Item is a handwritten letter from Heitor and Arminda Villa-Lobos to Ellen Ballon written on July 26, 1947. The letter details Villa-Lobos itinerary on a European tour and comments on Ballon's performances of Villa-Lobos' compositions. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. One French postage stamp is affixed to the envelope.
Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on December 17, 1946. The letter acknowledges a letter Ballon wrote on December 5, 1946 and asks if Ballon performed the world premier of Villa-Lobos's first piano concerto with the Dallas Symphony Orchestra. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.
Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on June 2, 1947. Villa-Lobos acknowledges a May 15, 1946 letter from Ballon and provides some information on his compositions, including Caixinha de Boas Festas, the 2nd Suite do Descobrimento do Brasil, and Danses Africaines. The letter refers to Marks Co. as "the true thieves of my musics." Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.
Item contains a letter from Mary Goldie, Princess Alice's private secretary, asking Ellen Ballon to forward an enclosed letter to Frank Cyril James in commemoration of the fiftieth anniversary of the McGill Conservatorium.
Item is a note from William "Willie" Somerset Maugham written to Ellen Ballon on the reverse side of an advertisement for three recitals in New York (April 4, 11, 25, 1945) performed by Ellen Ballon and recorded by the radio station WNYC.
Item is a copy of the first separate edition of Marche funèbre from Chopin's Piano Sonata No. 2 in B-flat minor. The separated third movement was played as Chopin's body was conveyed to the mausoleum on October 30, 1849, and was subsequently released as a separate publication, using the original plates (891) by Troupenas. The file includes a folder and brief description of the work from Scribner.
Item is a copy of the second tale in Medtner's Two Tales, Op. 14, for piano. It was published by P. Jurgenson and distributed in Leipzig by Robert Forberg in 1907 and includes an inscription to Ellen Ballon from Alfred La Liberté.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
Item is a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin.
Item is a piano arrangement of one of the folk songs from "Huits Chants Populaires pour Orchestre" by Anatoly Lyadov (also spelled Liadov), which was originally written in 1905. The score is dated August 15, 1916 at San Sebastien and accompanied by a note from Scribner's publishing house that the score is an original manuscript of the composer's arrangement for pianoforte solo. However, Liadov died August 28, 1914. The publisher's note also indicates that it was previously part of the collection of Serge Diaghileff (Diaghilev).
![Polonaise, Op. 71, no. 1 : [piano score]](/uploads/r/dalhousie-university-archives/c/f/8/cf8565955f9b15db5199ae9281317146db0be7c0bd097b54252ac0d8e2c0c97f/MS-5-2_7_12_1_access_142.jpg)
![Polonaise, Op. 71, no. 2 : [piano score]](/uploads/r/dalhousie-university-archives/2/c/1/2c14ed10ddb3ee8f1d5c5329ec7ac3231b6797a2983e3803fc3fbebfbec3b1e6/MS-5-2_7_12_2_access_142.jpg)
![Polonaise, Op. 71, no. 3 : [piano score]](/uploads/r/dalhousie-university-archives/a/7/9/a79e851b7f87ddea0c5154b77ec36c99f9d5eee51c5abc99211545dd28880337/MS-5-2_7_12_3_access_142.jpg)
