File contains a program from a recital by The Hambourg Trio (Reginald Stewart, pianist; Elie Spivak, violinist; and Boris Hambour, cellist) on March 23, 1927.
File contains programs from concerts presented at the Toronto Conservatory of Music, including performances by the Flonzaley Quartet (Adolfo Betti, Alfred Pochon, Ugo Ara, Iwan D'Archambeau); Toronto String Quartette (Frank E. Blachford, Roland Roberts, F. Converse Smith, Frederic Nicolai); and Constance Martin (piano).
File contains two copies of a program from the "Address to the Graduating Classes and Opening of the Organ" (June 6, 1912). The program includes an organ recital by Mr. F.A. Moure, bursar of the university, as well as the organ's specifications and a picture. The organ was built by Cassavant Freres of St. Hyacinth, Quebec.
File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).
File contains a promotional pamphlet for W.O. Forsyth, including a list of his publications, reviews of his compositions and performances, and reviews of some of his students (Jessie McApine-Dempster, Myrtle Webber, Leila Preston, and Elsie Bennett).
File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Jean Sibelius. The file also includes a Toronto Symphony Orchestra program that Pugh used in his research.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
Item is the sheet music for a solo piano romance dedicated to Miss Duxie McMillan. The piece is the second in a set of two solo piano compositions, the first of which is a sketch entitled "Though the Fields." The sheet music is autographed by the composer and addressed to Dr. Logan.
Series contains sound recordings of Sheila Piercey's opera performances, dress rehearsals, auditions, practice sessions, radio broadcast, as well as concert and recital performances with the Canadian Opera Company (COC). Most recordings are on audio reels and cassette tapes.
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.
File contains two audio reels containing sound recordings of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano).
Item is a reel-to-reel recording of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano). The recording is tape 1 of 2.
Item is a reel-to-reel recording of "The Night Bell/Il Campanello" by CBC Radio Orchestra performed in English translation. Sheila Piercey performed the role of Serafina(soprano). The recording is tape 2 of 2.
File consists of three audio recordings containing recorded CBC radio broadcastings of the opera "The Prodigal Son" at the Guelph Spring Festival in 1968 and the opera "The Widow" at the CBC Toronto Summer Festival in 1967, and backstage interviews at the Toronto Canadian Opera Festival. Originally labelled "the widow" and handwritten notes on the label inserted in the case read: Joan Maxwell(mezzo-soprano), Sheila Piercey(soprano), Maurice Brown(baritone), John Arab(tenor)
(Track) 1. The prodigal son / by Benjamin Britten / music directed by Nicholas Goldschmidt - Peter Ginkel, Maurice Brown, Garnet Brown, John Arab (Track ) 2. The widow / by Calixa Lavallée - John Arab and Sheila Piercey duet, 1967 CBC festival - Barbini
Item is an audio recording of the performance of Wolf-Ferrari’s "The Secret of Susanna," which was presented at Mimico High School in Toronto on February 26, 1969. Sheila Piercey performed the role of Countess Susanna. The recording is on side B of audio cassette.
Item is an audio recording of CBC radio broadcasts at the CBC Toronto Summer Festival. The first part of the recording is the "Movement for Orchestra" and an interview with Harry Somers(composer). The second part of the recording (13:00) is the opera "The Widow" by Calixa Lavallée.
![The Arts and Letters Club Constitution : [choral score]](/uploads/r/dalhousie-university-archives/8/a/f/8af9fd817504101e051f7a4b9edb69de5b3a7bebdc7dcdbb4c7cdae989962cfd/MS-5-1_2_18_access_142.jpg)
