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Halifax (N.S.) Art--Exhibitions
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35 Days of non-Organized art

Item is a poster for an event as part of Eyelevel Unplugged held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

35 Days of non-Organized art

Item is a poster for an event held from April 23 - May 27, 2009, at Eyelevel Gallery. This event was featured as part of Eyelevel Unplugged, a month-long experiment in low-tech and creative administration.

Ordinary people

Item is a poster for the annual members' exhibition entitled "Ordinary people," held from June 28- July 27, 2008, at Eyelevel Gallery.

Billboards

Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.

Life or something like it

Item is a poster for a new media exhibition featuring works by Ian Ingram, John Slepian, and Brandon Vickerd, held from March 18 - April 23, 2005, presented by the Centre for Art and Tapes and Eyelevel Gallery.

Y Level summer symposium on validation

Item is a poster for exhibitions part of Y level summer exhibition series held from June 19-August 19, 1993. The exhibitions at Eye Level Gallery featured works by Vida Simon, Jane Williams, Jordan Broadworth, Leo Toner, Robert Nock, Jane Mothersell, Kelly Mark, Iris Seyler, Kate Monroe, Hall Smith, and Gordon Whiteside.

Dreams Come True Art Auction

Item is a poster for Dreams Come True, an art auction held in support of Eye Level Gallery on November 27, 1987. Chris Huntington was auctioneer and donating artists included Brent Ash, Bruce Barber, Beth Biggs, Robert Bean, Reith Blake, Wayne Boucher, Bruce Campbell, John Clark, Gerard Collins, Alvin Comiter, David Craig, Jane Donovan, Nancy Edell, Leya Evelyn, Cliff Eyland, Gerald Ferguson, Michael Fernandes, Tom Forrestall, Dawna Gallagher Susan Gibson, Martha Glenny, John Greer, Stephen Horne, Alexander Irving, Garry Neill Kennedy, Gordon Laurin, Peter Lawrence, Janice Leonard, Vera Lemecha, Alex Livingston, Barbara Lounder, Glen MacKinnon, Rita McKeough, Robin E. Muller, John Murchie, Wilma Needham, Jane Plant, Vita Plume, Robert Pope, Ed Porter, Bernice Purdy, Felicity Redgrave, Pam Ritchie, Robert Rogers, Leslie Sampson, Rick Sanderson, Roger Savage, Ruth Scheuing, Kristen L. Scholfield-Sweet, Ron Shuebrook, Jim Smith, George Steeves, Kim Truchan, Nicholas Wade, Eric Walker, Ken Ward, Brenda Webster, Gary Wilson, and Chris Woods.

The continuing thread

Item is a poster for a group exhibition of Barbara Luxton, Ann MacGillivray, Vita Plume, Leslie Sampson, and Ruth Scheuing presented by Eyelevel Gallery from January 7-25, 1986. The image on the poster is credited to Clayton & Sons, merchant tailors clothier, Argyle street, (Scotia Square) Halifax circa 1900 Nova Scotia Public Archives.

Audio by artists festival 85

Item is a poster for Audio By Artists Festival 1985, held from March - April 1985. The Audio By Artists Festival 1985 was organized and administrated by David Craig, Andy Dowden, Paula Fairfield, Gordon Laurin, and Micah Lexier.

At eye level

Item is a poster for a group exhibition held from December 4-22, 1984, at Eye Level Gallery. The artists that participated in this event were: Rose Adams, Elizabeth Devine, Cliff Eyland, Alex Livingston, Patrick Mabey, Glen MacKinnon, Paul Miller, Catherine Paul, Julie Schwartz, and Heather Scott.

Object show

Item is a poster for a group exhibition by William Brent Ritchie, Douglas Kirton, Lorinda Moreau, and Martha Townsend held in July 1978 at Eye Level Gallery. The image on the poster is credited to Hartling.

A little taste group exhibition

File contains a poster for an exhibition featuring works by Ryan Arnott, Gary Conway, Michael Fernandes, John Greer, Donald Lindblad, Susanne Paquette, Felicity Redgrave, Roger Savage, and Julia Schmitt-Healy. The exhibition opened Eye Level Gallery's 1977/78 season of exhibitions, performances, and events.

Poster for David MacKenzie's Quick Change exhibition

File contains a poster for Quick Change, an exhibition of photography by David MacKenzie presented at Eye Level Gallery from December 8, 1977 to January 7, 1978. The exhibition featured black and white photographs, sound and a slide show of colour images of people at Peggy's Cove, Nova Scotia.

Black wimmin: when and where we enter : [poster]

Item is a poster for Black Wimmin: When And Where We Enter, a group exhibition presented by the Diasporic African Women's Art collective. The exhibition toured Canada in 1989 and was presented in Halifax, Nova Scotia by Eyelevel Gallery from September 6 - 23, 1989.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2009
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

D.C. Mackay fonds

  • MS-2-280
  • Fonds
  • 1891-1979
Fonds consists of correspondence; printed material, including exhibition pamphlets; research and correspondence pertaining to silver, heraldry; manuscripts; family papers; Mackay's own artwork; artist files; and reference materials.

Mackay, D.C.

Centre for Art Tapes presents the inaugural exhibition for the Centre for Art Tapes local curatorial residency : lies that tell the truth

Item is a poster for The Lies That Tell the Truth, an exhibition presented by the Khyber Institute for Contemporary Arts from July 15 to August 14, 2011. The exhibition was curated by Claire Hodge and Suzanne Caines and featured artists: Adad Hannah; Yam Lau; Alison S. M. Kobayashi; Johanna Householder and b.h. yael; Aoife Collins and Jeanne Ju.

Reclining landscapes

Item is a poster for Reclining Landscapes, an exhibition of works by Ryan Sluggett presented by the Khyber Institute for Contemporary Arts from September 10 to October 9, 2009.

Eyelevel Gallery fonds

  • MS-3-35
  • Fonds
  • 1968-2019
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.

Eyelevel Gallery.

Correspondence related to the Black Wimmin: When And Where We Enter exhibition

Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.

Exclusive memory 4-9-19

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory : Sleeping robot variations

Item consists of a silent video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 7-11-12

Item consists of a video by Tom Sherman. Originally conceived of as an installation, “Exclusive Memory” is based on excerpts of a 6 hour monologue by Sherman to a machine, a computer-based video sensing robot, created by the artist.

Sherman, Tom, 1947-

Exclusive memory 5-8-16

Item consists of a video recording that is based on excerpts of a six hour monologue by Sherman with a computer-based video sensing robot, created by the artist for an exhibition.

Sherman, Tom, 1947-

Joan and Henry Orenstein fonds

  • MS-2-774
  • Fonds
  • [194-?] - [before 2011]
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.

Orenstein, Henry, 1918-2008

Henry Orenstein's sketches

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.

Henry Orenstein's drawings

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.
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