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File consists of records related to the exhibition 'Silverberg: A Canadian in Japan', an exhibition of batik prints and sketches by David Silverberg organized through the Atlantic Provinces Art Circuit (APAC) and presented at Dalhousie Art Gallery in October 1968.

Records consist mainly of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and David Silverberg (Artist, Professor, Department of Fine Arts, Mount Allison University), as well as correspondence with other curators in the APAC membership. Additional records consist of a list of artworks, a condition report, room booking confirmation for a lecture by Silverberg, and a catalogue for Silverberg's exhibition at Waddington Gallery in Montréal.

Item is a catalogue for an exhibition of decorated Nova Scotia furnishings, organized and presented by the Dalhousie Art gallery from July 5 to August 6, 1978.

Catalogue contains an introduction by Bruce Ferguson (Director, Dalhousie Art Gallery), an essay by Thomas Lackey (Guest Curator), image plates, an an exhibition list.

File consists of records related to the exhibition 'TOYS TOYS TOYS by Denis LePage', organized and circulated by Memorial University Art Gallery. The Exhibition was presented at Dalhousie Art Gallery in April 1972.

Records consist of an exhibition report, exhibition statement, photocopy of a newspaper clipping containing a review title 'Toy exhibition turns art gallery into playhouse' by Gretchen Pierce, correspondence between the Dalhousie Art Gallery and other APAC member galleries, and between Dalhousie Art Gallery and Le Page, and a catalogue for 'High-speed Signals', containing a biography for Le Page.

Item is a catalogue for an exhibition of artwork by Dennis Gill, presented by the Dalhousie Art Gallery in 1975.

Catalogue contains an introduction by B. W. Ferguson (director), images of sculptures by Gill and others, a resume, and bibliography of images.

File consists of records related to the exhibition 'Didactic Prints' organized by the Confederation Art Gallery and presented at Dalhousie Art Gallery in October 1968.

Records consist of a list of artworks including descriptive texts, an exhibition schedule, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Mrs. H. Kennedy (Registrar, Confederation Art Gallery).

Item is a catalogue for an exhibition of recent artwork by Douglas Bentham, titled 'Enclosures and Opens', organized by the Art Gallery of York University. The exhibition circulated and was presented at Dalhousie Art Gallery from December 2, 1976 to January 5, 1977.

Catalogue contain a forward and acknowledgements written by Michael Greenwood (Curator of Art, York University), a statement by Bentham, an essay by Robert Christie, list of artworks, photographs of Bentham's sculptures, and a biography.

File consists of records related to a photo exhibit of Halifax buildings called "Confectioneries and Other Delights" by Thomas Walter Rishel, held at Dalhousie Art Gallery from October 23 to November 20, 1974.

Records consist of correspondence between Evelyn Holmes (Curator, Dalhousie Art Gallery) and Dr. T.W. Rishel.

File consists of records related to the exhibition 'Drawings by Carol Fraser', organized and presented by Dalhousie Art Gallery in March 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Carol Fraser, a list of drawings for the exhibition, a copy invoice, and correspondence regarding insurance.

File consists of records related to the Circles from Semaja exhibition, held at Dalhousie Art Gallery from November 19 to December 15, 1974.

Records consist of correspondence between Samaja and staff of Dalhousie Art Gallery, purchase receipts for frames and postcards invitations, lists of artworks and prices, mailing lists, and an invitation card.

File consists of records related to the exhibition of works by Eric Fischel , held at Dalhousie Art Gallery from October 2 to November 1, 1975.

Records consist of invoices and purchase orders, list of expenses, interdepartmental memo, a floor plan, and an invitation card.

File consists of a catalogue for the exhibition 'Eric Freifield', arranged by Bruno Bobak of the University of New Brunswick Art Center and toured through the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in April 1972.

Catalogue contains a list of artworks in the exhibition, the exhibition itinerary, two essays by Tom Lapierre and Doris Shadbolt, and a C.V. for Freifield.

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

Item is a catalogue for an exhibition of 16th, 17th, and 18th century etchings and engravings, selected from the collection of John Ettlinger. The exhibition was organized by and presented at Dalhousie Art Gallery from October 26 to November 26, 1978.

Catalogue contains a note by Carol Fraser (Acting Director, Dalhousie Art Gallery), an introduction by John R. Turner Ettlinger, ehibition arrangement, description and list of prints, and select images of artworks in the exhibition.

Item is a catalogue for an exhibition of European drawings spanning 1500-1900, organized by the National Gallery of Canada. The exhibition was circulated an presented at Dalhousie Art Gallery in May 1977.

