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Nasca lines : part 3 : [saxophone quartet]

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 19, Item 3
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 20, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 21, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 3 : [saxophone quartet]

Nasca lines : part 3 : [saxophone quartet]

MS-5-16, Oversize Folder 22, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the saxophone quartet (including the bass clarinet) for part 3 of Nasca Lines in graphic notation. The score lists the players by name, rather than instrument: Don Palmer [alto or soprano saxophone], Paul Cram [tenor saxophone], Dawn Hatfield [baritone saxophone], and Jeff Reilly [bass clarinet]. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured red for the saxophone quartet.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 14, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 16, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 12, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 13, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

Nasca lines : part 3 : violin 1, violin 2, viola, violincello, and double bass

MS-5-16, Oversize Folder 15, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains a colour copy of the score used by the string quintet for part 3 of Nasca Lines in graphic notation. The graphic notation is taken from an aerial representation of an area of the Nazca Desert in Peru, featuring the condor geoglyph in the centre and coloured blue for the string quintet.

Guy, Barry

Nasca lines : part 3 : voice

Nasca lines : part 3 : voice

MS-5-16, Oversize Folder 11, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 3 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3A : [alto saxophone in E-flat and soprano saxophone in B-flat]

Nasca lines : part 3A : [alto saxophone in E-flat and soprano saxophone in B-flat]

MS-5-16, Oversize Folder 19, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size lined piece of paper with "3A Tacet" written in pencil, likely by Don Palmer.

Guy, Barry

Nasca lines : part 3A : bassoon

Nasca lines : part 3A : bassoon

MS-5-16, Oversize Folder 8, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Bassoon / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3A : double bass

Nasca lines : part 3A : double bass

MS-5-16, Oversize Folder 16, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "String Bass / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 3, Item 14
Item
2001

Part of Upstream Music Association fonds

Item is a complete conductor's score for part 3A of Nasca Lines, a vocal cadenza, in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 4, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 7, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 18, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a copy of the full score for part 3A of Nasca Lines in graphic notation, with annotations by the guitarist for the premiere performance. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 6, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3A : [full score]

Nasca lines : part 3A : [full score]

MS-5-16, Oversize Folder 5, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a black and white copy of the full score for part 3A of Nasca Lines in graphic notation. A rectangle in the centre of the score features the same image as part 3, an aerial representation of an area of the Nazca Desert in Peru with the condor geoglyph in the middle. Radiating outward from the central rectangle are seven sections, each featuring a graphical representation of one of the Nazca Lines geoglyphs and phrases from Alan Davie's texts and/or a tone row. The geoglyphs included are the hands, pelican, spider, monkey, condor, and two unidentified glyphs. Item also includes a copy of the five tone rows used in this part of the composition, extracted from the full score.

Guy, Barry

Nasca lines : part 3A : piano and synthesizer

Nasca lines : part 3A : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Piano/Synthesizer / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3A : viola

Nasca lines : part 3A : viola

MS-5-16, Oversize Folder 14, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Viola / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 3A : violin 1

Nasca lines : part 3A : violin 1

MS-5-16, Oversize Folder 12, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Violin 1 / Part 3A / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : alto saxophone in E-flat

Nasca lines : part 4 : alto saxophone in E-flat

MS-5-16, Oversize Folder 19, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the alto saxophone part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 4 : baritone saxophone in E-flat

Nasca lines : part 4 : baritone saxophone in E-flat

MS-5-16, Oversize Folder 21, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last page of the full score of part 4, which has graphic notation.

Guy, Barry

Nasca lines : part 4 : bass clarinet in B-flat

Nasca lines : part 4 : bass clarinet in B-flat

MS-5-16, Oversize Folder 22, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last two pages of the full score of part 4 in graphic notation.

Guy, Barry

Nasca lines : part 4 : bassoon

Nasca lines : part 4 : bassoon

MS-5-16, Oversize Folder 8, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the bassoon part for part 4 of Nasca Lines in standard notation. The bassoon part includes microtones. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 4 : clarinet in B-flat

Nasca lines : part 4 : clarinet in B-flat

MS-5-16, Oversize Folder 6, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the clarinet part for part 4 of Nasca Lines in standard notation. The clarinet part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 4 : double bass

Nasca lines : part 4 : double bass

MS-5-16, Oversize Folder 16, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the bass part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 4 : drums

Nasca lines : part 4 : drums

MS-5-16, Oversize Folder 24, Item 4
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size piece of paper with "Drums / Part 4 / Tacet" written in black marker.

