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Dalhousie University Archives Nova Scotia Costume design
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Show of costume

Item is a recording of the Dalhousie Department of Theatre Show of Costume, presented April 1994. The Show of Costume is an annual event where Costume Studies students showcase their handmade costumes from their own designs in adherence with a common theme. The event was staged at the the Sir James Dunn Theatre.

Costume show master

Item is a recording of the Dalhousie Department of Theatre Show of Costume, presented 13 April 1993. The Show of Costume is an annual event where Costume Studies students showcase their handmade costumes from their own designs in adherence with a common theme. The event was staged at the Sir James Dunn Theatre.

Eyes of time : a show of costumes

Item is a recording of the Dalhousie Department of Theatre Show of Costume: Eyes of Time, presented 14 April 1992. The Show of Costume is an annual event where Costume Studies students showcase their handmade costumes from their own designs in adherence with a common theme. The event was staged at the Sir James Dunn Theatre.

Fashion show

Item is a recording of the Dalhousie Department of Theatre Show of Costume: Eyes of Time, presented 14 April 1992. The Show of Costume is an annual event where Costume Studies students showcase their handmade costumes from their own designs in adherence with a common theme. The event was staged at the Sir James Dunn Theatre.

Fashion show

Item is a videocassette with footage of two productions presented by the Dalhousie Department of Theatre in 1989. The first part of the tape (0:00:00-0:36:00) is a recording of the Dalhousie Department of Theatre production of Happy End by Bertolt Brecht, Kurt Weill and Dorothy Lane, performed from 29 November to 3 December 1989. The production was directed by R.H. Thompson and produced by Dalhousie Theatre Productions with musical direction by Pierre Perron. The production was staged at the Sir James Dunn Theatre. The second part of the tape (0:36:00-1:10:18) is a recording of the Dalhousie Department of Theatre Fashion Show, presented April 1989. The Fashion Show is an annual event where Costume Studies students showcase their handmade costumes from their own designs in adherence with a common theme. The event was staged at the Sir James Dunn Theatre.

Costume design for Parasite

Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.

Costume design for Fly

Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Fly. The sketch shows a male figure wearing the costume.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Holofernes and Sister Nathaniel

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Henry, Sabine, and Mother Metz

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.

Costume design for the Flotes

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the Flotes. The sketch shows three figures wearing the costumes. One of the figures is playing a horn and another is sitting on the ground.

Costume design for Flagelants and Grez

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the flagelants and another character called Grez. The sketch shows Grez looking on while two flagelants flagellate themselves.

Costume design for Evaline

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.

Costume design for Bonville and Madame Bonville

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Boutros Brother #1

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his left leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Viennet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Viennet, a lawyer plague victim. The sketch shows one male figure wearing the costume.

Costume design for various townspeople

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three townspeople. The sketch shows two male figures and one female figure wearing the costumes. One of the male figures is mooning the audience.

Costume design for Bigod

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

Costume design for Father Toulon and Archbishop Monselet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.

Costume design for three lepers

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three lepers. The sketch shows three figures wearing the costumes, two standing and one kneeling.

Costume design for Sonnerie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.

Costume design for Scarron and Druce

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.

Costume design for Sir Charles Rochefort

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sir Charles Rochefort. The sketch shows one male figure wearing the costume and holding a sword.

Costume design for the Pope Clement VI

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.
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