Fonds consists of materials collected by Ronald Justin Inness about ships and shipping companies, including pamphlets, manuscripts, clippings, and correspondence. Fonds also contains manuscripts written by Ronald Justin Inness about the Innes' genealogy.
File contains a incoming correspondence from Eugenie Fernandes, the illustrator for Budge Wilson's book "The Fear of Angelina Domino," and copies and drafts of Wilson's outgoing correspondence. The file also contains some of Fernandes' drawings and sketches for the book.
File contains two drafts of Budge Wilson's book "Duff's Monkey Business" and related correspondence with the publisher, Formac Publishing Company Limited, which include early proposed drawings by the illustrator Kim LaFave.
File contains correspondence regarding Budge Wilson's book "Harold and Harold," between Wilson and various people involved in its publication, including Lesley Choyce of Pottersfield Press, Terry Roscoe, the editor (including sketches of possible illustrations), and Sheila Dalton, Wilson's copy editor. The file includes incoming correspondence and copies of Wilson's outgoing correspondence.
File is a reproduction of a sketch from The Nova Scotia Museum Centennial Collection. Inscription: The Medical Warehouse, built about 1850, was situated at the corner of Granville and George Streets. The site is now occupied by the Canadian Imperial Bank of Commerce. After a photograph courtesy of The Nova Scotia Museum.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.
File contains nine drawings of the Dalhousie University mace created by R.L. de C.H. Saunders, a Dalhousie University Professor of Anatomy who designed the mace in 1949. The drawings illustrate details of various parts of the mace. The mace was carved by former Deputy Mayor of Halifax A.H. Macmillan. It is used during convocation ceremonies and stored in University Hall.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.