Guy, Barry

Nasca lines : part 4 : electric guitar

Nasca lines : part 4 : electric guitar

MS-5-16, Oversize Folder 18, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Electric Guitar / Part 4 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 4 : flute

Nasca lines : part 4 : flute

MS-5-16, Oversize Folder 4, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the flute part for part 4 of Nasca Lines in standard notation. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation. The flute part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : part 4 : [full score]

Nasca lines : part 4 : [full score]

MS-5-16, Oversize Folder 3, Item 15
Item
2001

Part of Upstream Music Association fonds

Item is a complete conductor's score for part 4 of Nasca Lines, predominantly in standard notation with the exception of the last two pages, which are in graphic notation. Part 4 uses pitch-class set sequences and features the wind ensemble (flute, oboe, clarinet, trumpet, and bassoon) with significant inputs from piano and percussion. The time signatures change regularly and include some mixed meters.

Guy, Barry

Nasca lines : part 4 : oboe

Nasca lines : part 4 : oboe

MS-5-16, Oversize Folder 5, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the oboe part for part 4 of Nasca Lines in standard notation. The oboe part features extended techniques, including quarter tones and multiphonics, and has frequent meter changes.

Guy, Barry

Nasca lines : part 4 : percussion

Nasca lines : part 4 : percussion

MS-5-16, Oversize Folder 9, Item 4
Item
2001

Part of Upstream Music Association fonds

Item contains the percussion part for part 4 of Nasca Lines in standard notation. Item also includes a copy of the last two pages of the full score for part 4, which have graphic notation.

Guy, Barry

Nasca lines : part 4 : piano and synthesizer

Nasca lines : part 4 : piano and synthesizer

MS-5-16, Oversize Folder 10, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the piano and synthesizer part for part 4 of Nasca Lines in standard notation on a grand staff.

Guy, Barry

Nasca lines : part 4 : tenor saxophone in B-flat

Nasca lines : part 4 : tenor saxophone in B-flat

MS-5-16, Oversize Folder 20, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is the tenor saxophone part for part 4 of Nasca Lines in standard notation. Item includes a copy of the last two pages of the full score of part 4 in graphic notation.

Guy, Barry

Nasca lines : part 4 : trumpet in C

Nasca lines : part 4 : trumpet in C

MS-5-16, Oversize Folder 7, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the trumpet part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 4 : viola

Nasca lines : part 4 : viola

MS-5-16, Oversize Folder 14, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the viola part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 4 : violin 1

Nasca lines : part 4 : violin 1

MS-5-16, Oversize Folder 12, Item 6
Item
2001

Part of Upstream Music Association fonds

Item contains the first violin part for part 4 of Nasca Lines in mixed standard and graphic notation.

Guy, Barry

Nasca lines : part 4 : violin 2

Nasca lines : part 4 : violin 2

MS-5-16, Oversize Folder 13, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the second violin part for part 4 of Nasca Lines in mixed standard and graphic notation. Item also includes a copy of the second last page of the score for part 4 in graphic notation.

Guy, Barry

Nasca lines : part 4 : violincello

Nasca lines : part 4 : violincello

MS-5-16, Oversize Folder 15, Item 5
Item
2001

Part of Upstream Music Association fonds

Item contains the cello part for part 4 of Nasca Lines in standard notation.

Guy, Barry

Nasca lines : part 4 : voice

Nasca lines : part 4 : voice

MS-5-16, Oversize Folder 11, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a letter-size page with "Voice / Part 4 / Tacet" written in marker.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 3, Item 16
Item
2001

Part of Upstream Music Association fonds

Item is a complete conductor's score for part 5 of Nasca Lines, in graphic notation. The conductor uses the score in conjunction with colour flashcards indicating instrument groups (blue for the string quintet; yellow for the wind quintet; red for the sax quartet; green for percussion, sythesizer, and electronic instruments; and purple for voice) and flashcards with graphic representations of geoglyphs from the Nazca Desert, Peru. The colour flashcards and flashcard for the monkey (indicating an improvisation style that features "fragmented/ active" articulations) are missing from Upstream's Music Score Library, but are reproduced on this score. Boxes for each instrument group have been coloured in with the appropriately-coloured marker. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 7, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 8, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts. «

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 14, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 6, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (yellow for the wind quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 18, Item 7
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation used by the guitarist for the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (blue for the string quintet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 19, Item 6
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation used by Don Palmer for the premiere performance. Palmer played soprano saxophone in B-flat for this part. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (red for the saxophone quartet) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

Nasca lines : part 5 : [full score]

Nasca lines : part 5 : [full score]

MS-5-16, Oversize Folder 23, Item 5
Item
2001

Part of Upstream Music Association fonds

Item is a coloured copy of the full score for part 5 of Nasca Lines in graphic notation, used by the electric bassist in the premiere performance. The score includes representations of the flashcards used by the conductor for this part of the score, including colour flashcards that indicate instrument groups (green for the rhythm section) and flashcards that indicate improvisational styles via graphic representations of geoglyphs from the Nazca Desert, Peru. The score also features phrases from Alan Davies' texts.

Guy, Barry

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