Item is a copy of the performance instructions for an improvised composition with sixteen possible sets, each defined by four words, that are performed in any order.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
Item is a copy of an anonymous score entitled "Cukeoo" for solo voice, piano, and an undefined instrumental ensemble. The score combines common music notation with graphic notation. The text is taken from an English folk song, "The Cuckoo Is A Pretty Bird"
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.
Item is a copy of Steven Naylor's composition for guitars, accordion, wind instruments, and keyboard. The score is in graphic notation, using coloured symbols in blue, green, and red to indicate duration, pitch, attitude, and stops.
Item is a copy of Steven Naylor's composition for flute, violin, oboe, trumpet, viola, clarinet, accordion, cello, bassoon, electric bass, bass clarinet, contrabass, and percussion. Each instrument plays a short phrase repeatedly until the end of the piece with entries staggered between instruments.
File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).
Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.
Item is the first seven measures of the score for Fred Frith's composition "Neither Fire nor Place" for flute, English horn, clarinet, bass clarinet, bassoon, alto saxophone, baritone saxophone, trumpet, piano, percussion, guitar, violin, viola, cello, and double bass.
Item is the first eight measures of the score for Fred Frith's composition "Traffic Continues: Shadow of a Tree on Sand" for flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, trumpet, baritone saxophone, piano, percussion, violin, guitar, and double bass.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.
File contains two copies of Paul Cram's composition in 12 sections, which combines common music notation and graphic notation. The composition's commission was funded by a SOCAN grant. The piece is for 10-20 performers on flute, oboe, clarinet, bassoon, saxophone, trumpet, percussion, guitar, accordion, tape, violin, viola, violoncello, and double bass.
Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.
Item is the graphic notation score used by the rhythm section for part 3 of Nasca Lines. The score was used by the drummer for the premiere performance. As the drums are tacet for the first page, this page is not included.
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.
Item is a piano arrangement of one of the folk songs from "Huits Chants Populaires pour Orchestre" by Anatoly Lyadov (also spelled Liadov), which was originally written in 1905. The score is dated August 15, 1916 at San Sebastien and accompanied by a note from Scribner's publishing house that the score is an original manuscript of the composer's arrangement for pianoforte solo. However, Liadov died August 28, 1914. The publisher's note also indicates that it was previously part of the collection of Serge Diaghileff (Diaghilev).
File contains the piccolo and oboe parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The piccolo part was copied by Henrique Martins and the oboe parts were copied by Fran Averede.
Item is a copy of the first edition of Igor Stravinsky's piano arrangement of his ballet, "The Firebird." The ballet was written for the Ballets Russes in Paris, under the direction of Sergei Diaghilev. The piano arrangement was published shortly after the premiere performance on June 25, 1910 at the Théâtre National de l'Opéra.
Item also includes a memo, performance information, and a note regarding the composition's publication by Max Eschig. The score was copied by Henrique Martins and is dedicated to Arminda Neves d'Almeida (Mindinha).
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
Item is an autographed manuscript of the piano part for Heitor Villa Lobos's first piano concerto. File also contains a copy of the autographed manuscript.
Item is the percussion part from a piano concerto written by Heitor Villa-Lobos and dedicated to Ellen Ballon. The part was copied by Henrique Martins.
Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
File contains a first edition publication of Mozart's Piano Concerto No. 23, including the solo piano part and parts for each orchestral instrument (violins, horn, viola, cello, double bass, bassoon, flute, clarinet). The edition was published by J. André of Offenbach.
Item is the second bassoon part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second clarinet part.
Item is the first horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second horn part.
Item is the second horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the first horn part.
Item is the second clarinet part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second bassoon part.
![Concerto para piano e orquestra : [autograph manuscript]](/uploads/r/dalhousie-university-archives/0/c/9/0c981dead27b37c2301c0f1b4dc2b74e90f642bd9bf175de9628394db7365c56/MS-5-2_6_1_access_142.jpg)
![Concerto no. 5 for piano, opus 82 : [piano part]](/uploads/r/dalhousie-university-archives/f/9/e/f9e3696ec5c660992c92c0cdd92a53605ec75313405c015e75f8f90c0b288c6a/MS-5-2_6_2_1_access_142.jpg)