Catalogue contains a list of lenders, a preface by Joseph Martin (Acting Director, National Gallery of Canada), an introduction essay, and a catalogue of artworks including biographical sketches of artists and photographs of included artworks. Catalogue includes notes and index.

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

File consists of records related to 'exhibition by Members of Faculty: Nova Scotia College of Art' presented at Dalhousie Art Gallery in January 1967.

Records consist of an exhibition pamphlet, an informational brochure about the College's offerings for 1966-1967, entry forms, a price list, and a newspaper clipping of a review by Marion Moore.

Series contains exhibition files created by the Dalhousie Art Gallery. Exhibition files contain administrative records that document the planning and promotion of exhibitions presented at the Dalhousie Art Gallery from its inception in 1953 to the present day. Some known exhibitions do not have corresponding exhibition files, but the series provides a comprehensive record of the gallery's exhibitions.

Activities documented in exhibition files vary, but typically include transportation and insurance of exhibited works of art, compensation and accommodations for artists or curators, preparation of promotional material and exhibition catalogues, organization of public events, and coordination of touring exhibitions. Exhibition files may include correspondence, insurance documents, contracts, invoices, invitations, interdepartmental memos, floor plans, lists of artworks, handling instructions, condition reports, photographs, newspaper clippings, reviews, and other material.

File consists of records relating to exhibitions held at the Dalhousie Art Gallery in 1958.

Records include a memo from Alex S. Mowat (Chairman of the Dalhousie Art Committee) calling for submissions for the fifth annual showcase of artworks by students, staff, and alumni of Dalhousie University, held in April 1958; and a list of names and prices of artworks shown in the Canadian Medical Association Annual Convention's 'Exhibition of Paintings by Nova Scotian Artists', hosted by Dalhousie University in June 1958.

File consists of records relating to the exhibition ‘Exhibition of Paintings by Ruth Wainwright’, held at the Dalhousie Art Gallery in October 1965, as part of the National Gallery of Canada's 'Know Your Artist' series. Correspondence in the file additionally records the transition of leadership of the Dalhousie Art Gallery from Dr. Mirko Usmiami to Mrs. Evelyn Holmes

Records consist of an exhibition pamphlet, artwork shipment receipt, list of works and prices, artist biography, newspaper clipping of an exhibition review by Martin Kemp, correspondence between Mirko Usmiami, G. V. V. Nicholls (Chairman, Art Gallery Committee, Dalhousie University), and Lawren Harris (Head, Department of Fine Arts, Mount Allison University); correspondence between Evelyn Holmes, (Acting Curator, Dalhousie Art Gallery), Bruno Bobak (Director, Creative Arts Center, University New Brunswick), Peter Bell (Curator, Memorial University), and Lawren Harris; and a handwritten note from G. V. V. Nicholls regarding the dissolution of the joint exhibition between Ruth Wainwright and Carole Fraser.

File consists of two catalogues for 'Exhibition of rubbings from ancient Egyptian, Mesopotamian and Hittite reliefs by Nelly B. Gray', organized and presented at Dalhousie Art Gallery in August 1972.

The catalogue in Folder 21 is a draft while Folder 22 contains the final draft. Contents include a biography of Gray, catalogue of works, and exhibition essay. Catalogue in Folder 22 also contains a photograph of Gray.

File consists of records related to an exhibition of artworks owned by members of the Dalhousie Art Gallery Committee, presented at the Dalhousie Art Gallery in May 1968.

Records consist of a review by David Paton, a list of included artworks, and a number of handwritten notes.

File consists of records related to general planning and organizing of exhibitions for the 1971-1972 academic period at the Dalhousie Art Gallery.

Records consist of correspondence, packing lists, insurance slips, and itineraries for various exhibitions including: Sketches by the Group of Seven, Six Paris Artists, The Salvation Army's 90th Year in Canada: National Art Cavalcade, Alex Colville Serigraphs, Roy Kiyooka, and Invitational Photographers.

File consists of records related to the planning, organizing, and presentation of exhibitions at the Dalhousie Art Gallery for the 1968-69 year.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery). Records also include two press releases from the National Film Board's Still Photography Division.

File consists of records related to the planning, organizing, and lending of exhibitions at the Dalhousie Art Gallery for the 1969-1970 period.

Records consist mainly of correspondence of Evelyn Holmes. Records also consist of memorandum to APAC members, and descriptive text for exhibitions available for loan from the George Eastman House, Atlantic Provinces Art Circuit, and the National Gallery of Canada.

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.