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Archival Description
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Avis (Marshall) McCurdy fonds

  • MS-2-299, SF Box 36, Folders 1-24
  • Fonds
  • 1924-1977
Fonds comprises exam questions, debating notes, dance cards, invitations, sorority notes, pins and other memorabilia from McCurdy's student years at Dalhousie University. There are also records (correspondence, financial statements, clippings, menus) from university reunions in 1938, 1967 and 1977.

McCurdy, Avis Hunter (Marshall)

Lily Fraser Cameron scrapbook

  • MS-14-39, OVR Box 4, Folder 1
  • File
  • 1940
File contains Lily Fraser Cameron's scrapbook created from her attendance at the Nova Scotia Agricultural College. It contains a combination of: - NSAC commencement booklets from 1 May 1940, 30 April 1941, 29 April 1942, 22 April 1943. - Black and White photographs - Newspaper clippings relating to NSAC academics and sports, as well as WWII - Personal letters, postcards, and greeting cards from family and friends - NSAC "winged" crest (sew/iron-on) - Dried flowers and dance cards - Acceptance letter dated May 29142 from the McDonald College of McGill University (stating her as the first female NSAC graduate to attend the agriculture program at McDonald College).

Cameron, Lily Fraser

Marion Reid Smith collection

  • MS-2-829
  • Fonds
  • 1907 - 1973
Collection comprises records collected by Marion Reid Smith during her time as a student at Dalhousie University.

Smith, Marion Reid

Stephen Archibald's student protest photographs

  • MS-2-805
  • Collection
  • 1967 - 1971

Collection comprises 34 mounted photographs of political demonstrations and protest marches organized by Dalhousie students between 1967 and 1970. The photographs were taken by students for the Dalhousie Gazette and/or Pharos yearbook and were compiled and printed by Stephen Archibald for a show in the Student Union Building in Spring 1971. The scope and content notes for the images are drawn from the background information provided by Stephen Archibald, who writes: "The pictures were taken by young men in their late teens and early 20s who had no formal training, but who were drawn to photography because it provided a visual, aesthetic outlet that was missing from their academic university life. We also had no particular political beliefs or insight. The editors at the Gazette were left-leaning during this period so it is not surprising that we were assigned to photograph demonstrations that were organized, in large part or totally, by Dal radicals."

The photographs were printed and mounted by Stephen Archibald on F5 high-contrast paper to exaggerate their graphic nature, and printed full frame, which gives them a black border. As he explains in his notes, this was part of the contemporary aesthetic, ensuring that the viewer was aware that the images were composed in the frame, with nothing edited or cropped out. Most of the photographs are mounted, and the dimensions provided in the physical descriptions do not include the mount board.

Archibald, Stephen