Terry Piercy became associated with the Centre for Art Tapes in 2009 because their video recording “Golfball Suspended in Space” became a part of the centre’s tape collection.
Catherine Martin became associated with the Centre for Art Tapes in 2009 because their video recording “The Spirit of Annie Mae” became a part of the centre’s tape collection.
Mary-Anne Wensley became associated with the Centre for Art Tapes in 2009 because their tape recording “SMU Gallery Shoot” became a part of the centre’s tape collection.
Rolanda Kane became associated with the Centre for Art Tapes in 2001 because their audio recording “In the Village of Our Poetry” became a part of the centre’s tape collection.
Matthew Sommerville became associated with the Centre for Art Tapes in the 2000s because their audio recording “Deconstructions 1” became a part of the centre’s tape collection.
M. Campbell became associated with the Centre for Art Tapes in the 1990s because their audio recording “Breaker-Breaker” became a part of the centre’s tape collection.
Alison Markle is a video artist who produced works in the 1990s. Markle became associated with the Centre for Art Tapes in the 1990s because his audio recording “Memorandum” became a part of the centre’s tape collection.
Lisa Kucharski is a sound artist. Kucharski became associated with the Centre for Art Tapes in the 1990s because his audio recordings became a part of the centre’s tape collection.
Kezia Barnett is a director, film-maker and an artist from New Zealand. Barnett holds a degree from the Elam School of Fine Arts, Auckland University. Barnett has won multiple awards for her short films and music videos. Kezia Barnett became associated with the Centre for Art Tapes in the 1990s because their audio recording became a part of the centre’s tape collection.
Jolene Henderson became associated with the Centre for Art Tapes in the 1990s because their sound recording became a part of the centre’s tape collection.