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Symphony Nova Scotia's photographs

Series contains photographs taken by the Symphony of its performers or performances, promotional photographs of guest artists given to the Symphony, and film or negative advertisements for publication in the Symphony’s programs.

Take That

Series consists of records documenting the administrative, creative, financial, legal, production, and publicity and marketing activities of this project. The project is a thirty-minute pilot for a television series on alternative medicine that was never broadcast. It was hosted by Ann Dirksen, directed by Ron Murphy, written by Valerie Mansour, and developed with Robin Johnston (the producer of the CBC’s Street Cents). This series contains agreements, applications, a budget, correspondence, credits, crew lists, research notes, photographs, scripts, schedules, press materials, and video recordings.

Teaching

Series consists of materials used in the preparation for and delivery of courses and lectures by David Braybrooke at various institutions. Included are transcripts of lectures, copies of examinations, and copies of assignments; student theses and correspondence with students regarding their theses; thesis guidelines; materials related to book purchasing; correspondence with various colleagues related to teaching; correspondence with students, including requests for references; correspondence with various Department of Philosophy staff at Dalhousie University and regarding the Austin and Hempel Fund; and correspondence related to the search for a new Chair of the Department of Philosophy.

Not all student correspondence files have been retained. Those included in this series were sampled based on their evidence of a significant relationship with David Braybrooke.

Teaching and courses

The Teaching and courses contains materials used and created in Dalhousie Theatre Department courses. The types of records included here are syllabi, video of auditions and in class showings, assignment descriptions, student work, audition materials, and resource materials.

Teaching material

Series contains slides, lecture notes, presentation PowerPoints and transparencies used by Freedman in the classes he taught at Dalhousie University and external lectures. Series also contains exams, assignments, and course outlines.

Teaching materials

Series consists of course materials, proposals, and progress reports for various classes and lecture series. Also contains correspondence regarding these teaching sessions and miscellaneous lists and other planning materials.

Teaching records

Series comprises Ron O'Dor's teaching materials, including course syllabi, exams and reading lists, as well as assignments and student evaluations for courses he developed and taught in the areas of biology and marine biology.

Teaching records

Series contains records produced in the course of Jill Grant’s teaching at Nova Scotia College of Art and Design and Dalhousie University. Records include course outlines and syllabi, lecture and presentation notes, assignments and exams, slides and photographs, and a limited volume of student work. This series is divided into subseries by course title; much of the material was removed intact from teaching binders and illustrates the evolution of courses taught over a range of years.

Technical University of Nova Scotia student files

Series consists of student records created by the Nova Scotia Technical College (NSTC) and its successor, the Technical University of Nova Scotia (TUNS). NTSC created the majority of records between 1920 and 1978. Series also includes student records created by TUNS before the 1997 amalgamation with Dalhousie University.

Records include personal information about students, including names, courses taken, date of graduation, degree awarded, place of birth, and name of parent.

TUNS maintained these records until the 1997 amalgamation with Dalhousie University. When the universities merged, TUNS transferred the records to the Dalhousie University Registrar's Office.

Telling it Like it is

Series contains audio reels from the CKDU radio 88.1 program Telling it Like it is. This program was organized by the anti-poverty group, Humans Against Resource Deprivation (HARD), based in metro Halifax.

Ten Seconds After Closing

Series includes records created and collected by Mary Vingoe related to her play Ten Seconds After Closing, which premiered at Nightwood Theatre in 1980 under the direction of Cynthia Grant.

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

The Beastery

Series consists of records documenting the creative activities of this project. The project was a potential co-production with Lion Share Pictures of an action film developed by Pinewood Studios, written by Frank Graves in 1995. The series includes one script.

The Bill Lynch Shops carnival ride records

Series contains materials documenting the rides used by the Bill Lynch Shows and related materials. Written material includes expenses, maintenance issues, and assembly instructions. Related materials include blueprints for the rides.

The Bill Lynch Shows administrative records

Series contains various administrative documents used to run the Bill Lynch Shows. Materials include letterhead, Greater Exposition Shows contract forms (blank), railway passes, commercial scripts, blueprints, and photographs.

The Bill Lynch Shows correspondence

Series contains correspondence in the form of both business letters and personal letters, as well as notes from conversations had regarding the show by donor Barry Edwards after Bill Lynch’s death.

The Bill Lynch Shows financial records

Series contains documents related to the Bill Lynch Shows’ finances and the monetary purchases. Materials include daily reports from shows, daily cash statement forms (blank), invoices, receipts and receipt books, and cash books.

