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Archival Description
Opera and operas
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Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Sound recordings

Series contains sound recordings of Sheila Piercey's opera performances, dress rehearsals, auditions, practice sessions, radio broadcast, as well as concert and recital performances with the Canadian Opera Company (COC). Most recordings are on audio reels and cassette tapes.

Personal archives of Linda Moore

  • MS-3-41.2013-044
  • Collection
  • 2000-2010
The records in this series comprise rehearsal scripts, research notes, production notebooks, costume and set sketches, performance programs, media reviews, and related correspondence for theatrical productions directed by Linda Moore between 2000-2010.

Moore, Linda

Practice - inspired by music festival

Item is an audio recording of a practice session by Sheila Piercey in February-March 2006. The recording is on side A of audio cassette. Side B is blank.

The Ring of Nibelung by Wagner : an essay by Anthony Pugh

File contains typescript drafts of Anthony Pugh's last essay on The Ring Cycle by Richard Wagner. Some of the pages include handwritten annotations by Pugh. The file also includes a note from Mary Pugh about the essay and a printout of an email From Anthony Pugh to Adrian Hoffman relating to the essay and Pugh's book on Proust's manuscripts.

Practice session for "O sleep, why dost thou leave me?" (side B)

Item is an audio recording of Sheila Piercey's practice session for "O sleep, why dost thou leave me?" and other songs. The label reads: Practice on March 9, 2002 for MATS recital, Practice on March 17: body not in shape, 68 years old (no sleep). The recording is on side B of audio cassette.

Practice Verdi duet for MATS - March 9, 2002

File is an audio cassette tape with recordings of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002.

Practice Verdi duet for MATS - March 9, 2002 (side A)

File is an audio recording of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002. The recording is on side A of audio cassette.

Rehearsals - MATS October 1993 & CBC Radio Play 1998

File is an audio cassette tape with recordings of Sheila Piercey rehearsing for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito in October 1993 and for the CBC radio play "Road to Rankin's Point " in October 1998.

Othello backstage interviews : track 3

Item is an audio recording of recorded CBC radio backstage interviews with opera singers and the stage makeup artist for the opera "Othello" at the Toronto Canadian Opera Festival at the Royal Alexandra Theatre. The interviews include John Arab, who played the role of Roderigo. The original track was untitled and undated.

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

Rehearsal with Helen Murray for MATS teachers recital (side A)

Item is an audio recording of Sheila Piercey's rehearsal session: The first part of the recording is a rehearsal with Helen Murray for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito. The second part of the recording (22:42) is a rehearsal for a CBC radio play called "Road to Rankin's Point" in October 1998. The recording is on side A of the audio cassette and continues on side B.

Other surprises (side B)

Item is an audio recording by Sheila Piercey of her recitals, practice sessions, and CBC radio recording between the 1950s and 1970s. She re-recorded those old recordings on April 5, 1989 and April 8, 1990, her thoughts and comments are included. The recording is on side B of audio cassette.

CBC radio recording of "Le Rossignol" and few thoughts (side B)

Item is an audio recording of CBC radio regarding the opera "Le Rossignol/The Nightingale" that Sheila Piercey (title role) performed in 1957, followed by a recording on April 8, 1994, of Sheila talking about the early days of her music career as well as her personal life. The recording is on side B of audio cassette.

CBC radio recording of "Le Rossignol" and few thoughts

File is an audio cassette tape with recordings of CBC radio regarding the opera "Le Rossignol/The Nightingale" that Sheila Piercey (title role) performed in 1957, followed by a recording on April 8, 1994, of Sheila talking about the early days of her music career as well as her personal life.

CBC radio recording of "Le Rossignol" and few thoughts (side A)

Item is an audio recording of CBC radio regarding the opera "Le Rossignol/The Nightingale " that Sheila Piercey (title role) performed in 1957, followed by a recording on April 8, 1994, of Sheila talking about the early days of her music career as well as her personal life. The recording is on side A of audio cassette.

Sheila's concert for the deWolfes

File is an audio cassette tape recorded by Sheila Piercey of the opera "Die Fledermaus," undated with handwritten notes on the label inserted in the case that reads:

Side A: Act I Finale - Die Fledermaus, What a joy to be here, Laughing Song, Champagne's Delicious Bubbles, Sing to Love. Act II Finale - Die Fledermaus, Sonia's entrance Merry Widow, Vilia, Love in My Heart, Quite in the modern style, Merry Widow Waltz.

Side B: other surprises." Side B contains an audio recording of Sheila Piercey's recitals, practice sessions, and CBC radio recording between the 1950s and 1970s. She re-recorded those old recordings on April 5, 1989 and April 8, 1990, her thoughts and comments are included.

Philip Glass : From New York to Nova Scotia

File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989.

Episode 9, Philip Glass

File contains one digital recording of the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989.

Philip Glass : From New York to Nova Scotia

File contains documents regarding the creation of the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989. The episode features an interview and music from Glass in Cape Breton. Materials include handwritten production and interview notes, an introduction, praise and awards, a discography, and newspaper articles about Glass.

Gluck's Orphée - February 2, 1988

File is an audio cassette tape with recordings of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette.

Gluck's Orphée - February 2, 1988 (side A)

File is an audio recording of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette. The recording is on side A of audio cassette.

Audition for Georg Tintner at Bethany, May 28, 1988 (side A)

File is an audio recording of Sheila Piercey's practice and rehearsal sessions with Dr. Walter Kemp for audition for Georg Tintner at Bethany United Church in Halifax on May 28, 1988. Handwritten notes on the cassette cover read: 1) Ode to St. Cecilia - Handel 2) O mio Babbino 3) Voi lo sapete Cavalleria 4) Boheme - Musetta
The recording is on side A of audio cassette.

