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Seven scores for four saxophones by Paul Cram

File contains Paul Cram's original handwritten scores for "Moonlight in Rio" (2 copies); "Inside Passage"; "The Lost City" ; Shanghai Express"; "Scotch Drinkers from Hell"; "Have a Heart or Invitation to an Aztec Sacrifice"; and "Concord Ave."

Sessione Milano: [part]

Item is an original handwritten composition with eight movements, which include both traditional musical notation and directional text. For example, the first movement simply reads: "Coda I = material from Western Front."

Scores for small ensembles by Paul Cram

File contains original handwritten scores for "Tango Oreo"; "One Step at a Time"';"Faster at the Alter"; "(Do the) Funky Fool"; "String Quartet #3"; "Coup d'Etat"; and "Rank and Vile."

Scores catalogued by the Canadian Music Centre (CMC)

Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.

Royal hotel : [parts]

File contains two sets of parts for Paul Cram's "Royal Hotel." The first has "Words — Michael Ondaatje" printed at the top and includes parts for voice 1; tenor; trumpet; guitar; violin; baritone; bass; and drums. The second set is marked with the SOCAN copyright date 2005 and includes parts for Eb soprano; alto; bass; tenor; trumpet; guitar; violin; bass clarinet; drums; electric bass; and stereo grand. There is a single part for audio 1 that appears to be from a different printing.

Round one : [parts]

File includes concert treble, concert bass, Eb and Bb parts for Paul Cram's "Round One."

Root cause : [parts]

File contains parts for fifteen instruments: drums; trumpet (x 2); alto sax; clarinet; tenor sax (x 2); violin (x 2); viola; tuba; trumpet (x 2); accordion; guitar; vibes; percussion/congas; and bass.

Ronde pour orchestre : reduction pour piano

Item is a piano arrangement of one of the folk songs from "Huits Chants Populaires pour Orchestre" by Anatoly Lyadov (also spelled Liadov), which was originally written in 1905. The score is dated August 15, 1916 at San Sebastien and accompanied by a note from Scribner's publishing house that the score is an original manuscript of the composer's arrangement for pianoforte solo. However, Liadov died August 28, 1914. The publisher's note also indicates that it was previously part of the collection of Serge Diaghileff (Diaghilev).

Lyadov, Anatoly

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Revolutions 2008 : [score and part]

File contains a score and annotated trumpet part for Paul Cram's "Revolutions 2008." The score is for violin, trumpet, alto sax, tenor sax, bass clarinet, guitar, piano, electric bass and drums.

Revolutions 2008 : [score]

Item is a score is for violin, trumpet, alto sax, tenor sax, bass clarinet, guitar, piano, electric bass and drums.

Revolutions : [parts]

File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.

Revolutions : [parts]

File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.

Rest Christian calmly : [choral score]

Item is the manuscript for a hymn "Rest Christian Calmly," with words by Jessie P. MacKay and music by Addie MacKay. The music is for four-part chorus (soprano, alto, tenor, and bass) and is in F Major with four verses.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Requiem for solo voices and chorus

Item is a reduced piano score of the English version (translated by C.I. Kenney) of Verdi's Requiem, written in memory of Alessandro Manzoni. The flyleaf of the book was signed for J.D. Logan by the soloists of the Philharmonic Spring Musical Festival in Halifax, Nova Scotia: Grace Kerns (soprano), Judson House (tenor), Fred Patton (baritone), and Nevada Van der Veer (contralto). The file also includes a newspaper clipping of Logan's review of the concert from the Halifax Herald (April 26, 1922).

Verdi, Giuseppe

Requiebros

Item is a copy of "Requiebros" by Gaspar Cassado, with pencil annotations and analysis by Anthony Pugh.

Rejuvenation : [score and parts]

File contains a facsimile handwritten score for "Rejuvenation"; trumpet, trombone and tuba parts for "Spectrum," "Whirlwind," "Neptune," "Rejuvenation," "Vines," and "Riffin"; and tenor sax parts for "Spectrum," "Whirlwind," "Neptune," "Foundation," "Vines," and "Riffin." The trombone II part for "Rejuvenation" is a print copy attributed to Sam Rivers, and the rest of the parts are stamped "Rivbea Music Productions."

Reed parts for Paul Cram compositions

File includes bass clarinet parts for "Mood Swing," "Pendulum," "Hum Over the Horizon," "Mail -Order Mantis," and "Free Fear"; clarinet part for "Out and About"; tenor saxophone parts for "Oh My God!!", "Underwater Highway," "Campin Out," "One Heart Suite," "Home Free," "Line of Fire," and Confederation"; baritone saxophone parts for "Bay of Pigs" and Overnight Express"; and alto saxophone part for "New York-Paris-New York."

Reed and concert parts for Paul Cram Orchestra 2002 tour and recording

File contains a tour and recording itinerary; set and repertoire lists; and reed parts for: "Eye of the Storm"; "Dminor Diner"; "Taiwanese Bootleg"; "Tip of the Iceberg"'; "Telescope"; "Trouble in Paradise"; "Revolutions"; "Kafka's Chair"; "Life of Crime"; "Side Order from Bb Restaurant"; "High Ground": "Have a Heart"; "Immortal Coil"; "Monk on Time"; "March of the Philistines"; and "Thunder."

Red Klee : [score]

Item is a handwritten score for brass, perc.; reeds, strings; and sus. crec. in graphic notation.

Quintet, op. 84

Item is a copy of Edward Elgar's Piano Quintet, op. 84, with pencil annotations and analysis by Anthony Pugh.

Quatuor à cordes No. 2, op. 50

Item is a copy of Jacques Hétu's final manuscript for his second string quartet, with pencil annotations and analysis by Anthony Pugh.

Hétu, Jacques

Processional : [parts]

File contains Eb and concert parts for a Paul Cram composition with two movements: "Neck and Neck" and "And They're Off."
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