Fonds comprises records created and collected by Paul Cram that document his work as a composer and musician. Record types include primarily music scores and parts — printed and handwritten — composed by Paul Cram for orchestra, small ensemble, jazz quartet and solo instruments. There are also sound recordings (CD and cassette tape) and posters and programs.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.
Subseries contains autographs of musicians, some of which are on concert programs. These concert programs also frequently contain annotations by J.D. Logan about the music performed. Most of the autographs would have been obtained from the musician directly by John Daniel Logan, with the exception of the autograph of the American pianist and composer Louis Morceau Gottschalk (1829-1869) and that of the French operatic soprano Marie Rôze Mapleson (1846-1926).
Subseries contains programs from concerts that John Daniel Logan outside of Canada, predominantly at venues in the United States and the United Kingdom. Many of the programs include annotations by Logan.
File contains two programs from a series of "Popular Concerts" on Saturday afternoons, directed by S. Arthur Chappell. Each of the programs includes musical excerpts and analytical remarks. The concerts featured a variety of performers, all conducted by Mr. Benedict. Performers included M.M. Joachim, L. Ries, Straus, Piatti, Miss. Carola, Arabella Goddard, Annie Edmonds, Henry Blagrove, Zerbini, Paque, Edith Wynne, and Clara Schumann. The programs are from the ninth and twelfth seasons at St. James's Hall in London, England.
Series contains programs from concerts and theatre productions that John Daniel Logan attended. Most of the programs are from Halifax groups, but others include operatic and orchestral performances in Montreal, Ottawa, Toronto, London, New York, and Boston. Series also includes pamphlets about various performers.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Subseries contains programs from concerts that John Daniel Logan attended in Canada, excluding Nova Scotia, predominantly at venues in Toronto and Montreal. Many of the programs include annotations by Logan.
Subseries contains programs from concerts that John Daniel Logan attended in Nova Scotia, predominantly at venues in Halifax. Many of the programs include annotations by Logan.
File contains the program and texts from the songs of "The Flower Queen" or "The Coronation of the Rose: A Cantata in Two Acts" by George F. Root, which was presented at Orpheus Hall on September 13 and 14, 1887. The performances featured Miss. B. Lownds, Mr. King Pooley, Mr. C.J. Ross, Mr. J.R. Forbes, Miss. Taylor, Miss. E. Pickford, Miss. H. Gossip, Miss. E. Wier, Miss. B. Salter, Miss. M. Partridge, Miss. Forbes, Miss. G. Taylor, Miss. Ward, Miss. G. Smithers, and Miss. A. Nichols.
File contains two programs for organ recitals given at St. Matthew's Presbyterian Church, one by Charles M. Courboin of Antwerp, Belgium and the other by Joseph Bonnet of Paris, France. The file also includes a newspaper clipping of a review for Bonnet's organ recital with quotes from John Daniel Logan.
File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.
File contains programs from concerts given at Massey Hall in Toronto, Ontario: Columbian Conservatory Orchestra, conducted by Alfred Bruce with E.H. Painty on piano; the Mendelssohn Choir, conducted by A.S. Vogt; the Mendelssohn Choir, directed by H.A. Fricker; Toronto Symphony Orchestra, conducted by Frank S. Welsman with Margaret Huston (soprano); Toronto Symphony Orchestra with Louise Homer (contralto); Toronto Symphony Orchestra with Mischa Elman (violin); John McCormack (tenor) with Edwin Schneider (piano); and the Oratorio Society of Toronto, conducted by Edward Broome, with the Cleveland Symphony Orchestra, conducted by Nikolai Sokoloff.
File also contains a compilation of all of the programs from the Toronto Symphony Orchestra's 1911-1912 season, inscribed to John Daniel Logan. File also contains some newspaper clippings of concert reviews by "A.E.S.S."
File contains a booklet entitled "Tributes to F.H. Torrington," signed by Frederick Herbert Torrington (founder and conductor of various Toronto festivals, orchestras, choruses, and the Toronto College of Music). The booklet contains reprints of newspaper articles written about Torrington, a list of festivals in Toronto directed by Torrington, and a partial list of works performed in Toronto under his direction.
