Sketches

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Sketches

21 Archival Description results for Sketches

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Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

Drawing of circlet of mayflowers carved into the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for a circlet of mayflowers that adorns the head of the Dalhousie University mace. The mayflowers symbolize the province and the "flowering new civilization therein which led to the establishment of the university."

Drawing of circular scene at the base of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders that shows Saunders' design for a circular scene carved into the base of the Dalhousie University mace. The drawing shows the "deep gutter between sky and sea" and a sea nymph "calling across the waves toward the setting sun in representation of the impulse that led navigators to sail westward to our shores."

Drawing of Scottish earl's coronet carved into the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the five-rayed Scottish earl's coronet that adorns the head of the Dalhousie University mace. The drawing includes measurements and other notes written in pencil. The coronet is included in the mace "in recognition of the University founder, the 9th Earl of Dalhousie." This part of the mace was carved into a piece of oak cut from the estate of the Earl of Dalhousie.

Drawing of sterling silver fish that adorn the base of the Dalhousie University mace

Item is a pencil drawing of the silver fish that adorn the base of the Dalhousie University mace. The drawing, by R.L. de C.H. Saunders, shows an orthographic projection and a bird's-eye view of the fish, which were added to the mace to recognize the primary source of the local economy. The bird's-eye view shows a seashell between the fish tails that was not incorporated into the mace when it was built by A.H. MacMillan.

Drawing of the sterling silver Celtic cross that adorns the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the sterling silver Celtic cross that adorns the head of the Dalhousie University mace. The drawing includes measurements and other notes written in pencil. The Celtic cross is set atop the cap of the coronet that forms the uppermost part of the mace head.

Drawing of the sterling silver Celtic cross that adorns the head of the Dalhousie University mace

Item is a pencil drawing by R.L. de C.H. Saunders. The drawing illustrates Saunders' design for the sterling silver Celtic cross that adorns the head of the Dalhousie University mace. The drawing includes measurements other notes written in pencil. The Celtic cross is set atop the cap of the coronet that forms the uppermost part of the mace head. This drawing shows the University motto "Ora et Labora" and the five points of the coronet surrounding the Celtic cross.

Facsimile of a pencil sketch by Donald Cameron Mackay of an officer angered by a sailor

Item consists of a facsimile of a pencil sketch by D.C. Mackay from the early 1940s of an officer dressing down an insubordinate sailor. The perspective appears to be from the corner of George Street and Brunswick Street in Halifax. An accompanying caption reads: "Like he said -- / 'Never salute an officer / with a cig in your mouth"

Sketch of Ellen Ballon

File contains a photograph of a sketch of Ellen Ballon by Kathleen Shackleton, completed in Montreal.