File MS-5-2, Box 1, Folder 6 - Letters from Heitor and Arminda Villa-Lobos to Ellen Ballon

Letter from Heitor Villa-Lobos to Ellen Ballon Letter from Arminda Villa-Lobos to Ellen Ballon Letter from Heitor Villa-Lobos to Ellen Ballon Letter from Heitor  Villa-Lobos to Ellen Ballon Telegram from Arminda Villa-Lobos to Ellen Ballon Letter from Heitor and Arminda Villa-Lobos to Ellen Ballon

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Letters from Heitor and Arminda Villa-Lobos to Ellen Ballon

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  • Textual record
  • Philatelic record

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MS-5-2, Box 1, Folder 6

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6 pages of textual records

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(1887-1957)

Biographical history

Heitor Villa-Lobos was one of the foremost composers of the twentieth century, combining elements of music indigenous to Brazil and Latin America with Western classical music. His work is heavily influenced by Johann Sebastian Bach (e.g., Bachianas Brasileiras), Richard Wagner, and Giacomo Puccini).

Born in Rio de Janeiro on March 5, 1887. he started learning the cello at age 6. Although his mother did not approve of his musical aspirations and wanted him to become a doctor, Villa-Lobos left home at the age of 18 and supported himself playing the guitar and cello while travelling around Brazil.

In 1915, his works were featured in a concert in Rio de Janeiro and the publishing firm Artur Napoleão began to publish his compositions. In this year, he also met pianist Artur Rubinstein, who performed his works across the world. From 1923 until 1929, he lived in Paris, composing, and organizing a number of concerts. In 1930, he became director of the São Paulo school system in Brazil and in 1932, he became in charge of music education throughout the country. In 1945, he established the Brazilian Academy of Music with Oscar Lorenzo Fernandez.

By the time of his death, in 1959, Villa-Lobos had written over 2000 compositions, including orchestral, chamber, instrumental, and vocal works. His guitar compositions, in particular, have become part of the standard repertory for the instrument.

Villa-Lobos married Lucília Guimarães, a pianist and teacher, in 1913. In 1936, he left his wife for Arminda Neves d’Almeida, who remained his companion until his death, Arminda took Villa-Lobos' name, although they never married. Many of his works are dedicated to Arminda, or "Mindhinha."

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Scope and content

File contains three letters from Heitor Villa-Lobos and one letter and a telegram from Arminda Villa-Lobos. Letters primarily concern Ellen Ballon's performance of Villa-Lobos' music. File also includes four envelopes with Brazilian postage stamps.

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  • English

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