Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Series provides contextual information on the organization and administration of the Eyelevel Gallery and the activities of its Board of Directors. Included are administrative records, minutes, annual reports, official status documentation and bylaws of the Gallery, and records from the Gallery's involvement with other associations.
Series contains records related to the Libraries' building and renovation projects and includes textual records, architectural drawings and photographs.
Series consists primarily of materials from the estate of Jessie I. MacKnight, although there are also some notes and correspondence from Gordon Duff. Materials include course and student information for the Maritime College of Pharmacy, correspondence, photographs, and one Maritime College of Pharmacy report for 1919-1920.
Series contains Jill Grant's records from the Joint Review Panel for the Whites Point Quarry and Marine Terminal Project. Materials include the project's environmental impact statement, transcripts from scoping meetings and public hearings, records of the Joint Review Panel, reference and research materials, correspondence, maps and photographs, and other records. The series provides a comprehensive record of the activities of the Joint Review Panel, which was made up by Jill Grant, Robert Fournier and Gunter Muecke.
Series contains records produced in the course of Jill Grant’s research activity, and includes research applications and reports, research ethics applications and reports, correspondence, notebooks, working papers,slides and print photographs, research data (interviews and surveys) and participant consent forms. Series is divided into subseries by project titles.
Series contains correspondence, memoranda, professional activity reports and some notes and meeting minutes for committees on which Jill Grant served as chair. Editorial correspondence, including publishing contracts and agreements, is primarily found within the Publication series.
Series includes records related to Jill Grant’s published research outputs and is divided into subseries that distinguish between print publications and oral presentations.
Series contains records produced in the course of Jill Grant’s teaching at Nova Scotia College of Art and Design and Dalhousie University. Records include course outlines and syllabi, lecture and presentation notes, assignments and exams, slides and photographs, and a limited volume of student work. This series is divided into subseries by course title; much of the material was removed intact from teaching binders and illustrates the evolution of courses taught over a range of years.
