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Theatre Arts Guild (TAG), in Halifax, Nova Scotia, is Canada's longest continuously running community theatre company. Formed with the amalgamation of the Halifax Dramatic and Musical Club and the Little Theatre Movement, their first production, Dover Road, by A.A. Milne, was performed in May 1931 at the Garrick Theatre. The Guild used various venues, including the Capitol Theatre, the former College Street School, and the gymnasiums of HMCS Scotian and St. Patrick’s High School, until 1966, when they acquired a former church hall, which was renamed The Pond Playhouse and remains their permanent home.

TAG mounts five productions each season as well as participating in the Liverpool International Festival and the Provincial One-Act Play Festival, and hosting workshops, poetry and variety nights. The Theatre Arts Guild Young Company, which ceased operations in 1987 with the departure of Ken Schwartz (the co-founder of Two Planks and a Passion Theatre Company), took its productions to schools, hospitals, and day camps in the Halifax-Dartmouth area.

The Review Publishing Company was incorporated on 7 March 1921 with the sole objective of publishing The Dalhousie Review. The Board of Governors held one-third of the authorized shares, with the remaining shares divided between alumni, faculty and others. Herbert Leslie Stewart, Dalhousie philosophy professor, was the journal’s founding editor, a role in which he remained for 26 years. Stewart wanted to situate The Dalhousie Review between the specialized scholarly journal and the popular press, and during this period contributors comprised political thinkers, historians, literary scholars, poets and novelists. The names of many notable individuals appeared in its pages, including Archibald MacMechan, R. MacGregor Dawson, Sir Robert Borden, Duncan Campbell Scott, Eliza Ritchie, E.J. Pratt, Douglas Bush, Charles G.D. Roberts, Frederick Philip Grove, Robert L. Stanfield, Hugh MacLennan, Hilda Neatby, Eugene Forsey, Thomas Raddall and Earle Birney.

Herbert Stewart was succeeded by Burns Martin (1948–1951), C. Fred Fraser (1951–1952), William Graham Allen (1953–1957), C.L. Bennet (1957–1970), Allan Bevan (1971-1978), Alan Kennedy (1979-1984) and Alan Andrews (1985-1995), and over these years the journal underwent a variety of transformations, including the practice of printing works of short fiction alongside discursive articles and poetry. Norman Ward, George Woodcock, Mavor Moore, J.M.S. Tompkins, Owen Barfield, Miriam Waddington, Alden Nowlan, Malcolm Lowry, Chinua Achebe, Nadine Gordimer, Margaret Atwood, Juliet McMaster, Wilfrid Sellars, Peter Schwenger, Daniel Woolf and Guy Vanderhaeghe were all published in the pages of The Dalhousie Review in the second half of the twentieth century.

Despite the high regard in which The Dalhousie Review was held—by writers and readers—by 1964 the Review Publishing Company was virtually bankrupt. In 1967 it ceased to exist and in its stead The Dalhousie University Press was incorporated with the nominal role of publishing the journal. The Dalhousie Review continued to be funded through subscription and advertising revenue, running an increasing annual deficit that was underwritten by the university administration. In 1974 the journal began to apply for and receive grants from the Canada Council, and later from the Social Sciences and Humanities Research Council of Canada, but continued to operate at a loss. In 1994 President Clarke announced that the administration was withdrawing its funding, and in 1997 the President’s Office terminated its responsibility for The Dalhousie Review. Faced with its closure, the Faculty of Arts and Social Sciences agreed to take charge of the journal.

Ronald Huebert began his term as editor in 1997 with a mandate from the Faculty to reanimate the relationship between The Dalhousie Review and its readers, with a much reduced budget and staffing. Under his guidance the journal was redesigned and transitioned from being published quarterly to appearing three times a year. Since 2010 the editorial focus has shifted to publishing primarily short fiction and poetry, and during this time stories published in The Dalhousie Review have regularly appeared in The Journey Prize Anthology and twice won the prestigious Journey Prize itself. Editors Robert Martin (2004-2007 ), Anthony Stewart (2008-2011) and Carrie Dawson (2012– ) have guided the journal's development towards an online presence and open access publishing, and fully searchable digitized back issues of its first 90 years are now available in Dalhousie University's institutional repository, DalSpace.

