Halifax (N.S.)

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44.647401, -63.590651 Map of Halifax (N.S.)

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  • Coordinates derived from http://www4.rncan.gc.ca/search-place-names/search?lang=en

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Halifax (N.S.)

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Halifax (N.S.)

174 Archival Description results for Halifax (N.S.)

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One heart broken into song : [parts]

File contains soprano, alto, tenor and baritone saxophone parts for "Swing Low" and alto, tenor and baritone saxophone parts for Paul Cram's "One Heart Broken into Song," from his score for the film of the same name, directed by Clement Virgo and written by George Elliott Clarke.

Out of the ashes : [score]

Item is a conductor's score for "Out of the Ashes," a concert work composed by Paul Cram for Upstream Ensemble. The piece was registered with SoCan in August 1990 and renewed in 1994. It debuted at Saint Mary's University on September 23, 1990. Instrumentation includes flute and soprano saxophone (reed one), clarinet and tenor saxophone (reed two), bass clarinet and clarinet (reed three), trumpet, synth one, synth two and piano, and drums.

Out of the ashes / Paul Cram

Item is Paul Cram's concert score for reed 1/flute & soprano sax, red 2/clarinet & tenor sax, reed 3/bass clarinet & clarinet, trumpet, synth 1, synth 2 & piano, drums. The cover page includes the [part?] titles: deep, island, trench, atlantic, north, dance, temple. burning, water, eruption, millenium, sinking, ruins, cleansing, plague dancing, party to the end, cool fire, cold heat, ritual mountains to cinders and ash.

Pluckstück : [score]

Item is a conductor's score for "Pluckstück," a concert work composed by Paul Cram for Upstream Orchestra. The piece debuted at Saint Mary's University on November 18, 1990 and was registered with SoCan in December 1990.

Requiem for solo voices and chorus

Item is a reduced piano score of the English version (translated by C.I. Kenney) of Verdi's Requiem, written in memory of Alessandro Manzoni. The flyleaf of the book was signed for J.D. Logan by the soloists of the Philharmonic Spring Musical Festival in Halifax, Nova Scotia: Grace Kerns (soprano), Judson House (tenor), Fred Patton (baritone), and Nevada Van der Veer (contralto). The file also includes a newspaper clipping of Logan's review of the concert from the Halifax Herald (April 26, 1922).

Verdi, Giuseppe

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Root cause : [parts]

File contains parts for fifteen instruments: drums; trumpet (x 2); alto sax; clarinet; tenor sax (x 2); violin (x 2); viola; tuba; trumpet (x 2); accordion; guitar; vibes; percussion/congas; and bass.

Scores catalogued by the Canadian Music Centre (CMC)

Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.

Side steppin' 1 : [score]

Item is the score for a composition by Bauer. Bauer divided the instruments into three groups: (1) guitar, oboe, piano, violin; (2) violin, viola, cello, xylophone; and (3) bass clarinet, electric bass, and acoustic bass. The composition alternates between 3/8,4/8, 5/8, 6/8, 7/8, 8/8, 9/8, 10/8, and 12/8 at a tempo of 100 eighth-notes per minute. The score is printed on the back of Bauer's resume.

Bauer, Bob

Silent movies : [parts]

File contains concert, Bb and Eb parts for Paul Cram's "Silent Movies," which was recorded by the Benghazi Saxophone Quartet on the CD "On the Lam."

Silent movies : [score]

File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.

Cram, Paul

Snowstream : [score]

File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.

Naylor, Steve

Solar system / Paul Cram

Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.

Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Strong and free : [score]

File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."

Cram, Paul

Symphony Nova Scotia fonds

  • MS-5-14
  • Fonds
  • 1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Telescope : [parts]

File contains printed concert, Bb, and Eb parts and facsimile handwritten concert and Bb parts. Telescope was composed for saxophone quartet.

The empty cup : parts

File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.

Bauer, Bob

The magic order : [score]

Item is a facsimile score for voice; trumpet; soprano sax/flute; trumpet 2; alto sax; trombone; tenor sax/clarinet; bass trombone; baritone sax/flute; guitar 1; guitar 2; synthesizer 2; piano 1; contrabass 2; drums 2; drums 1; and percussion.

The magic order : [score]

Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.

The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.

The magic order : [score and parts]

File contains a title page; a handwritten forming order/conductor's score in graphic notation (and copies); and 12 printed parts for Inst 1, each in a different key.

The naked ear : [score]

Item is a conductor's score for "The Naked Ear," a concert work composed by Paul Cram in 1991 for Upstream Ensemble, which debuted at Saint Mary's University in Halifax, Nova Scotia, on November 24, 1991.

The naked ear / Paul Cram

Item is Paul Cram's score for reeds 1 & 2, wx7, trumpet, guitar, harp, synth, drumscom (?), comp 1, 2 & 3.

The point of sympathy : [parts]

File comprises 26 parts for chamber orchestra with improvisors; each part contains a key for the section of the score (@ letter E + F) that changes from traditional to graphic notation.

The point of sympathy : [score]

Item contains a partial score of Paul Cram's "The Point of Sympathy" — pages 3-50; the last four pages are printed on the reverse sides of scrap paper.

The point of sympathy : [score]

Item contains an annotated score of Paul Cram's "The Point of Sympathy." The file includes a handwritten conductor's key and a photocopied key to formings.

The point of sympathy / by Paul Cram

Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.

The ravens by the Tower of London : [score]

Item is an annotated copy of Jamieson's composition, which is in five sections. Each section has textual instructions for individual instruments with four musical parts notated at the bottom: melody, accompaniment, B-flat trumpet line, and bass line.

Jamieson, Daryl

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