and Victoria Steele. The panel was presented by the Canadian Theatre Festival Society and the National Arts Centre.

Love us more! / by Roselynn Akulukjuk: [manuscript]

File contains three copies of a manuscript—one marked "Director's Notes"— for a play put on by the students of Attagoyuk High School, in Pangnirtung, where Chris Heide was living and working. There is also a list of northern youth drama contacts, a 6-page story script and a photocopy of two notecards containing Inuktitut script.

Joseph Svoboda exhibition

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

Independent artists projects policy engagement contracts

File contains six contracts related to Home First Production's 2010 production of the play Home by Colleen Wagner. Contracts are between Home First Productions and Mary Vingoe (director), Karren Bassett, John Beale Jr., Mary-Colin Chisholm, David Hughes, and Sarah English (performers). File also includes a letter from the Canadian Actors' Equity Association and a copy of the association's independent artists projects policy.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

I Ain't Dead Yet — Catalyst

File includes correspondence, notes, manuscript, a contract, and program for the play's 1986 production by Catalyst Theatre in Edmonton, AB.

Holiday inn

File contains original and annotated copies of stage diagrams for the Holiday Inn in Halifax, Nova Scotia and the Inn at Willow Tree. The Holiday Inn drawings were drawn by Trevor Parsons.

Parsons, Trevor

Goodnight Desdemona (Good morning, Juliet)

File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).

Osler, Stephen

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