File contains a program for the carol service given at the Truro Cathedral on Holy Innocents Day (December 28, 1910), as arranged by the late Archbishop Benson.
File contains programs from concerts presented at the Toronto Conservatory of Music, including performances by the Flonzaley Quartet (Adolfo Betti, Alfred Pochon, Ugo Ara, Iwan D'Archambeau); Toronto String Quartette (Frank E. Blachford, Roland Roberts, F. Converse Smith, Frederic Nicolai); and Constance Martin (piano).
File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).
File contains a program from a recital, "Gems from the Oratorios," given at the Universalist Church on Brunswick Street, Halifax by the church choir and various members of the congregation: J.A. Cumming, Miss. L. Collins, Mr. A. Penny, Mr. Ruffell, Mr. A.L. Smith, Mrs. T.L. Covey, Allan M. Reid, Mrs. S. Stead, Mrs. Croucher, Miss. Ouseley, Mr. Herbert Walker, Mrs. Covey, Mr. Abbott Cumming, and Mr. Alexander.
File contains a program from the All Saints' Cathedral in Halifax, Nova Scotia for an organ recital given by George F. Austen with violinist Marian Hensley (January 23, 1912).
File contains two copies of a program from the "Address to the Graduating Classes and Opening of the Organ" (June 6, 1912). The program includes an organ recital by Mr. F.A. Moure, bursar of the university, as well as the organ's specifications and a picture. The organ was built by Cassavant Freres of St. Hyacinth, Quebec.
File contains an official souvenir programme from the Toronto Musical Festival, commemorating the opening of the Arena in Toronto, Ontario. The program includes performances by Nahan Franko and members of the Metropolitan Opera and Philharmonic Orchestras of New York.
File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).
File contains the autograph of the tenor Leo Slezak of the Metropolitan Opera Company, signed on a piece of letterhead from the Toronto Symphony Orchestra.
File contains programs from concerts by Clara Butt and Kennerley Rumford, from their tour of Canada in 1914. File also contains a newspaper clipping with comments from Clara Butt on their Canadian tour and the state of music in Canada. The article mentions performances in Toronto, the Arena in Montreal, and in Vancouver.
File contains three season programs and one season poster for concerts by the Boston Symphony Orchestra, conducted by Pierre Monteux. The file also includes John Daniel Logan's ticket stub from one of the performances and an annotated newspaper clipping of a review by Philip Hale on one of the Symphony's performances. One of the programs is for a concert given for the Handel and Haydn Society Centenary (1815-1915) at the Symphony Hall in Boston, Massachusetts; the program includes extensive historical notes on the Society.
File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.
File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.
Item is a concert program featuring Francesca Peralta, soprano; Julius Theodorowicz , violin; Georges Miquelle, violincello; Theodore Cella, harp; and Alfred De Voto, pianoforte, under the direction of Augusto Vannini.
File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).
File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.
File contains the program from the First Baptist Church in Halifax, Nova Scotia for an organ recital by Joseph Bonnet (December 17, 1920) and three copies of an advertising pamphlet for the concert.
Item is a program for a concert featuring soprano Rosa Raisa, sponsored by the Dramatic Soprano Chicago Opera Association, accompanied by S. Smallens and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a Concord Teachers' Association concert featuring baritone Walter H. Kidder with the Boston Symphony Ensemble under the direction of Augusto Vannini.
File contains two programs with performances by members of the Halifax Ladies Musical Club: "An Evening with Canadian Creative Composers" with a lecture by Dr. J.D. Logan (November 1, 1921) and a "Debate" between the old masters and modern composers (November 21, 1922). File also contains two programs presented by the Club, for performances by the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone and Boris Hambourg) (November 28, 1924) and the Hambourg Trio (Greza de Kresz, Reginald Stewart, and Boris Hambourg) (January 11, 1924).