Gluck's Orphée - February 2, 1988 (side B)

File is an audio recording of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette. The recording is on side B of audio cassette.

Audition for Georg Tintner at Bethany, May 28, 1988 (side B)

File is an audio recording of Sheila Piercey's practice and rehearsal sessions with Dr. Walter Kemp for audition for Georg Tintner at Bethany United Church in Halifax on May 28, 1988. Handwritten notes on the cassette cover read: 1) Ode to St. Cecilia - Handel 2) O mio Babbino 3) Voi lo sapete Cavalleria 4) Boheme - Musetta
The recording is on side B of audio cassette.

Audition for Georg Tintner at Bethany, May 28, 1988

File is an audio cassette tape with recordings of Sheila Piercey's practice and rehearsal sessions with Dr. Walter Kemp for audition for Georg Tintner at Bethany United Church in Halifax on May 28, 1988. Handwritten notes on the cover read:
1) Ode to St. Cecilia - Handel
2) O mio Babbino
3) Voi lo sapete Cavalleria
4) Boheme - Musetta

Dress rehearsal of Orphée by Gluck - February 1, 1988

Item is an audio recording of Sheila Piercey's dress rehearsal session of Orphée by Gluck, (Eurydice's solo) at St. Theresa's church in Halifax on February 1, 1988. The recording is on side A of audio cassette. (Side B is blank.)

Vivaldi - Gloria (conclusion) (side B)

Item is an audio recording by Sheila Piercey on November 15, 1987. Handwritten notes on the label inserted in the case read: "Mozart - Divertimento in D, K. 136, Dalhousie Chamber Orchestra, Philippe Djokic (director). Vivaldi - Gloria, Sheila Piercey and Kaye Pottie (sopranos), Pamela MacDonald (contralto), Bethany United Church Choir, Dalhousie Chamber Orchestra, Pierre Perron (director)." The recording is on side B of audio cassette.

Von Stade from Roy Thomson Hall - July 5, 1987 (side B)

File is an audio recording by Sheila Piercey in June-July, 1987 with handwritten notes on the label inserted in the cassette case that reads: "Side A: Maritime Conservatory of Music 100th birthday gala performance at the Rebecca Cohn Auditorium at the Dalhousie Arts Centre, June 18, 1987 (dress performance) rehearsal Side B: Von Stade from Roy Thomson Hall, CBC FM, July 5, 1987 " The recording is on side B of audio cassette.

Vivaldi - Gloria with Bethany United Church Choir - November 15, 1987

File is an audio cassette tape recorded by Sheila Piercey on November 15, 1987, with handwritten notes on the label inserted in the case that reads: "Mozart - Divertimento in D, K. 136, Dalhousie Chamber Orchestra, Philippe Djokic (director). Vivaldi - Gloria, Sheila Piercey and Kaye Pottie (sopranos), Pamela MacDonald (contralto), Bethany United Church Choir, Dalhousie Chamber Orchestra, Pierre Perron (director)."

Dress rehearsal, Orfeo by Pergolesi - June-July, 1987

File is an audio cassette tape recorded by Sheila Piercey in June-July, 1987 with handwritten notes on the label inserted in the case that reads: "Side A: Maritime Conservatory of Music 100th birthday gala performance at the Rebecca Cohn Auditorium at the Dalhousie Arts Centre, June 18, 1987 (dress performance) rehearsal Side B: Von Stade from Roy Thomson Hall, CBC FM, July 5, 1987."

Vivaldi - Gloria, Mozart - Divertimento in D, K. 136 (side A)

Item is an audio recording by Sheila Piercey on November 15, 1987. Handwritten notes on the label inserted in the case read: "Mozart - Divertimento in D, K. 136, Dalhousie Chamber Orchestra, Philippe Djokic (director). Vivaldi - Gloria, Sheila Piercey and Kaye Pottie (sopranos), Pamela MacDonald (contralto), Bethany United Church Choir, Dalhousie Chamber Orchestra, Pierre Perron (director)." The recording is on side A of audio cassette.

Cavalleria rusticana - November 16, 1986 (side B)

Item is an audio recording of Sheila Piercey performing in opera "Cavalleria Rusticana " at the Rebecca Cohn Auditorium at the Dalhousie Arts Centreon on November 16, 1986. Handwritten notes on the label inserted in the case read: "Cavalleria: taped by Lynn Morris, performance at Cohn, Walter Kemp (conductor). "Santuzza" - Sheila Piercey, "Turiddu" - Jeff Morris, "Lucia" - Elvira Gonnella, "Alfio" - Greg Servant, "Lola" - Diane Ashworth, Dalhousie Chorale (choirs)." The recording is on side B of audio cassette.

Cavalleria rusticana - November 16, 1986 (side A)

Item is an audio recording of Sheila Piercey performing in opera "Cavalleria Rusticana " at the Rebecca Cohn Auditorium at the Dalhousie Arts Centreon on November 16, 1986. Handwritten notes on the label inserted in the case read: "Cavalleria: taped by Lynn Morris, performance at Cohn, Walter Kemp (conductor). "Santuzza" - Sheila Piercey, "Turiddu" - Jeff Morris, "Lucia" - Elvira Gonnella, "Alfio" - Greg Servant, "Lola" - Diane Ashworth, Dalhousie Chorale (choirs)." The recording is on side A of audio cassette.

Cavalleria rusticana rehearsal - October 16,1986

File is an audio cassette tape recorded by Sheila Piercey on October 16, 1986, with a handwritten note on the label inserted in the case that reads: "Cavalleria Rusticana rehearsal with Stuart Hamilton at Dalhousie Art Centre with Jeff Morris and Sheila Piercey (Santuzza)."
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