The Bird Artist

Series consists of records documenting the creative activities of this project. The project was a potential feature film set in early 20th-century Newfoundland and Nova Scotia and delves into a family's dark secrets. This series includes one script.

The Can

Series consists of records documenting the administrative, creative, financial, and legal activities of this project. The project was a potential television sitcom that was pitched to the CBC and was to focus on accountants and auditors working for Revenue Canada. This series contains agreements, budget development working papers, a cast list, correspondence, funding applications, scripts, and storylines.

The Canada Council

This series contains records outlining the relationship of the WFNS with the Canada Council for the Arts. The types of records included here are correspondence, newspaper clippings, and other materials regarding funding and author readings.

The Center for the Study of Democratic Institutions

Series consists of administrative records, conference materials, correspondence, publications, drafts, and reports relating to the Centre for the Study of Democratic Institutions. Also included are publications, clippings, reports, correspondence, and other materials relating to Frank Kelly (a vice-president at the Centre) and Harry Ashmore (a chairman and later president of the Centre).

Center for the Study of Democratic Institutions.

The Company Store

Series contains records created or collected by Mary Vingoe related to her play The Company Store, which was based on a novel of the same title by Sheldon Currie.

The Divine Ryans

Series consists of records documenting the administrative, creative, financial, legal, production, and publicity and marketing activities of this project. A feature film set in 1960s St. John's, Newfoundland, The Divine Ryans was based on the Wayne Johnston novel of the same name and was the first of Johnston's novels to be made into a feature film. The 90-minute drama tells the story of how young Draper Doyle tries to solve the mystery of his father's death with the help of an eccentric uncle. Johnston also wrote the screenplay. The Divine Ryans was directed by Stephen Reynolds and starred Pete Postlethwaite, Robert Joy, Wendel Meldrum, Mary Walsh, and Jordan Harvey. It was nominated for three Genies and won the Best Actor Award for Jordan Harvey and Best Atlantic Canadian Screenwriting at the Atlantic Film Festival. It was shown at film festivals in Dublin, Vancouver, and Sedona, among others. Files for this production have been fully retained. This series contains agreements, applications, call sheets, ACTRA contracts, continuity notes, correspondence, credits, crew lists, daily production reports, film posters, financial accounting and budget records, incorporation documents, interviews, location-related administrative materials, licenses, negative footage, payroll, photographs, picture and sound reports, press releases, press kits, release prints, sound tracks, screening copies, a synopsis, trailers, trims and other film, and video and audio recordings.

The Divine Ryans : The Series

Series consists of records documenting the administrative, creative, financial, and legal activities of this project. The project was a potential 13-episode dramatic series for television based on the book and feature film The Divine Ryans written by Wayne Johnston. This series contains agreements, development applications, biographies, a development budget, a development schedule, a synopsis, and a one-sheet.

The Event

Series consists of records documenting the administrative, creative, financial, and legal activities of this project. The project is a feature film that went on to be produced by Emotion Pictures, the company of director and co-writer Thom Fitzgerald. This series contains agreements, biographies, correspondence, director's notes, incorporation documents, investment applications, marketing notes, a script, and a synopsis.

The Gillans

Series consists of materials related to Norman Creighton's CBC radio program "The Gillans" which aired from 1942 to 1949, including original and revised scripts; subject and episode indexes to scripts; plotting, drama, and character notes; as well as a promotional image of cast members. Indexes are only available for scripts dating from 1942 to 1946. The original scripts are carbon copies and require careful handling, many of the early ones are also spotted and appear to have some water damage. Most scripts are numbered in sequence and arranged in this order. Emergency scripts were often used when one or more characters were unable to perform. Although filed in sequence, the use of emergency scripts often resulted in misnumbering of episodes. Series includes the following subseries: 1. Scripts 2. Indexes 3. Plotting sheets and notes.

The Greg Malone Show

Series consists of records documenting the administrative, creative, financial, and legal activities of this project. This potential thirty-minute television situational comedy series is about the star of a comedy show and his on-air and off-air adventures as a homosexual. It was developed by Greg Malone, formerly of CODCO, with imX. This series contains agreements, applications, potential cast and crew lists, a working budget and cost reports, a series overview, and draft scripts.

The Herring Gull's Egg

Series includes records created or collected by Mary Vingoe related to her play The Herring Gull's Egg: A Play in Two Acts, which was also directed by Vingoe and premiered in November 1987 with Nightwood Theatre as part of the 3rd Groundswell Festival. The play received dramaturgy from Maureen Labonte. Nightwood re-staged The Herring Gull's Egg in 1989 under the direction of Maureen White.
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