The Maersk Dubai was a container ship that docked in Halifax on 24 May 1996. Shortly after it docked it became known that four Filipino sailors had witnessed their captain and ship's officers throwing three stowaways overboard to their deaths. After the sailors agreed to testify against the officers, both they and their families in the Philippines were threatened and harassed.

The Concern for Seafarers Witnesses Society (CSWS) was formed in July 1996 to assist the sailors financially and to try to protect them from harassment and persecution, which included assisting the sailors to apply for landed immigrant status. In February 1999 three of them were granted status, at which point they successfully applied to bring their families to Canada. Later the fourth seamen and his wife were granted Minister's permits to remain in Canada.

The Technical University of Nova Scotia was founded as the Nova Scotia Technical College (NSTC) on 25 April 1907. In 1978 it was re-named the Technical University of Nova Scotia (TUNS), and in 1997 it amalgamated with Dalhousie University, temporarily becoming DalTech, a separate college within Dalhousie.

The school was established through the Technical Education Act to fill the province's need for a degree-granting technical college to offer the final two years of engineering study; Acadia, Dalhousie, the University of King's College and Mount Alison already had fledgling programs offering two-year diplomas. Over time, other Atlantic universities joined these associate institutions. The provincial government funded NSTC's operation until 1963, when the Board of Governors became responsible for the college's finances.

Under the direction of Frederick Henry Sexton, the first principal, classes began in September 1909 in a new building on former military land on Spring Garden Road obtained from the federal government in exchange for the inclusion of military instruction in the college's curriculum. Both faculty and students were directly involved in both world wars, and compulsory military training was discontinued in 1945.

NSTC initially offered courses in civil, electrical, mechanical and mining engineering. In 1947, coinciding with F.H. Sexton's retirement, the Technical College Act transferred the responsibility of technical education from the college's principal to the provincial education department. Chemical and metallurgical engineering were added to the curriculum in 1947, geological engineering in 1964, and industrial engineering in 1965. Atlantic Canada's first School of Architecture was established in 1961 and the School of Computer Science in 1982. MEng degrees began being offered in the 1950s and a PhD programme was established in 1962.

In 1978 the college's name changed to the Technical University of Nova Scotia, after 40 years of lobbying to circumvent its confusion with the Nova Scotia Institute of Technology and the Nova Scotia Teachers’ College and to end the institution’s identity as a "college." In 1986 an Advisory Board was put in place to ensure liaison between what was now the Technical University of Nova Scotia and its associate universities. TUNS's mission was articulated as contributing to the development of Nova Scotia though high quality education, research, and community and industry collaboration in architecture, computer science and engineering.

Provincial pressure to amalgamate TUNS and Dalhousie brought about the Dalhousie-Technical University Amalgamation Act in April 1997. TUNS became DalTech (Dalhousie Polytechnic of Nova Scotia) and existed as a constituent college within Dalhousie until early 2000. DalTech offered courses in the Faculties of Engineering, Computer Science and Architecture and the associated buildings were re-named the Sexton Campus in honour of NSAC's first principal. The campus had expanded over the years from the original building on Spring Garden Road to encompass much of the large block bounded by Spring Garden Road, Barrington, Morris and Queen streets.

Symphony Nova Scotia was formed in 1983 following the demise of the Atlantic Symphony Orchestra, with Brian Flemming leading the Board of Directors and Boris Brott as the first Music Director. The Symphony began with 13 permanent musicians and used contract players to fill out the orchestra when needed. By 1984, the number of permanent musicians had doubled and by 1987 the orchestra had grown to 39 members.

In 1987 Georg Tintner replaced Boris Brott as Music Director. During Tintner’s tenure from 1987 to 1994, the Symphony made six recordings, toured Ontario and Quebec, and initiated popular community outreach programs such as the annual Martin Luther King, Jr. tribute concert and the annual Nutcracker production in collaboration with Halifax Dance and Mermaid Theatre.

In 1995 the Symphony had a deficit of $900,000, which led to major restructuring, fundraising and cost-cutting, avoiding bankruptcy and achieving a balanced budget for the 1995/1996 season.

The 1996/1997 season began with a new music director, Leslie Dunner, who re-established programs cut during the budget crisis, such as school visits and free concerts, and oversaw a period of great artistic and community success. Dunner’s tenure lasted until 1999, at which point the Symphony invited six candidates to lead the orchestra throughout its seventeenth season. Simon Streatfeild was hired as the artistic advisor in 2000 and in 2002 Bernhard Gueller was appointed music director.