Video art

Taxonomy

Code

Scope note(s)

  • Use for records about works of art that employ video technology, especially videotapes.

Source note(s)

  • LCSH

Display note(s)

Hierarchical terms

Video art

Equivalent terms

Video art

  • UF Electronic art
  • UF Experimental television

Associated terms

Video art

54 Archival Description results for Video art

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101 television celebrities

Item contains a collection of 30 second video portraitures, started in the spring of 1972 in Halifax, Nova Scotia, as an attempt to put as many people as possible on television. Each portrait starts with the individual's name, and then they say or do whatever they want for 30 seconds.

MacNevin, Brian

101 television celebrities

Item contains a collection of 30 second video portraitures, started in the spring of 1972 in Halifax, Nova Scotia, as an attempt to put as many people as possible on television. Each portrait starts with the individual's name, and then they say or do whatever they want for 30 seconds.

MacNevin, Brian

Audio Videos at the National Film Board Theatre

Audio Videos at the National Film Board Theatre

Item is a poster for a screening of 8 videotapes from North America, held on March 18, 1986, at the National Film Board Theatre. This event was part of the Audio by Artists festival in 1986. The artists that participated in this event were: David Askevold, Francois Girard, Ihor Holubizky, Michael Klein, Christian Marclay, Ileana Montalvo, Bruce Robb and Mark Veriaboff.

Brian MacNevin compilation

Item contains six videos by Brian MacNevin: Louie (1970); 2D Images (1971); Peggy's Cove Revisited (1974); Self Portraits (1975); The Human Condition; and Mount Rundle. The Human Condition was videoed in St. John's, Newfoundland and Halifax, Nova Scotia, and Mount Rundle was taken in Banff, Alberta.

MacNevin, Brian

Centre for Art Tapes fonds

  • MS-3-46
  • Fonds
  • 1979-2005
Fonds consists of records created and collected by the Centre for Art Tapes between 1977 and 2005. Materials reflect the artist-run centre's diverse functions and activities. Records include correspondence, meeting minutes, photographs, scholarship applications, funding applications, posters, programs, CDs, DVDs, audio cassettes, exhibition catalogues, reports, financial statements, public service announcements, news releases, blueprints, agreements, workshop materials and programming information.

Centre for Art Tapes

Centre for Art Tapes tape collection

  • MS-3-46
  • Collection
  • 1970-2013
Collection contains over 1,300 video and audio tapes created by members or affiliates of the Centre for Art Tapes in Halifax, Nova Scotia. The collection includes works created between 1975 and 2012.

Centre for Art Tapes

Distant Voices

Item consists of a video recording entitled "Distant Voices" by Barbara Badessi. In "Distant Voices", Badessi she links her contemporary experiences as an immigrant with the historic influx of immigrants arriving at Pier 21 in Halifax between 1928 and 1971. Badessi herself emigrated to Canada from her native Italy in 1985.

Exclusive memory : Sleeping robot variations

Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 4-9-19

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 5-8-16

Item consists of a video recording that is based on excerpts of a six hour monologue by Sherman with a computer-based video sensing robot, created by the artist for an exhibition.

Sherman, Tom, 1947-

Exclusive memory 7-11-12

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Michael snow films: snow in December

Michael snow films: snow in December

Item is a poster for film series screened from November to December 1982 at the Dalhousie Art Gallery, Eye Level Gallery, and the Nova Scotia College of Art and Design Bell Auditorium.

New art resources

Item contains "New art Resources" for the Eye Level Gallery, including interviews with Bernice Purdy and Eric Walker on ASN (ATV) (July 30, 1984); Satire as Discontent by Dan Lander August 29, 1984); and Such Wonderful Times, a performance documentation with video by Bob Tonks and sound by David Barteaux.

Lander, Dan

Photographs of Tom Sherman and John Orentlicher

File contains photographs of Tom Sherman and John Orentlicher. File includes two photographs of a person sitting on a couch watching television and two photographs of three men standing in a gallery looking at two televisions mounted on the wall.

Shuffle

Item consists of a video by Douglas Waterman. An insert in the U-matic tape box describes the video as follows:

"A static electrical charge is generated by shuffling my clothed feet over an insulator, and by postponing contact with elements having characteristics which would operate as outlets for the charges being generated. The stored charge emits an electrical fields that draws the particles (ashes) toward it. A proportion of the charge from my hand jumps to the particles as the particles rise to and contact my hand. The particles have received an overcharge which opposes it to its source, so is driven back to its resting place. Dispersal time for the particles' energy is (approx. 10 sec.) allowing it to be activated again, initiating another cycle as the particles slowly spread out."

Waterman, Douglas

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