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Ellen Ballon fonds
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Letter from Josef Hofmann to Ellen Ballon

File contains a letter from Josef Hoffman granting Ellen Ballon permission to use his name in a scholarship. Hofmann was Ballon's teacher from 1914-1916 in Switzerland.

Hofmann, Josef

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on December 17, 1946. The letter acknowledges a letter Ballon wrote on December 5, 1946 and asks if Ballon performed the world premier of Villa-Lobos's first piano concerto with the Dallas Symphony Orchestra. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on June 2, 1947. Villa-Lobos acknowledges a May 15, 1946 letter from Ballon and provides some information on his compositions, including Caixinha de Boas Festas, the 2nd Suite do Descobrimento do Brasil, and Danses Africaines. The letter refers to Marks Co. as "the true thieves of my musics." Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Heitor and Arminda Villa-Lobos to Ellen Ballon

Item is a handwritten letter from Heitor and Arminda Villa-Lobos to Ellen Ballon written on July 26, 1947. The letter details Villa-Lobos itinerary on a European tour and comments on Ballon's performances of Villa-Lobos' compositions. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. One French postage stamp is affixed to the envelope.

Villa-Lobos, Heitor

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on September 9, 1947. The letter details some potential performances of Villa-Lobos' compositions and his desire to have Ballon perform his music. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Franz Liszt

Item contains a letter written by Franz Liszt to an unidentified person, addressing the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.

Letter from Franz Liszt

File contains a letter written by Franz Liszt to an unidentified person, accompanied by a typed transcription. The letter addresses the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.

Liszt, Franz

Letter from Edvard Grieg

Item is a letter from Edvard Grieg to an unidentifed person. Grieg wrote the letter at his Troldhaugen residence in Bergen Norway on February 10, 1902. It reads: "Dear Sir! Permit me, in bad English, to thank you for your songs & for your essay on my musical work. Both has [sic] given me much pleasure. I also congratulate you to your reputation in America as teacher and composer and beg you kindly to receive from me and my wife our best compliments. Yours faithfully, Edvard Grieg."

Grieg, Edvard, 1843-1907

Letter from Arminda Villa-Lobos to Ellen Ballon

Item is a typed letter from Arminda Villa-Lobos to Ellen Ballon written on May 28, 1947. Arminda writes about her poor English and asks Ballon to write in Portuguese. She also asks if an October 1947 concert in Montreal will be broadcast. This concert was the Canadian premiere of Villa-Lobos' first piano concerto. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Villa-Lobos, Arminda

La paimpolaise : chanson du pêcheurs d'Islande

Item is a vocal score with the melody and lyrics for "La Paimpolaise" by the French singer-songwriter Théodore Botrel (1868-1925). The score and lyrics were handwritten by L. Coyteux Preouèl(?) in Ottawa on April 29, 1908.

Botrel, Théodore

Konzert etüde, op. 22 no. 1

Item is the original score inscribed to Ellen Ballon by Alberto Jonas. Ballon was one of Jonás' students in New York from c. 1916 until 1925.

Jonàs, Alberto

Keep on hopin' : [sheet music]

File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.

Heron-Maxwell, Kathleen

Josef Hofmann with Anton H. at piano

File contains a photograph of a young boy, "Anton H.," playing the piano, helped by his teacher, Josef Hoffman. The photograph was taken in 1930 by Albert Peterson.

In the rushes, Op. 12, no. 3

Item contains the third piece in Rubin Goldmark's composition "In the Forest: Four Piano Compositions." This piece is dedicated to Paolo Gallico.

In the forest : four piano compositions, Op. 12

File contains copies of each of the four compositions: "Titania's Waltz"'; "Weeping Willows"; "In the Rushes"; and "Soughing Pines." The work was dedicated to Paolo Gallico (1868–1955). Each piece bears an inscription to Ellen Ballon, Goldmark's student in 1909. The pieces were published by the Oliver Ditson Company in Boston in 1908.

Goldmark, Rubin

Impromptu pour le piano

Item is a first-edition publication of Chopin's first Impromptu, published by Maurice Schlesinger in Paris, a subsidiary company to A.M. Schlesinger of Berlin. The composition was dedicated to Caroline de Lobau.

Chopin, Fryderyk Franciszek

Harmony workbooks

File contains eleven harmony workbooks used by Ellen Ballon, including notes and exercises. Two books are labelled "Mr. Goldmark Harmony Book," in reference to her harmony teacher in New York, Rubin Goldmark. Another book includes an inserted repertoire list of piano compositions, composers, and times, presumably related to her piano lessons with Rafael Joseffy.

Guia prático : [for piano]

File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.

Villa-Lobos, Heitor

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