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Richard Chapman Weldon, QC, was a lawyer, educator and politican. He was born in Sutton, New Brunswick, to Richard Weldon and Catherine Geldart. He received his BA and MA in political science from Mount Allison Wesleyan College before attending Yale College in New Haven, where he studied constitutional and international law and graduated with his doctorate in political science. For a short time he pursued further studies in law at the University of Heidelberg.

In 1875 he accepted a professorship in mathematics and political economy at Mount Allison, and by 1880 had apprenticed himself to a Sackville lawyer. He was called to the Nova Scotia bar shortly after being appointed dean of the newly formed Faculty of Law at Dalhousie University, where he also became the first full-time professor of law in post-confederation Canada (1883-1914). He served as a Conservative MP from 1887-1896, representing Albert, New Brunswick, where he owned land. Appointed a dominion QC in 1890, he acted as counsel to the firm of Harris, Henry, and Cahan from 1897.

Weldon married Sarah Maria Tuttle in 1877 in Stellarton, Nova Scotia, and they had four sons and one daughter. Shortly after Sarah's death in 1893 he married Louisa Frances Hare in Halifax, with whom he had seven children. He died in 1925 in Dartmouth, Nova Scotia.

In 2018 Richard Weldon was named one of 52 Dalhousie Originals, a list of individuals identified as having made a significant impact on the university and the broader community since Dalhousie's inception in 1818. https://www.dal.ca/about-dal/dalhousie-originals/richard-chapman-weldon.html

Dr. Robert Weil, MD, LMCC, FRCP, FAPA, FACP, was born on 16 November 1909 in Vimperk (Winterberg), in what is now Czechoslovakia. He graduated from the German University of Prague's Medical Faculty in 1929 and served as a medical officer in the Czechslovakian Army until 1935, when he went into general practice. He and his wife, Stella, who was also a doctor, left their home in Graupen for Prague, then for Great Britain and finally for Canada in 1939. He practised general medicine in northern Saskatchewan until 1942, when he began working with the Saskatchewan Mental Health Services. His work with other pioneers helped move towards the provision of the Canadian Psychiatric Association, of which he was a founding member in 1950 and President in 1968. He interned in neurosurgery at the Saskatoon City Hospital from 1944-1945, worked at the Menninger School of Psychiatry in Topeka, Kansas, from 1949-1950, and was a Research Assistant in the Department of Sociology at Warne State University in Detroit, Michigan, in 1950.

Weil came to the Department of Psychiatry at Dalhousie University in 1950, an appointment from which he retired in 1975 as Associate Professor. He continued in private practice, including work with veterans at Camp Hill Hospital. He was involved with numerous psychiatric associations, and participated in national and international conferences. His research and published writing covered a wide variety of subjects. He was involved with the commission studying the 1958 Springhill Mining Disaster, interviewing survivors and analyzing the incident's impact on the community.

He died on 6 May 2002 at the age of 92, survived by his wife, but predeceased by his only child, Sonja Weil.

Kenneth Grant Tremayne Webster was a scholar of medieval literature who devoted his academic career to the study of medieval romances, castles and the art of war. He was born on 10 June 1871 to Dr. John R.L. Webster and Helen (Geddes) Webster, in Yarmouth, Nova Scotia, and was the fifth of six children (Helen, Charles, James, Isabella and Conrad). Webster graduated from Milton School before taking his BA Honours in English literature at Dalhousie University in 1892. He went on to study at Harvard University, where he earned a BA, MA and PhD in medieval literature, followed by a professorial appointment.

Webster wrote at least four monographs and a number of articles on medieval literature. He amassed a collection of postcards of castles, and built a considerable library to support his research on early European castles, a collection he bequeathed to Dalhousie University. He also had a passion for architectural restoration, and in 1913 bought the Barnard Capen House in Dorchester, Massachusetts, which he had moved to Milton, Massachusetts, where he restored it. In 1932 he purchased and restored the eighteenth-century Ross-Thompson House in Shelburne, Nova Scotia, which later became a provincial museum.

Webster was awarded an honorary Doctor of Laws from Dalhousie University in 1930. He died in 1942.

John Watt was born in Toronto, Ontario in 1952 and studied Fine Arts at Mount Allison University, Sackville, New Brunswick from 1971 to 1973. During this time, John worked as a painter, sculptor, and printmaker until he discovered video, a new time-based art form that shifted his attention away from more traditional art media. Watt continued his studies from 1973 to 1974 at the Nova Scotia College of Art and Design, Halifax, Nova Scotia, where he produced many of his early video performance-for-the-camera works, notably “Peepers” and “I’m a Killer”.

Over the past forty years, Watt has become one of the most internationally respected media producers/directors in Canada and a noted pioneer of Video Art. John’s video art was exhibited and collected as early as 1974 at the Art Gallery of Ontario’s 'Videoscape' and was notably the first major survey of video art in Canada.

In 1979 Watt produced and curated “Television By Artists”, a landmark series of six commissioned television programs by artists. Each program was designed and framed for broadcast television and examined a variety of concerns as objects or events for broadcast television.

Watt’s interest in the advancement of video technology led him to becoming one of first commercial videodisc producer’s in Canada, directing four major installations for the Canadian Pavilion at Expo ’86. This groundbreaking project consisting of fourteen synchronized laser videodiscs and was programmed using a digital image controller over a matrix of one hundred and eight monitors. He has continued to be an innovative video producer, pioneering electronic applications for the Internet and Public Display worldwide.

Watt’s video works have been extensively exhibited and are collected nationally and internationally in museums, galleries, expositions, festivals, broadcasts, including: National Gallery of Canada, Fukui Prefectural Museum of Art, Fukui, Japan, Brighton Polytechnical Institute, England, Centre d’art Contemporain Basse-, France Normanmdie, Mendel Art Gallery, Saskatoon, The Power Plant, Art Gallery at Harbourfront, Toronto, Montevideo, Amsterdam, The Netherlands, Blaffer Gallery, Houston, Texas, U.S.A., Koln Art Fair, Koln, Germany, Agnes Etherington Arts Centre, Kingston, Ontario, Obscure Gallery, 729 Cote D’Abraham, Quebec City, London Video Arts, London England, Simon Fraser University, Center for Arts, B.C. Canada, University of Toronto, McLuhan Center, Toronto, High Museum, Atlanta, Georgia, U.S.A., Maison de la Culture de Brest, Brest, Belgium, Walter Phillips Gallery, Banff, Alberta, Long Beach Museum of Art, Hara Museum of Contemporary Art, Hara, Japan, Sydney Biennale, Sydney, Australia, Kijkhuis, Den Haag, The Netherlands, Via della Croce, Rome Italy, Ed Video, Guelph, Canada, Western Front, Vancouver, B.C., Canada.