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Archival Description
Nova Scotia Artists
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Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Orenstein, Henry

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry

D.C. MacKay fonds

  • MS-2-280
  • Fonds
  • 1891-1979
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.

Mackay, D.C.

Henry Orenstein's sketches

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1965-2000
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery.

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2009
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Centre for Art Tapes tape collection

  • MS-3-46
  • Collection
  • 1970-2013
Collection contains over 1,300 video and audio tapes created by members or affiliates of the Centre for Art Tapes in Halifax, Nova Scotia. The collection includes works created between 1975 and 2012.

Centre for Art Tapes

Letter to the Joseph Howe Festival

Item is a letter to the Joseph Howe Festival from Roger Savage regarding an exhibition of recent work by artists happening at the Eye Level Gallery.

Minutes of the board's meeting from May 28, 1975

Item is minutes from the board's meeting on May 28, 1975 at the Eye Level Gallery. Members present included Roger Savage, K. MacKeeman, John Greer, Hatti Prentiss, D. Purdy, and Joyce Hanson. The main issue discussed the resignation of the Coordinator, therefore the board voted that no board member could fill the coordinator position, which would have its own selection committee.

Minutes of a meeting of the Eye Level Gallery Board of Directors

Item is handwritten set of minutes of the second meeting of the Board of Directors of Eye Level Gallery, held at an unknown location on November 28, 1974. Present members were John Greer, David Haigh, Karl MacKeeman, Julia Schmitt Healy, and Roger Savage. The lack of any non-artists meant the board did not have quorum according to the rules outlined in the minutes of the first meeting. Nevertheless, the board had a full meeting and made a number of decisions, including the approval of a Michael Fernandes show in January 1975. The board also expressed hope that the Nova Scotia Department of Recreation would "help solve" a budget deficit by providing funds. The membership's early interest in the documentation of the gallery's activities are reflected in the board's decision to photograph each show but not provide an honorarium to photographers.
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